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    Season Announcement

    Cara Mía Theatre Co.'s stories flow freely across borders during 2018-19 season

    Lindsey Wilson
    Jul 11, 2018 | 2:43 pm
    Rodney Garza in Teatro de Fuga at Cara Mia Theatre Co.
    Rodney Garza in the first Teatro En Fuga.
    Photo courtesy of Cara Mia Theatre Co.

    The 2018-19 season for Cara Mía Theatre Co. is all about new places, new works, and new collaborations — not just at the local level, but national and international too.

    After last season's successful national tour of Deferred Action, the Latino group is taking another politically charged production on the road. It's also bringing back Teatro En Fuga: A Festival of New Works, with titles written by its resident ensemble members, and a new play reading series.

    "We are speaking from the heart of our contemporary Latino experiences with our 18-19 season," says executive artistic director David Lozano. "From a national touring production that touches on the burning issues surrounding immigration to the return of a highly theatrical play for families featuring Mexican folk masks, Cara Mía Theatre's 18-19 season responds to the current political maelstrom with art, culture, and stories that we insist must flow freely across our borders."

    First up is a co-production with Ignite/Arts Dallas called WET: A DACAmented Journey. Written and performed by LA-based Alex Alpharoah and directed by Jaime Castañeda (who's the associate artistic director at California's La Jolla Playhouse), the based-on-a-true-story one-man show chronicles one DACA recipient's ongoing battle of living all but his first three months of life in the United States as an undocumented citizen. With all dates in 2018, its tour schedule is:

    • Theatre Too (Dallas): September 21-30
    • Teatro Vivo (Austin): October 4-7
    • Destinos Latino Theatre Festival (Chicago): October 11-13
    • St. Joseph’s University (West Hartford, Connecticut): October 18-20
    • University of North Texas (Denton): October 31-November 3
    • Arts Emerson (Boston): November 8-25

    Next up is another collab, this time with Mexico City's Laboratorio de la Máscara (Mask Laboratory). Tina's Journey by Berta Hiriart is a bit reminiscent of the popular animated film Coco, as it's about a young girl, her family, and her ancestors who hope to cross the U.S.-Mexico border before the Day of the Dead holidays. For safe-keeping, Tina takes a piece of her native land in her pocket and leaves a trail of marigolds for her ancestors to safely follow her family across the border. However, Tina's new reality in the United States makes her ill to the edge of death. Directed by Alicia Martínez Álvarez, the show uses contemporary and Mexican folk masks and is performed in Spanish with English supertitles. It runs November 15-December 2, 2018, at the Latino Cultural Center.

    The Dallas premiere of Rudolfo Anaya's Bless Me, Ultima starts off 2019, with Lozano at the helm. Based on the award-winning Chicano novel, it tells the story of 6-year-old Antonio Marez and the curandera, or person who heals with herbs and magic, who comes to live with his family in New Mexico during her final days. The tale of faith, healing, and community that's genuine to Mexican-American cultures throughout the Southwest United States runs February 15-March 3, 2019, at the Latino Cultural Center.

    Though the titles are TBA, the second Teatro En Fuga: A Festival of New Works is set for April 12-28, 2019. All plays are works in progress and will be presented as an opportunity to see Cara Mía develop new work from within its company for world-premiere productions in future seasons.

    Sprinkled throughout the season will also be a series of new play readings. First is a collaboration with The Sol Project in New York: Don't Eat the Mangos by Ricardo Pérez González. Three sisters living outside of San Juan, Puerto Rico, are faced with the daunting task of caring for their cancer-stricken Mami and their wheelchair-bound Papi. Despite being paralyzed, Papi still rules his family through fear, intimidation, and the ringing of a small bell. It will be presented in December 2018.

    "What does home mean?" "What does family look like?" "How do we keep our culture's history, stories, and traditions alive?" Grandma’s Empanadas by KJ Sanchez follows in May 2019, asking these questions. This new play explores a community's heritage and identity through music, food, and personal narratives, and was based entirely on interviews with Milwaukee's Latino community.

