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    Theater Review

    Prism Movement Theater's immersive luchador play gets rowdy at the Wyly

    Lindsey Wilson
    Jul 19, 2021 | 3:16 pm
    Lucha Teotl
    Family honor is on the line in Lucha Teotl.
    Photo courtesy of Prism Movement Theater

    It's been nearly a decade since the Wyly Theatre was turned into a wrestling ring (for Dallas Theater Center's The Elaborate Entry of Chad Deity in 2012), and the arrival of Lucha Teotl proves that that's been far too long.

    The new original work by Prism Movement Theater, which is also part of this season's Elevator Project by the AT&T Performing Arts Center, immerses its audience in the storied history and tradition of lucha libre, or Mexican wrestling. It also brings bloodlust, rivalries, and even some chair-throwing into the ring — warning: come prepared to lose your voice.

    Creators Chris Ramirez and Jeff Colangelo treat their subject with obvious loving respect. Ramirez, a member of the DTC Brierley Resident Acting Company, is a lifelong fan of the sport. Colangelo is a Dallas-based fight director and founding member of Prism, which specializes in stories told through the body instead of the voice.

    Together they have created a 90-minute thrill ride that combines a simple but effective storyline with heart-pumping action, all executed with theatrical flawlessness by real local luchadors.

    In fact, one of the performers behind the mask is Ramirez's own sister, Jennifer. She plays several different foils to Dylan Cantu's Huitzi, a young wrestler making his debut with the Lucha Teotl Alliance.

    Of course, the young "hummingbird," who comes from the Sun family, completely whiffs his first match (against Bobby Garcia's Tezcatlipoca), and later teams up with Luis Palomino's Coyol, an experienced luchador from the Moon family.

    In a move that surprises everyone, including quippy commentators Ana Armenta and Omar Padilla, Coyol doesn't take Huitzi's mask — what would be an insult against his family, which has been in the ring for generations. Instead, they team up, training first to defeat a team played by Guarav Bhaskir and Ramirez, and eventually face the intimidating Quetzalcoatl (Tatiana Gantt) and Xotol (Garcia).

    Of course, that plan quickly goes awry but you won't find any spoilers here. You will, however, find praise for the startlingly real-looking fights, which were coordinated by Aski "The Mayan Warrior," and excellent projections introducing each player, courtesy of Safwan Chowdhury.

    Jonah Gutierrez's lighting design floods the Wyly with atmosphere, and two roving camera operators throw the action up onto a big screen at the back of the theater.

    Not only is the audience encouraged to jeer and cheer loudly, there are paper masks for sale in the lobby and materials to create your own signs before sitting down ("I need to pee" was a popular one the night I attended).

    It may not be "traditional" theater, but this drama of honor is a refreshing approach unlike anything traditional theatergoers might normally experience. And it's a damn good night of fun.

    --

    Prism Movement Theater's Lucha Teotl runs at the Wyly Theatre through July 24.

    sportstheaterreviews
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    Season Announcement

    Big spenders + bigger voices fill Lyric Stage's 2025-26 Dallas season

    Lindsey Wilson
    Jun 18, 2025 | 12:29 pm
    Rocky Horror Picture Show with Tim Curry
    The Rocky Horror Picture Show.
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    For its 2025-26 season, Lyric Stage is pairing a sweet transvestite with Civil War-era sisters, a dance hall hostess with harmonizing ghosts, and a whole bunch of divas with their much-deserved spotlight.

    Now in its 32nd season, the nonprofit Lyric Stage is dedicated to the development and preservation of musicals, having produced more than 125 productions, which include 21 world-premiere musicals and two Off-Broadway shows.

    Under the helm of newish artistic directors Tricia Guenther and Scott Guenther, four of its current shows will take place in its Lyric Studio Space near the Trinity River, with one at Moody Performance Hall in the Dallas Arts District.

    First up (and just in time for Halloween) is The Rocky Horror Show — note the missing "Picture." This is the stage version on which the cult classic movie was later based, but don't worry, audiences are still encouraged to shout at the performers and throw toilet paper and other props.

    Sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.” It runs October 10-26, 2025 at Lyric Stage Studio and is not family-friendly.

    For the holiday season, Forever Plaid - Plaid Tidings brings Francis, Jinx, Smudge, and Sparky back to Earth on the orders of Rosemary Clooney to put a little harmony into a discordant world.

    Stewart Ross' musical is sprinkled with Christmas offerings and audience favorites, like the riotous three-minute-and-eleven-second version of The Ed Sullivan Show, this time, featuring the Rockettes, the Chipmunks, and The Vienna Boys Choir. It runs December 5-21, 2025, at Lyric Stage Studio.

    For one night only, the Dallas Divas return just in time for Valentine’s Day.

    Showcasing some of the most talented voices in Dallas, singing songs ranging from Broadway to pop, the performance is a Lyric Stage tradition. It is February 11, 2026, at Moody Performance Hall.

    Inspired by Federico Fellini’s Night of Cabiria, Sweet Charity explores the turbulent love life of Charity Hope Valentine, a hopelessly romantic but comically unfortunate dance hall hostess in New York City.

    With a tuneful, groovy, mid-1960s score by Cy Coleman, sparkling lyrics by Dorothy Fields, and a hilarious book by Neil Simon, Sweet Charity captures all the energy, humor, and heartbreak of Life in the Big City for an unfortunate but irrepressible optimist. The production is the original 1966 Broadway (not the movie version) with such hit songs as “Big Spender,” “If My Friends Could See Me Now,” “I’m a Brass Band,” and “Baby, Dream Your Dream.” It runs April 17-May 3, 2026, at Lyric Stage Studio.

    Closing out the season is Louisa May Alcott's timeless Little Women, with a book by Allan Knee, lyrics by Mindi Dickstein, and music by Jason Howland.

    The musical follows the adventures of sisters Jo, Meg, Beth, and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested in a woman's creativity. Her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America. It runs July 17-August 2, 2026, at Lyric Stage Studio.

    Season tickets, which range from $40-$60, are available beginning July 1. Lyric Stage is located at 1170 Quaker St. in Dallas.

    dallas divasfederico felliniforever plaidlittle womenlyric stagemoody performance hallnight of cabiriarockettesrocky horror showsweet charitysweet transvestitetheatertime warpvienna boys choirmusical theatremusicals
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