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    Theater Critic Picks

    These are the 9 can't-miss shows in Dallas-Fort Worth theater for July

    Lindsey Wilson
    Jul 2, 2018 | 9:17 am

    Have you caught your breath yet from June? That was a lot of theater. This month is a little more manageable, but the lineup does include the Festival of Independent Theatres, which pairs up one-act plays from eight indie theater companies over three weeks. There's also a historic collaboration between two big organizations and a timely original work developed by a group of socially conscious teens.

    Here are the 9 shows to see, in order by start date:

    Babel
    Cry Havoc Theater Company, July 5-15
    Following the success of Shots Fired, the documentary theater piece about the 2016 Dallas Police shootings, this youth theater's new work examines gun violence in America and the emotionally charged conversations around it. Inspired by and filled with first-person interviews from people on all sides of the gun violence and gun safety debate, the Elevator Project production in Hamon Hall includes survivors of recent shootings, experts on gun violence, gun owners, politicians, and more. A large-scale public art installation called The Cenotaph will display 8,000 shoes, each representing a person who has lost his or her life to gun violence.

    Hairspray
    Dallas Theater Center and AT&T Performing Arts Center, July 7-15
    The new collaboration between the Tony-winning local company and AT&T's Broadway Series brings Marc Shaiman and Scott Wittman's musical (which is based on John Waters' iconic film) to the Winspear stage. 1960s Baltimore teen Tracy Turnblad just wants to dance on The Corny Collins Show, but in pursuing her dream the curvy teen sparks a social revolution.

    Don't Dress for Dinner
    Stage West, July 12-August 12
    The playwright behind Boeing-Boeing, Marc Camoletti, also penned this madcap farce (Robing Hawdon did this translation) where wild lies pile up, identities and bedrooms are swapped, and romantic plans are thwarted. Though this play was written in the 1960s, director Christie Vela has set it in the '80s, so expect lots of teased hair, legwarmers, and blue eyeshadow.

    Priscilla Queen of the Desert
    Uptown Players, July 13-29
    Speaking of teased hair and blue eyeshadow... "girls just wanna have fun" in this stage adaptation of the1994 Academy Award-winning film, which finds three friends (two drag queens and a transexual) on a road trip in the middle of the Australian Outback. The score is a hit parade of dancefloor favorites, including "It's Raining Men," "I Will Survive," and "Girls Just Wanna Have Fun."

    Festival of Independent Theatres
    July 13-August 4
    FIT's 20th anniversary features eight companies with one-act plays, paired in two-show blocks. In the lineup this year are shows from Camp Death Productions, DGDG (Danielle Georgiou Dance Group), Eccentric Bear Productions, Echo Theatre, Imprint Theatreworks, Laughter League, Prism Movement Theater, and WingSpan Theatre Co. The art exhibitions Revived with Light: An Exploration of Expired Photographic Media and Road Trip – Photographic Journeys of the Dead Photographers Society are also on display at the Bath House Cultural Center, along with live music on weekend evenings in the Bath House's shore level performance space, FIT Underground.

    King Liz
    Amphibian Stage Productions, July 13-August 5
    Kenneisha Thompson stars in Fernanda Coppel's play about the making and breaking of basketball superstars and the power brokers behind them. The story — about sports agent Liz Rico and her new client, a high school basketball superstar with a troubled past — was sold to Showtime and is being developed into a half hour comedy-drama.

    The Revolutionists
    Imprint Theatreworks, July 20-August 4
    Lauren Gunderson's play is a comedic quartet about four real women who lived boldly during the French Revolution: playwright Olympe De Gouges, assassin Charlotte Corday, Haitian rebel Marianne Angelle, and former queen Marie Antoinette. Sometimes a revolution needs a woman's touch.

    Love Never Dies
    Dallas Summer Musicals, July 24-August 5
    Did you know The Phantom of the Opera has a sequel? Andrew Lloyd Webber's follow-up to his smash musical hit premiered in London in 2010, but then mostly faded into obscurity (except for a 2012 DVD recording of the West End production). But now it's on tour! Check in with the Phantom and Christine, who are now in Coney Island 10 years after the big showdown at the Paris Opera House.

    Blues in the Night
    Jubilee Theatre, July 27-August 26

    Set in a rundown Chicago hotel in 1938, this musical revue focuses on three women's relationships with the same "snake of a man" and their interweaving stories told through the torch songs and blues of Duke Ellington, Bessie Smith, Johnny Mercer, Harold Arlen, and Alberta Hunter, among others. Jubilee last performed this one in 2010, and now it's back by popular demand.

    Imprint Theatreworks premieres Lauren Gunderson's The Revolutionists.

    The Revolutionists
    Photo by Ashley H. White
    Imprint Theatreworks premieres Lauren Gunderson's The Revolutionists.
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

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