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    Theater Review

    Dallas theater company does debauchery well in Trainspotting

    Lindsey Wilson
    Aug 12, 2016 | 4:23 pm

    Irvine Welsh's Trainspotting has never been for the faint of heart. The raw look at addiction and ennui in 1980s Edinburgh was first a book, then a play, then a cult film by Danny Boyle that starred Ewan McGregor and Jonny Lee Miller. Large portions of each incarnation are hard to stomach.

    But L.I.P. Service doesn't have time for your squeamishness. Inside the ICT rehearsal studio in Irving, the air is thick with haze and smoke. Lasers flash, cans of cheap beer are cracked open by surly bartenders, and nubile forms writhe in dark corners, groping, fighting, dancing, and sometimes even snorting white powder from tiny packets.

    A particularly steamy make-out session begins in front of the mismatched tables and chairs where the small audience is clustered. Clothes are rapidly shed, and the show officially begins.

    Director Ryan Matthieu Smith makes it clear early on that the only concession his production makes is that it keeps its audience voyeurs. As close as they come, and as many (fake and real) bodily fluids fly, the actors never truly invade your personal space. That's important to remember, because this production is so relentless that it's easy to forget most of the time it's only a play.

    Carrying the brunt of the 95-minute show is Dustin Simington as Mark Renton, a deceptively charming narrator who's driven by finding his next hit. He and his friends spend their time cooking up and hooking up, drifting — violently, at times — through life. Unlike the film, the play doesn't have much of a plot other than Mark's Sisyphusian task to get clean, so it falls to the actors to make each of their stories interesting.

    Connor Wedgeworth brings the heart as sweet Tommy, who only turns to heroin when his girlfriend (Jad Brennan Saxton in one of several roles) dumps him. Caleb Pieterse is a right arse as the sadistic Begbie, while Jason Villarreal is sass and serenity combined as the DJ known as Mother Superior.

    In a brilliant bit of casting Lauren Mishoe plays Sick Boy, projecting masculinity without falling into the realm of male impersonator. An angelic Erika Larsen looks entirely too clean as Alison, especially compared to the rest of the greasy-haired, raccoon-eyed cast, which is filled out by several ensemble members scattered throughout the studio.

    Before even entering you're ominously cautioned by a handwritten sign spelling out the debauchery that waits inside. It's just the start, and don't say they didn't warn you.

    ---

    L.I.P. Service Productions' Trainspotting plays through August 20 at Rudy Seppy Studio in Irving.

    Stephanie Campbell and Dustin Simington in Trainspotting.

    Dustin Simington in Trainspotting
    Photo courtesy of L.I.P. Service Productions
    Stephanie Campbell and Dustin Simington in Trainspotting.
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    Theater Critic Picks

    DFW theater heats up with 14 must-see shows this February

    Lindsey Wilson
    Feb 2, 2026 | 9:03 am
    Kitchen Dog Theater presents Pompeii!!
    Photo by Jordan Fraker
    Kitchen Dog Theater is opening its new performance space with a remounting of 'Pompeii!!'

    It's cold outside but hot onstage, as evidenced by this extra-large list of plays and musicals opening in Dallas-Fort Worth this month. From theater festivals to one-night-only concerts, world premieres and returns to old favorites, there truly is something for everyone in February.

    Here are 14 shows appearing in Dallas-Fort Worth theaters in January, listed in order of start date:

    Hype Man: A Break Beat Play
    Jubilee Theatre, through February 28
    A pulse-pounding, thought-provoking work by Idris Goodwin that explores friendship, accountability, and the often-unseen creative forces shaping hip-hop culture. It follows three artists on the brink of a breakthrough: a rising rap star, his longtime hype man, and a gifted woman beat maker whose sound fuels their success. When an unexpected crisis erupts on the eve of a career-defining performance, all three must confront difficult truths about loyalty, responsibility, and whose voices are truly heard when the spotlight hits.

