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    Actor Spotlight

    Prolific Dallas actress exposes carnie roots and obsession with Amy Schumer

    Lindsey Wilson
    May 21, 2015 | 11:45 am

    In Amy Herzog’s Belleville, Abby and Zack are young married Americans living in a funky Paris neighborhood. He’s a doctor without borders; she teaches yoga. In typical dramatic fashion, this seemingly charmed existence is too good to be true, and the audience watches helplessly as dishonesty and insecurity slowly, heartbreakingly break down their relationship.

    Second Thought Theatre is tearing into this 2011 drama with Lee Trull as director and two of Dallas’ most impressive actors: Jenny Ledel and Drew Wall. Though Wall is an artistic associate at STT, and Ledel’s husband, Alex Organ, is the company’s newly appointed artistic director, it’s been a few years since Ledel has been on the STT stage. That’s because she’s been nonstop busy all over Dallas-Fort Worth, working in theater, film and television while also penning her own plays.

    Before she opens in Belleville, which is playing at Bryant Hall from May 20 through June 13, Ledel took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Jenny Ledel

    Role in Belleville: Abby

    Previous work in the DFW area: Wilde/Earnest, The Arsonists, Becky Shaw, The Turn of the Screw, Macbeth and Detroit at Kitchen Dog Theater; Tomorrow Come Today at Undermain Theatre; Julius Caesar and The Taming of the Shrew at Trinity Shakespeare Festival; Twelfth Night, Romeo and Juliet, As You Like It, The Tempest and Hamlet at Shakespeare Dallas; The Glory of Living, Anton in Show Business and Pluck the Day at Second Thought Theatre; On the Eve at Theatre Three and Spacegrove Productions.

    Hometown: Bedford, Texas

    Where you currently reside: Dallas

    First theater role: Mrs. Warren in The Boys Next Door

    First stage show you ever saw: The Velveteen Rabbit at Casa Mañana

    Moment you decided to pursue a career in theater: I honestly don’t remember an exact moment. It just always made sense that I’d end up here.

    Most challenging role you’ve played: Anna in The Arsonists at Kitchen Dog Theater. I doubled as a chorus member, which meant frequent quick changes, difficult music and choreography to learn, and very little stage time and few lines to establish with the audience who I was. Sometimes the smaller roles are the most difficult.

    Special skills: Yoga, roller skating, running, knitting, IT/tech problems, cooking, baking, notary public (not really a skill but I can stamp and sign stuff).

    Something you’re REALLY bad at: Don’t ask me for directions … anywhere. It doesn’t matter if I’ve been there 1,000 times. Don’t ask me for directions. I will either tell you wrong or find out I’ve been going at it the wrong way for a long time. Don’t ask me for directions.

    Current pop culture obsession: Amy Schumer

    Last book you read: Farther Away by Jonathan Franzen

    Favorite movie(s): The Birdcage, Melancholia, From Here to Eternity

    Favorite musician(s): Radiohead, Rachmaninoff, Regina Spektor, the many talented local musicians here

    Favorite song: "Danse Macabre" by Saint Saens

    Dream role: Irina, Masha and Olga in The Three Sisters; Elizabeth Proctor in The Crucible; Blanche and Stella DuBois in A Streetcar Named Desire; Lady Macbeth, Hamlet. Let’s be real — I want to play all the parts in all the shows.

    Favorite play(s): A Streetcar Named Desire, Macbeth, Who’s Afraid of Virginia Woolf, Uncle Vanya, The Three Sisters, Becky Shaw

    Favorite musical(s): Oklahoma (No joke — I love it.) And I really enjoyed Fly By Night at Dallas Theater Center a few years ago.

    Favorite actors/actresses: Cate Blanchett, Tilda Swinton, Dame Judi Dench, Frances McDormand, Marion Cotillard, Juliette Binoche, Viola Davis, Carey Mulligan, Helen Mirren, Meryl Streep, Naomi Watts, Charlotte Gainsboro, Donna Reed, Lucille Ball, Katherine Hepburn, Bette Davis, Olivia de Havilland, Paul Newman, Sam Rockwell, Michael Keaton, Edward Norton, Paul Giamatti, Robin Williams, Bill Murray — I could go on.

    Favorite food: Mashed potatoes

    Must-see TV show(s): Better Call Saul, Last Week with John Oliver, The Comedians, Louie, Broad City

    Something most people don’t know about you: My family used to own and operate a carnival that began, I believe, with my great-great grandfather. I have childhood memories of traveling around with it so we could see my dad during the summer.

    Place in the world you’d most like to visit: Couch space right next to Dame Judi Dench.

    Pre-show warm-up: It really depends on the demands of the show and the particular day in question. If I spend a lot of time on the phone, for example, I may not do a ton of vocal warm-up that evening. I like to do a little yoga to get the breath/mind/body on the same page. I also like to make physical/eye contact with everyone in the show before we start.

    Favorite part about your current role: Abby’s so wonderfully flawed, clinging to things that hurt her, avoiding problems and self-medication. She leaves the room mid-sentence on occasion. She’s in no way a strong female to look up to but a very real human trying and failing.

    Most challenging part about your current role: There’s nudity required, playing drunk, self-mutilation and tracking many props throughout the show. There are many “pauses” in the show: “brief pause,” “pause” and “long pause.” The stage directions are specific and beautiful and deserve the attention to detail Amy Hertzog offers her actors.

    Most embarrassing onstage mishap: Back when I was performing in Romeo and Juliet at Shakespeare Dallas, I had to change into a wedding gown onstage in front of the audience. … The temps outside went up to the 100s, and I accidentally pulled down my underwear when I pulled down my jeans and gave the audience an accidental eyeful … an audience that consisted of my entire extended family. I hoped they didn’t notice, but they absolutely did.

    Career you’d have if you weren’t in theater: I have this non-theater fantasy where I own a B&B and bake/cook all day and teach yoga classes.

    Favorite post-show spot: At my place, in my living room next to my husband Alex Organ and Willis (our cat.)

    Favorite thing about Dallas-Fort Worth: In Dallas, I get to be a part of new works and a full range of classical/contemporary work as well. I also get to perform regularly with friends I’ve known for years and years, which can be like getting a running start on a process. I love that there’s so much theater here, you really can’t see everything.

    I love that it’s a 9-to-5 town, and people take their downtime seriously. I love the restaurants, the sports, the stupid-hot summers and the strange psychology behind the Grassy Knoll.

    Most memorable theater moment: I took some advice while I was living in NYC to volunteer my time at theaters I want to work at. So I volunteered at the Public Theater and for the Cherry Lane Theater. The Cherry Lane didn’t have an intern program — so I asked if I could be it. And they accepted.

    The first show that season was The American Dream and The Sandbox, directed by Edward Albee and starring Kate Mulgrew. I remember putting together an opening night gift for a donor when the Edward Albee came around the corner and asked me what I was doing. After I explained, he remarked “That’s so [expletive] stupid.” Wise words from a man of many.

    Drew Wall and Jenny Ledel in Second Thought Theatre's Belleville.

    Second Thought Theatre presents Belleville
    Photo courtesy of Second Thought Theatre
    Drew Wall and Jenny Ledel in Second Thought Theatre's Belleville.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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