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    Dallas Theater Win

    Homegrown musical may be on the eve of greatness with New York coup

    Lindsey Wilson
    Jul 6, 2015 | 1:02 pm

    Locally written sci-fi musical On the Eve, which raked in critical accolades during its developmental stagings in Dallas, has scored a spot in the National Alliance of Musical Theatre's 2015 Festival of New Musicals, to be presented in New York City in October.

    Chosen out of more than 200 submissions, On the Eve joins seven other new works, including one penned by pop star Duncan Sheik, whose Tony-winning 2006 musical Spring Awakening is returning to Broadway in the fall.

    Written by Dallas actor Michael Federico and composed by Shawn and Seth Magill of local band Home by Hovercraft, On the Eve imagines a dystopian future where words are secret and sacred, and you can time-travel via hot-air balloon. (Marie Antoinette shows up too.) It first got a staged reading in 2011, then a workshop production at Fair Park in 2012. Theatre Three scooped it up for its mainstage season in 2014.

    "Lee Trull and Kevin Moriarty from Dallas Theater Center approached us after they saw the show at Theatre Three in 2014, and offered to sponsor On the Eve for NAMT festival submission," says Shawn Magill, co-composer and Home by Hovercraft keyboardist. "We submitted last year and made it to the second round. This year DTC graciously offered to sponsor the show again and we re-submitted with minor revisions. We were extremely excited to find out we are in the finals, and are so grateful for the love and support from the Dallas theater community."

    The NATM festival has served as a launching pad for many musicals, including Broadway hits Thoroughly Modern Millie and The Drowsy Chaperone. Commercial and regional producers from around the country will attend the showcase, giving On the Eve national exposure and a possible future life outside of Dallas.

    When submitting the show for the festival, Federico outlined what he hoped NAMT's inclusion would do:

    "While the show is represented clearly on the page, its aesthetic, at times dizzying pace and unique play between text and music truly come to life onstage... Even in small pieces, a live performance of the show paints a clear picture of the powerful effect it can have (and has had) on audiences of all types and ages — how, by the end, they might sing and dance and cheer and cry along with the performers. NAMT offers another vital step in the growth of On the Eve and enables us to show people even a glimpse of its full potential."

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    news/arts

    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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