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    Theater Review

    Dallas theater company does debauchery well in Trainspotting

    Lindsey Wilson
    Aug 12, 2016 | 4:23 pm

    Irvine Welsh's Trainspotting has never been for the faint of heart. The raw look at addiction and ennui in 1980s Edinburgh was first a book, then a play, then a cult film by Danny Boyle that starred Ewan McGregor and Jonny Lee Miller. Large portions of each incarnation are hard to stomach.

    But L.I.P. Service doesn't have time for your squeamishness. Inside the ICT rehearsal studio in Irving, the air is thick with haze and smoke. Lasers flash, cans of cheap beer are cracked open by surly bartenders, and nubile forms writhe in dark corners, groping, fighting, dancing, and sometimes even snorting white powder from tiny packets.

    A particularly steamy make-out session begins in front of the mismatched tables and chairs where the small audience is clustered. Clothes are rapidly shed, and the show officially begins.

    Director Ryan Matthieu Smith makes it clear early on that the only concession his production makes is that it keeps its audience voyeurs. As close as they come, and as many (fake and real) bodily fluids fly, the actors never truly invade your personal space. That's important to remember, because this production is so relentless that it's easy to forget most of the time it's only a play.

    Carrying the brunt of the 95-minute show is Dustin Simington as Mark Renton, a deceptively charming narrator who's driven by finding his next hit. He and his friends spend their time cooking up and hooking up, drifting — violently, at times — through life. Unlike the film, the play doesn't have much of a plot other than Mark's Sisyphusian task to get clean, so it falls to the actors to make each of their stories interesting.

    Connor Wedgeworth brings the heart as sweet Tommy, who only turns to heroin when his girlfriend (Jad Brennan Saxton in one of several roles) dumps him. Caleb Pieterse is a right arse as the sadistic Begbie, while Jason Villarreal is sass and serenity combined as the DJ known as Mother Superior.

    In a brilliant bit of casting Lauren Mishoe plays Sick Boy, projecting masculinity without falling into the realm of male impersonator. An angelic Erika Larsen looks entirely too clean as Alison, especially compared to the rest of the greasy-haired, raccoon-eyed cast, which is filled out by several ensemble members scattered throughout the studio.

    Before even entering you're ominously cautioned by a handwritten sign spelling out the debauchery that waits inside. It's just the start, and don't say they didn't warn you.

    ---

    L.I.P. Service Productions' Trainspotting plays through August 20 at Rudy Seppy Studio in Irving.

    Stephanie Campbell and Dustin Simington in Trainspotting.

    Dustin Simington in Trainspotting
    Photo courtesy of L.I.P. Service Productions
    Stephanie Campbell and Dustin Simington in Trainspotting.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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