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    Theater Review

    Dallas theater company does debauchery well in Trainspotting

    Lindsey Wilson
    Aug 12, 2016 | 4:23 pm

    Irvine Welsh's Trainspotting has never been for the faint of heart. The raw look at addiction and ennui in 1980s Edinburgh was first a book, then a play, then a cult film by Danny Boyle that starred Ewan McGregor and Jonny Lee Miller. Large portions of each incarnation are hard to stomach.

    But L.I.P. Service doesn't have time for your squeamishness. Inside the ICT rehearsal studio in Irving, the air is thick with haze and smoke. Lasers flash, cans of cheap beer are cracked open by surly bartenders, and nubile forms writhe in dark corners, groping, fighting, dancing, and sometimes even snorting white powder from tiny packets.

    A particularly steamy make-out session begins in front of the mismatched tables and chairs where the small audience is clustered. Clothes are rapidly shed, and the show officially begins.

    Director Ryan Matthieu Smith makes it clear early on that the only concession his production makes is that it keeps its audience voyeurs. As close as they come, and as many (fake and real) bodily fluids fly, the actors never truly invade your personal space. That's important to remember, because this production is so relentless that it's easy to forget most of the time it's only a play.

    Carrying the brunt of the 95-minute show is Dustin Simington as Mark Renton, a deceptively charming narrator who's driven by finding his next hit. He and his friends spend their time cooking up and hooking up, drifting — violently, at times — through life. Unlike the film, the play doesn't have much of a plot other than Mark's Sisyphusian task to get clean, so it falls to the actors to make each of their stories interesting.

    Connor Wedgeworth brings the heart as sweet Tommy, who only turns to heroin when his girlfriend (Jad Brennan Saxton in one of several roles) dumps him. Caleb Pieterse is a right arse as the sadistic Begbie, while Jason Villarreal is sass and serenity combined as the DJ known as Mother Superior.

    In a brilliant bit of casting Lauren Mishoe plays Sick Boy, projecting masculinity without falling into the realm of male impersonator. An angelic Erika Larsen looks entirely too clean as Alison, especially compared to the rest of the greasy-haired, raccoon-eyed cast, which is filled out by several ensemble members scattered throughout the studio.

    Before even entering you're ominously cautioned by a handwritten sign spelling out the debauchery that waits inside. It's just the start, and don't say they didn't warn you.

    ---

    L.I.P. Service Productions' Trainspotting plays through August 20 at Rudy Seppy Studio in Irving.

    Stephanie Campbell and Dustin Simington in Trainspotting.

    Dustin Simington in Trainspotting
    Photo courtesy of L.I.P. Service Productions
    Stephanie Campbell and Dustin Simington in Trainspotting.
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    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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