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    Dallas Artists on the Rise

    Emerging Dallas artists get their moment in the sun at Turner House fundraiser

    Kendall Morgan
    kendall Morgan
    Sep 3, 2013 | 9:22 am

    Oak Cliff may not yet be a hot spot for Dallas galleries, but the neighborhood’s most enduring arts organization is hoping to change that status with an aesthetically inclined fundraiser.

    Home to the Oak Cliff Society of the Arts, the 101-year-old Turner House debuts it “Rising Star” exhibition and fundraiser September 28-29, highlighting the work of 12 talents on the rise. Some of our best contemporary art galleries — including Barry Whistler, Conduit, Craighead Green, Cris Worley, David Dike, Galleri Urbane, Holly Johnson, Mary Tomás Studio, Photographs Do Not Bend, Reading Room, Valley House and Talley Dunn — have each selected the work of an artist who is not yet represented in the city.

    “We’re really trying to give [the artists] an opportunity to get their work known to a much broader public,” says co-chair Kenda North.

    “Some have had training and been fairly active professionally, and some have not,” says event co-chair Kenda North, an artist and photography professor at the University of Texas at Arlington. “Our criteria was that they don’t have a lot of exposure in the Dallas scene.

    “Generally, the gallery directors selected artists who have crossed through their door they were impressed with. We’re really trying to give them an opportunity to get their work known to a much broader public.”

    The vetting process began in early summer, with the finalists chosen a week ago. Attendees at the September 28 fundraiser, which features a presentation on contemporary Texas art by gallerist Barry Whistler, can purchase pieces ranging from $500 to $3,500. The general public can see the exhibition for free on Sunday.

    For North and her co-chair Diana Pollak of the Creative Arts Center of Dallas, the weekend will also be an opportunity for those unfamiliar with Turner House to learn why this historic Winnetka Heights building has been a center for art, music, poetry, literature and drama since the OCSFA took it over in 1938.

    “[Turner House] was owned privately for some time before the OCSFA became its stewards, and in the last 10 to 12 years, a group of people have come together to pull it back to its former glory. People love to walk through it; we have a collection of early Texas art on display, and there are beautiful stained glass windows and beautiful architecture.”

    North says the regaining of Turner House’s former status will only help make the neighborhood a destination for more than just the hottest new restaurant. “As we renovate the house, it can continue to be a vital community partner,” she says. “People call it the Bishop Eats District, but those of us who live here are pretty convinced Oak Cliff is the center of the universe.”

    ---

    The “Rising Star” exhibition and fundraiser opens Saturday, September 28, 7-9 pm. Tickets are $50 for OCSFA members and $75 for non-members. There is a free public reception Sunday from 6-8 pm. For more information and tickets, visit the Turner House website.

    Aubree Dale at Mary Tomas Gallery.

    Aubree Dale
    Photo courtesy of Mary Tomas Gallery
    Aubree Dale at Mary Tomas Gallery.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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