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    Actor Spotlight

    Prolific Dallas actress exposes carnie roots and obsession with Amy Schumer

    Lindsey Wilson
    May 21, 2015 | 11:45 am

    In Amy Herzog’s Belleville, Abby and Zack are young married Americans living in a funky Paris neighborhood. He’s a doctor without borders; she teaches yoga. In typical dramatic fashion, this seemingly charmed existence is too good to be true, and the audience watches helplessly as dishonesty and insecurity slowly, heartbreakingly break down their relationship.

    Second Thought Theatre is tearing into this 2011 drama with Lee Trull as director and two of Dallas’ most impressive actors: Jenny Ledel and Drew Wall. Though Wall is an artistic associate at STT, and Ledel’s husband, Alex Organ, is the company’s newly appointed artistic director, it’s been a few years since Ledel has been on the STT stage. That’s because she’s been nonstop busy all over Dallas-Fort Worth, working in theater, film and television while also penning her own plays.

    Before she opens in Belleville, which is playing at Bryant Hall from May 20 through June 13, Ledel took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Jenny Ledel

    Role in Belleville: Abby

    Previous work in the DFW area:Wilde/Earnest, The Arsonists, Becky Shaw, The Turn of the Screw, Macbeth and Detroit at Kitchen Dog Theater; Tomorrow Come Today at Undermain Theatre; Julius Caesar and The Taming of the Shrew at Trinity Shakespeare Festival; Twelfth Night, Romeo and Juliet, As You Like It, The Tempest and Hamlet at Shakespeare Dallas; The Glory of Living, Anton in Show Business and Pluck the Day at Second Thought Theatre; On the Eve at Theatre Three and Spacegrove Productions.

    Hometown: Bedford, Texas

    Where you currently reside: Dallas

    First theater role: Mrs. Warren in The Boys Next Door

    First stage show you ever saw:The Velveteen Rabbit at Casa Mañana

    Moment you decided to pursue a career in theater: I honestly don’t remember an exact moment. It just always made sense that I’d end up here.

    Most challenging role you’ve played: Anna in The Arsonists at Kitchen Dog Theater. I doubled as a chorus member, which meant frequent quick changes, difficult music and choreography to learn, and very little stage time and few lines to establish with the audience who I was. Sometimes the smaller roles are the most difficult.

    Special skills: Yoga, roller skating, running, knitting, IT/tech problems, cooking, baking, notary public (not really a skill but I can stamp and sign stuff).

    Something you’re REALLY bad at: Don’t ask me for directions … anywhere. It doesn’t matter if I’ve been there 1,000 times. Don’t ask me for directions. I will either tell you wrong or find out I’ve been going at it the wrong way for a long time. Don’t ask me for directions.

    Current pop culture obsession: Amy Schumer

    Last book you read:Farther Away by Jonathan Franzen

    Favorite movie(s):The Birdcage, Melancholia, From Here to Eternity

    Favorite musician(s): Radiohead, Rachmaninoff, Regina Spektor, the many talented local musicians here

    Favorite song: "Danse Macabre" by Saint Saens

    Dream role: Irina, Masha and Olga in The Three Sisters; Elizabeth Proctor in The Crucible; Blanche and Stella DuBois in A Streetcar Named Desire; Lady Macbeth, Hamlet. Let’s be real — I want to play all the parts in all the shows.

    Favorite play(s):A Streetcar Named Desire, Macbeth, Who’s Afraid of Virginia Woolf, Uncle Vanya, The Three Sisters, Becky Shaw

    Favorite musical(s):Oklahoma (No joke — I love it.) And I really enjoyed Fly By Night at Dallas Theater Center a few years ago.

    Favorite actors/actresses: Cate Blanchett, Tilda Swinton, Dame Judi Dench, Frances McDormand, Marion Cotillard, Juliette Binoche, Viola Davis, Carey Mulligan, Helen Mirren, Meryl Streep, Naomi Watts, Charlotte Gainsboro, Donna Reed, Lucille Ball, Katherine Hepburn, Bette Davis, Olivia de Havilland, Paul Newman, Sam Rockwell, Michael Keaton, Edward Norton, Paul Giamatti, Robin Williams, Bill Murray — I could go on.

    Favorite food: Mashed potatoes

    Must-see TV show(s):Better Call Saul, Last Week with John Oliver, The Comedians, Louie, Broad City

    Something most people don’t know about you: My family used to own and operate a carnival that began, I believe, with my great-great grandfather. I have childhood memories of traveling around with it so we could see my dad during the summer.

    Place in the world you’d most like to visit: Couch space right next to Dame Judi Dench.

    Pre-show warm-up: It really depends on the demands of the show and the particular day in question. If I spend a lot of time on the phone, for example, I may not do a ton of vocal warm-up that evening. I like to do a little yoga to get the breath/mind/body on the same page. I also like to make physical/eye contact with everyone in the show before we start.

    Favorite part about your current role: Abby’s so wonderfully flawed, clinging to things that hurt her, avoiding problems and self-medication. She leaves the room mid-sentence on occasion. She’s in no way a strong female to look up to but a very real human trying and failing.

    Most challenging part about your current role: There’s nudity required, playing drunk, self-mutilation and tracking many props throughout the show. There are many “pauses” in the show: “brief pause,” “pause” and “long pause.” The stage directions are specific and beautiful and deserve the attention to detail Amy Hertzog offers her actors.