    Gem of the Ocean
    Soul Rep Theatre Company, February 5-22
    Set in 1904, August Wilson's Gem of the Ocean begins the playwright's legendary Century Cycle with a spiritual journey toward freedom and redemption. Through the mystical presence of Aunt Ester, a 285-year-old spiritual guide, Wilson weaves a powerful meditation on memory, responsibility, and Black survival.

    Pompeii!!
    Kitchen Dog Theater, February 11-March 8
    Opening their brand-new home in the Design District, Kitchen Dog Theater co-artistic directors Christopher Carlos and Tina Parker will direct a remounting of the company's first-ever company-created musical. Under the shadow of a volcano, the citizens of Pompeii sing, dance, and tell jokes in this zany vaudeville show. It's togas and tap shoes, centurions and sing-alongs in the timely satire of nationalistic hubris and narcissistic excess.

    Medea/Liturgia
    Cara Mía Theatre, February 7-22
    This world premiere of a contemporary, multimedia adaptation of the Greek tragedy Medea is written and directed by Diego Fernando Montoya, Colombia’s 2025 National Playwriting Award winner. The production reimagines Medea through a modern lens that confronts imperialism, immigration, and rebellion.

    22nd International Theatre Festival
    Teatro Dallas, February 7, 14, 21
    The festival takes place over three weeks, featuring three separate productions from Portugal, England, and Argentina.

    Six
    Broadway at the Bass, February 10-15
    Divorced, beheaded, died, divorced, beheaded, survived. From Tudor queens to pop icons, the six wives of Henry VIII take the microphone to remix 50 years of historical heartbreak into a euphoric celebration of 21st-century girl power.

    Dallas Divas
    Lyric Stage, February 11
    This one-night-only event serves as a fundraiser for Lyric Stage, with some of Dallas' most talented voices singing songs that run the gamut from Broadway to pop.

    Bull in a China Shop
    Amphibian Stage, February 11-March 1
    This is an explosive queer romantic comedy set amidst the fight for women’s rights. Galloping across four decades at Mount Holyoke, Mary Woolley and Jeannette Marks light fires in the classroom and in the bedroom. As their ambitions grow bolder, so do the cracks in their relationship.

    The Skin of Our Teeth
    Undermain Theatre, February 12-March 8
    Thornton Wilder’s classic three-part allegory about the resilience of mankind centers on the Antrobus family of the fictional town of Excelsior, New Jersey. The epic comedy-drama follows the family through an impending Ice Age, a world war, and a devastating flood, all of which they survive by the skin of their teeth.

    The Great Gatsby
    Broadway Dallas, February 17-March 1
    Based on the classic American novel by F. Scott Fitzgerald, this musical is an unforgettable journey of love, wealth, and tragedy that brings the Roaring Twenties to life onstage.

    Penelope
    Theatre Three, February 19-March 22
    What’s Penelope been up to since Odysseus went off to war? She’s had a few drinks and started a band! So go ahead and grab a drink too, and listen to this ancient tale made new with a beautiful folk-inflected pop score about a woman wondering who she is if she’s alone, and discovering that she has, is, and will always be complete, with her husband by her side or otherwise.

    Where We Stand
    Dallas Theater Center, February 25-March 22
    Your town stands at a crossroads. A neighbor, desperate and out of options, has struck a dangerous bargain. Now their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic. The play, making its regional premiere, is a co-production with Stage West.

    You Must Wear a Hat
    Echo Theatre, February 26-March 14
    Two survivors of a climate apocalypse strive to preserve their humanity, and community.

    Hairspray
    Casa Mañana, February 27-March 8
    Set in 1962 Baltimore, the musical follows Tracy Turnblad, a big-hearted teen with dreams of dancing on The Corny Collins Show. As she fights for a chance to shine, Tracy challenges outdated norms and pushes for a more inclusive future. RuPaul's Drag Race star Nina West plays Edna Turnblad.

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