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    Theater Review

    42nd Street staves off disaster with stellar dancing

    Alex Bentley
    Jul 1, 2016 | 2:40 pm

    There are two key components to any good musical: music and dancing. If it falters in either one of those areas, chances are it won’t be a success. Occasionally, the music is so good or the dancing so unnecessary that it can supersede this idea, but it's rare.

    And then you have 42nd Street, a corny-as-hell story with middling-to-bad songs that somehow still wins you over due to its stellar tap dancing. It’s right there in the show’s tagline: “Come and meet those dancing feet,” a line from the titular song. They say nothing about great music or great singing — it’s just about the dancing.

    Of course, there has to be some kind of story to set up the choreography. Set in 1933, Peggy Sawyer (Caitlin Ehlinger) arrives in New York with dreams of being a Broadway star. She hooks on with the budding production of Pretty Lady, the latest surefire hit from director Julian Marsh (Matthew J. Taylor).

    Her talents are immediately apparent to everyone in the show and are contrasted with those of Dorothy Brock (Kaitlin Lawrence), the star who can sing with the best of them but can’t dance worth a lick. The story of a talented newcomer going up against an aging veteran has been told innumerable times, so the plot is utterly predictable.

    Save for a few numbers — “I Only Have Eyes for You,” “Lullaby of Broadway,” “42nd Street” — none of the songs are all that memorable. And even when they are, they are usually just an excuse to set up another spectacular dance number, pushing the singing aside.

    It’s hard to argue with the thrill of seeing such skillful dancing on display. The show opens with an impressive showcase, and then other numbers are thrown in the mix every so often so you don’t concentrate too much on the lesser elements. Everyone in the company is up to the dancing challenge, and the routines are so intricate and nonstop that it leaves the audience exhausted just from watching.

    Were the dancing not so great, the somewhat questionable acting and cheesy storyline would be a much bigger deal. The production, which is based on the 1930s movie and originally debuted in 1980, seems to pay homage to the over-the-top acting style prevalent in '30s. This can either be highly amusing or grating, depending on your point of view.

    While 42nd Street can’t hold a candle to the best shows that Dallas Summer Musicals has brought to town, as a pure display of hoofing, it will leave you breathless.

    ---

    Dallas Summer Musicals will present 42nd Street at the Music Hall at Fair Park through July 10.

    Caitlin Ehlinger and the company of the national tour of 42nd Street.

    National tour of 42nd Street
    Photo by Chris Bennion
    Caitlin Ehlinger and the company of the national tour of 42nd Street.
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    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
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