    Most embarrassing onstage mishap: Back when I was performing in Romeo and Juliet at Shakespeare Dallas, I had to change into a wedding gown onstage in front of the audience. … The temps outside went up to the 100s, and I accidentally pulled down my underwear when I pulled down my jeans and gave the audience an accidental eyeful … an audience that consisted of my entire extended family. I hoped they didn’t notice, but they absolutely did.

    Career you’d have if you weren’t in theater: I have this non-theater fantasy where I own a B&B and bake/cook all day and teach yoga classes.

    Favorite post-show spot: At my place, in my living room next to my husband Alex Organ and Willis (our cat.)

    Favorite thing about Dallas-Fort Worth: In Dallas, I get to be a part of new works and a full range of classical/contemporary work as well. I also get to perform regularly with friends I’ve known for years and years, which can be like getting a running start on a process. I love that there’s so much theater here, you really can’t see everything.

    I love that it’s a 9-to-5 town, and people take their downtime seriously. I love the restaurants, the sports, the stupid-hot summers and the strange psychology behind the Grassy Knoll.

    Most memorable theater moment: I took some advice while I was living in NYC to volunteer my time at theaters I want to work at. So I volunteered at the Public Theater and for the Cherry Lane Theater. The Cherry Lane didn’t have an intern program — so I asked if I could be it. And they accepted.

    The first show that season was The American Dream and The Sandbox, directed by Edward Albee and starring Kate Mulgrew. I remember putting together an opening night gift for a donor when the Edward Albee came around the corner and asked me what I was doing. After I explained, he remarked “That’s so [expletive] stupid.” Wise words from a man of many.

    Drew Wall and Jenny Ledel in Second Thought Theatre's Belleville.

    Second Thought Theatre presents Belleville
      
    Photo courtesy of Second Thought Theatre
    Drew Wall and Jenny Ledel in Second Thought Theatre's Belleville.
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    Theater news

    Dallas' Theatre Three asks public for urgent help to keep lights on

    Stephanie Allmon Merry
    May 13, 2025 | 5:13 pm
    Natasha, Pierre, and the Great Comet of 1812 Off Broadway.
    Photo by Chad Batka
    "Natasha, Pierre, and the Great Comet of 1812" ran Off Broadway.

    A longtime Dallas theater company is asking for urgent help. Theatre Three (T3) has made a plea to the community for $200,000 in donations to stay in business.

    In a Facebook post on May 13, they say, "Without immediate and substantial help from our community, we will be forced to close our doors."

    They say they've suffered several years' worth of financial hardships, including effects of the COVID-19 pandemic, and more recently, cuts in arts funding.

    The post says, in part:

    "For 64 years, Theatre Three has been a cornerstone of Dallas’ creative spirit — bringing bold, innovative productions to life and showcasing the extraordinary talent of our local artists, designers, and creatives. We have been an intimate stage for everyone. But now, we face the greatest challenge in our history.

    "After mourning the loss of our beloved Jac Alder, and then, under the leadership of the incredible Jeffrey Schmidt, surviving the immense toll of the COVID-19 pandemic, we find ourselves once again at a significant crossroads. The ongoing erosion of support for the arts has dealt a devastating blow to our funding ...

    Our goal is $200,000. This is not the news we want to share, but it is news that we believe you all would want to know."

    The post is signed by board members Jessica Turner Waugh, Suzanne Burkhead, Rosa Medina-Cristobal, Scott T. Williams, Robert McCollum, Harrison Herndon, David G. Luther, Mia Glogau, and Jon Collins.

    Donations, they say, will help support local artists, staff and creatives to produce their next show, Xanadu; counter the rising costs of rent, insurance, and production; and allow them to retain staff.

    "We know times are tough. But we also know what this theater and its people mean to our city and to the generations who have found meaning, joy, and belonging within its walls," they say. "And that is why we are making this urgent plea. Help us preserve this Dallas institution."

    They end the post with a link to their donation page: https://www.theatre3dallas.com/support/.

    T3's black-box theater Theatre Too's final show of the season is The Mystery of Irma Vep, a fast-paced and campy parody that is on stage now through May 18.

    Theatre Three will close out its current season with Xanadu, a high-energy, roller-skating extravaganza that brings the 1980 cult film to life. Douglas Carter Beane is behind the hilarious book, and music and lyrics are by John Farrar and Electric Light Orchestra (ELO) founding member Jeff Lynne. It is set to run June 5-July 6, 2025.

    In addition to a full season of mainstage productions, Theatre Three offers additional programs for the community throughout the year.

    Monday Night Playwright features unique and affordable opportunities for local writers to showcase their works. Fight Night provides the community and artists alike with movement and other physical skills through monthly stage combat classes.

    The Norma Young Advanced Acting Lab, a collaboration with Booker T. Washington High School for the Performing and Visual Arts, is in its fifth year. Students have access to masterclasses hosted by industry professionals and exclusive insight on the professional production process at Theatre Three, then the course concludes with a professionally produced showcase.

    Theatre Three is located at 2688 Laclede St. in the Quadrangle in Uptown Dallas. For more information in productions and programs, visit their website.

    ---

    Lindsey Wilson contributed to this story.

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