    Closing out the season is Pilgrimage by Cara Mía managing director Ariana Cook. Running in June 2019, it tells of Caroline, a single white mother to two mixed-race teenagers. After her daughter's attempted suicide, and after years of no word from her children's father, she calls her estranged black mother-in-law for help. Grandma Reese's arrival brings tension and the unraveling of a secret family history, shining a light on the complicated politics of identities and families of mixed race.

    "These plays revel in the beauty of Latinos and people of color while relentlessly speaking to the challenges of our times," says Lozano. "With this new season, Cara Mía Theatre is putting its best foot forward as a cultural institution."

    Single tickets for the main season start at $18, and season passes and memberships range from $50-$250. They can be purchased at www.caramiatheatre.org or by calling the box office at 214-516-0706.

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    Season Announcement

    Big spenders + bigger voices fill Lyric Stage's 2025-26 Dallas season

    Lindsey Wilson
    Jun 18, 2025 | 12:29 pm
    Rocky Horror Picture Show with Tim Curry
    The Rocky Horror Picture Show.
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    For its 2025-26 season, Lyric Stage is pairing a sweet transvestite with Civil War-era sisters, a dance hall hostess with harmonizing ghosts, and a whole bunch of divas with their much-deserved spotlight.

    Now in its 32nd season, the nonprofit Lyric Stage is dedicated to the development and preservation of musicals, having produced more than 125 productions, which include 21 world-premiere musicals and two Off-Broadway shows.

    Under the helm of newish artistic directors Tricia Guenther and Scott Guenther, four of its current shows will take place in its Lyric Studio Space near the Trinity River, with one at Moody Performance Hall in the Dallas Arts District.

    First up (and just in time for Halloween) is The Rocky Horror Show — note the missing "Picture." This is the stage version on which the cult classic movie was later based, but don't worry, audiences are still encouraged to shout at the performers and throw toilet paper and other props.

    Sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.” It runs October 10-26, 2025 at Lyric Stage Studio and is not family-friendly.

    For the holiday season, Forever Plaid - Plaid Tidings brings Francis, Jinx, Smudge, and Sparky back to Earth on the orders of Rosemary Clooney to put a little harmony into a discordant world.

    Stewart Ross' musical is sprinkled with Christmas offerings and audience favorites, like the riotous three-minute-and-eleven-second version of The Ed Sullivan Show, this time, featuring the Rockettes, the Chipmunks, and The Vienna Boys Choir. It runs December 5-21, 2025, at Lyric Stage Studio.

    For one night only, the Dallas Divas return just in time for Valentine’s Day.

    Showcasing some of the most talented voices in Dallas, singing songs ranging from Broadway to pop, the performance is a Lyric Stage tradition. It is February 11, 2026, at Moody Performance Hall.

    Inspired by Federico Fellini’s Night of Cabiria, Sweet Charity explores the turbulent love life of Charity Hope Valentine, a hopelessly romantic but comically unfortunate dance hall hostess in New York City.

    With a tuneful, groovy, mid-1960s score by Cy Coleman, sparkling lyrics by Dorothy Fields, and a hilarious book by Neil Simon, Sweet Charity captures all the energy, humor, and heartbreak of Life in the Big City for an unfortunate but irrepressible optimist. The production is the original 1966 Broadway (not the movie version) with such hit songs as “Big Spender,” “If My Friends Could See Me Now,” “I’m a Brass Band,” and “Baby, Dream Your Dream.” It runs April 17-May 3, 2026, at Lyric Stage Studio.

    Closing out the season is Louisa May Alcott's timeless Little Women, with a book by Allan Knee, lyrics by Mindi Dickstein, and music by Jason Howland.

    The musical follows the adventures of sisters Jo, Meg, Beth, and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested in a woman's creativity. Her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America. It runs July 17-August 2, 2026, at Lyric Stage Studio.

    Season tickets, which range from $40-$60, are available beginning July 1. Lyric Stage is located at 1170 Quaker St. in Dallas.

    dallas divasfederico felliniforever plaidlittle womenlyric stagemoody performance hallnight of cabiriarockettesrocky horror showsweet charitysweet transvestitetheatertime warpvienna boys choirmusical theatremusicals
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