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    Season Announcement

    Teatro Dallas explores space and memory for 2019-20 season

    Lindsey Wilson
    Aug 22, 2019 | 12:44 pm
    The Play Company's NYC production of Villa
    A scene from Villa, performed by The Play Company in New York.
    Photo courtesy of The Play Company

    For her first full season as artistic director, Sorany Gutiérrez is exploring the themes of space, memory, and architecture through a regional premiere, an original commission, and international performances.

    Gutiérrez is directing the first show, the regional premiere of Guillermo Calderon's Villa. The slyly surprising and gripping play puts us in the room with three women charged with deciding the future of the Villa Grimaldi, an infamous detention camp of Chile's Pinochet government. It runs October 17-November 2, 2019.

    The new year kicks off with the 18th International Performance Festival, featuring three multidisciplinary works from artists based all over the world.

    Belonging to No One is a solo piece of physical theater and new circus created and performed by Roberto Diaz from Cologne, Germany. Inspired by the book of poems Conversation in the Dark written by the Colombian writer Horacio Benavides, this work explores the echo of what war leaves behind. It plays January 25, 2020.

    Paper Piel is a multidisciplinary experience created by dancers and choreographers Jimena Bermejo and Michael Figueroa, in collaboration with Boston-based musician Chris Brokaw. The work explores the cartography of the body and its relationship to paper, which is tied to the migration of information. It plays February 1, 2020.

    Xtabay (La Sombra) is a vanguard, operatic blend of Mayan-goth. A performance based on texts by Edgar Allen Poe and Charles Baudelaire and directed by Eduardo Ruiz Savinon, this original work is presented by Teatro Gotico from Mexico City. Xtabay explores the existence of our alternate, shadow-selves. It plays February 8, 2020.

    Gutiérrez directs again in the spring, this time a world premiere original commission by Bernardo Mazon Daher. Cement City is the untold story about the community that constructed Dallas, and is based on interviews, research, and drone footage. The West Dallas neighborhood once known as Cemento Grande comes to life in an immersive experience that explores urban amnesia. It runs March 26-April 11, 2020.

    The season closes with Omar Padilla's bilingual Tlali: When We Were Earth, also directed by Gutiérrez. Using puppetry, instruments, and imaginative costumes made from recycled materials, a young boy takes the audience on an interactive journey into ancient roots that reveal how we can care for our greatest treasure: the earth. It plays June 20, 2020.

    All performances will take place at the Latino Cultural Center, and more information and tickets can be found at www.teatrodallas.org or by calling 214-689-6492.

    A 2019-2020 season kick-off celebration is scheduled for September 19 (which also happens to be North Texas Giving Day) from 6-8 pm at The Wild Detectives.

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    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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