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    Actor Spotlight

    Prolific Dallas actress exposes carnie roots and obsession with Amy Schumer

    Lindsey Wilson
    May 21, 2015 | 11:45 am

    In Amy Herzog’s Belleville, Abby and Zack are young married Americans living in a funky Paris neighborhood. He’s a doctor without borders; she teaches yoga. In typical dramatic fashion, this seemingly charmed existence is too good to be true, and the audience watches helplessly as dishonesty and insecurity slowly, heartbreakingly break down their relationship.

    Second Thought Theatre is tearing into this 2011 drama with Lee Trull as director and two of Dallas’ most impressive actors: Jenny Ledel and Drew Wall. Though Wall is an artistic associate at STT, and Ledel’s husband, Alex Organ, is the company’s newly appointed artistic director, it’s been a few years since Ledel has been on the STT stage. That’s because she’s been nonstop busy all over Dallas-Fort Worth, working in theater, film and television while also penning her own plays.

    Before she opens in Belleville, which is playing at Bryant Hall from May 20 through June 13, Ledel took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Jenny Ledel

    Role in Belleville: Abby

    Previous work in the DFW area: Wilde/Earnest, The Arsonists, Becky Shaw, The Turn of the Screw, Macbeth and Detroit at Kitchen Dog Theater; Tomorrow Come Today at Undermain Theatre; Julius Caesar and The Taming of the Shrew at Trinity Shakespeare Festival; Twelfth Night, Romeo and Juliet, As You Like It, The Tempest and Hamlet at Shakespeare Dallas; The Glory of Living, Anton in Show Business and Pluck the Day at Second Thought Theatre; On the Eve at Theatre Three and Spacegrove Productions.

    Hometown: Bedford, Texas

    Where you currently reside: Dallas

    First theater role: Mrs. Warren in The Boys Next Door

    First stage show you ever saw: The Velveteen Rabbit at Casa Mañana

    Moment you decided to pursue a career in theater: I honestly don’t remember an exact moment. It just always made sense that I’d end up here.

    Most challenging role you’ve played: Anna in The Arsonists at Kitchen Dog Theater. I doubled as a chorus member, which meant frequent quick changes, difficult music and choreography to learn, and very little stage time and few lines to establish with the audience who I was. Sometimes the smaller roles are the most difficult.

    Special skills: Yoga, roller skating, running, knitting, IT/tech problems, cooking, baking, notary public (not really a skill but I can stamp and sign stuff).

    Something you’re REALLY bad at: Don’t ask me for directions … anywhere. It doesn’t matter if I’ve been there 1,000 times. Don’t ask me for directions. I will either tell you wrong or find out I’ve been going at it the wrong way for a long time. Don’t ask me for directions.

    Current pop culture obsession: Amy Schumer

    Last book you read: Farther Away by Jonathan Franzen

    Favorite movie(s): The Birdcage, Melancholia, From Here to Eternity

    Favorite musician(s): Radiohead, Rachmaninoff, Regina Spektor, the many talented local musicians here

    Favorite song: "Danse Macabre" by Saint Saens

    Dream role: Irina, Masha and Olga in The Three Sisters; Elizabeth Proctor in The Crucible; Blanche and Stella DuBois in A Streetcar Named Desire; Lady Macbeth, Hamlet. Let’s be real — I want to play all the parts in all the shows.

    Favorite play(s): A Streetcar Named Desire, Macbeth, Who’s Afraid of Virginia Woolf, Uncle Vanya, The Three Sisters, Becky Shaw

    Favorite musical(s): Oklahoma (No joke — I love it.) And I really enjoyed Fly By Night at Dallas Theater Center a few years ago.

    Favorite actors/actresses: Cate Blanchett, Tilda Swinton, Dame Judi Dench, Frances McDormand, Marion Cotillard, Juliette Binoche, Viola Davis, Carey Mulligan, Helen Mirren, Meryl Streep, Naomi Watts, Charlotte Gainsboro, Donna Reed, Lucille Ball, Katherine Hepburn, Bette Davis, Olivia de Havilland, Paul Newman, Sam Rockwell, Michael Keaton, Edward Norton, Paul Giamatti, Robin Williams, Bill Murray — I could go on.

    Favorite food: Mashed potatoes

    Must-see TV show(s): Better Call Saul, Last Week with John Oliver, The Comedians, Louie, Broad City

    Something most people don’t know about you: My family used to own and operate a carnival that began, I believe, with my great-great grandfather. I have childhood memories of traveling around with it so we could see my dad during the summer.

    Place in the world you’d most like to visit: Couch space right next to Dame Judi Dench.

    Pre-show warm-up: It really depends on the demands of the show and the particular day in question. If I spend a lot of time on the phone, for example, I may not do a ton of vocal warm-up that evening. I like to do a little yoga to get the breath/mind/body on the same page. I also like to make physical/eye contact with everyone in the show before we start.

    Favorite part about your current role: Abby’s so wonderfully flawed, clinging to things that hurt her, avoiding problems and self-medication. She leaves the room mid-sentence on occasion. She’s in no way a strong female to look up to but a very real human trying and failing.

    Most challenging part about your current role: There’s nudity required, playing drunk, self-mutilation and tracking many props throughout the show. There are many “pauses” in the show: “brief pause,” “pause” and “long pause.” The stage directions are specific and beautiful and deserve the attention to detail Amy Hertzog offers her actors.

    Most embarrassing onstage mishap: Back when I was performing in Romeo and Juliet at Shakespeare Dallas, I had to change into a wedding gown onstage in front of the audience. … The temps outside went up to the 100s, and I accidentally pulled down my underwear when I pulled down my jeans and gave the audience an accidental eyeful … an audience that consisted of my entire extended family. I hoped they didn’t notice, but they absolutely did.

    Career you’d have if you weren’t in theater: I have this non-theater fantasy where I own a B&B and bake/cook all day and teach yoga classes.

    Favorite post-show spot: At my place, in my living room next to my husband Alex Organ and Willis (our cat.)

    Favorite thing about Dallas-Fort Worth: In Dallas, I get to be a part of new works and a full range of classical/contemporary work as well. I also get to perform regularly with friends I’ve known for years and years, which can be like getting a running start on a process. I love that there’s so much theater here, you really can’t see everything.

    I love that it’s a 9-to-5 town, and people take their downtime seriously. I love the restaurants, the sports, the stupid-hot summers and the strange psychology behind the Grassy Knoll.

    Most memorable theater moment: I took some advice while I was living in NYC to volunteer my time at theaters I want to work at. So I volunteered at the Public Theater and for the Cherry Lane Theater. The Cherry Lane didn’t have an intern program — so I asked if I could be it. And they accepted.

    The first show that season was The American Dream and The Sandbox, directed by Edward Albee and starring Kate Mulgrew. I remember putting together an opening night gift for a donor when the Edward Albee came around the corner and asked me what I was doing. After I explained, he remarked “That’s so [expletive] stupid.” Wise words from a man of many.

    Drew Wall and Jenny Ledel in Second Thought Theatre's Belleville.

    Second Thought Theatre presents Belleville
    Photo courtesy of Second Thought Theatre
    Drew Wall and Jenny Ledel in Second Thought Theatre's Belleville.
    unspecified
    news/arts

    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
    news/arts

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