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    Pretty Pictures

    Movie stars, fashion icons and rock gods: The alluring work of Inez and Vinoodhglamorizes the Dallas Contemporary

    Kendall Morgan
    Sep 24, 2012 | 11:58 pm
    • Photo by Jerry McClure
    • The artwork captures the attention of a fashionable trio.
      Photo by Jerry McClure
    • Photo by Jerry McClure
    • Pretty Much Everything is on display through December 30 at the DallasContemporary.
      Photo by Jerry McClure
    • Photo by Jerry McClure
    • Photo by Jerry McClure
    • Photo by Jerry McClure
    • Inez and Vinoodh's contemporary photos intrigue a matching couple.
      Photo by Jerry McClure
    • Photo by Jerry McClure
    • Inez talks shop with art enthusiasts.
      Photo by Jerry McClure
    • A guest captures the moment via iPhone.
      Photo by Jerry McClure

    Bono. Javier Bardem. Penélope Cruz. Michael Douglas. Bryan Ferry. James Franco as Adam Ant. Lady Gaga. Scarlett Johansson. Doutzen Kroes. Madonna. Alexander McQueen. Kate Moss. Bill Murray. Sean Penn. Lady Gaga, again. Vanessa Redgrave. Mickey Rourke. Anja Rubik. Vivienne Westwood. And, yes — again and again — Lady Gaga.

    The stars of stage, screen and fashion turned up on the walls of the Dallas Contemporary September 22, captured in intimate moments by superstar Dutch photographers Inez van Lamsweerde and Vinoodh Matadin. A combination of black-and-white portraits and larger-than-life Technicolor fashion shots, Pretty Much Everything, on display until December 30,encompasses nearly three decades of the duo’s work — from a self-portrait of a very young Inez to a recent larger-than-life image of the glamazon Gisele.

    Best known for their iconic images in Vogue Paris, New York Times, Purple, V Magazine and W (as well as campaigns for Balenciaga, Chanel, Christian Dior, Chloe, Givenchy and Gucci), the duo originally conceived the show while collecting work for their Taschen monograph of the same name.

    The process led to a 2010 exhibit at FOAM Fotografiemuseum in Amsterdam, followed by another at the Bienal Pavilion in São Paulo, Brazil. The Dallas Contemporary gave them more space to work with, expanding the focus with a screening room highlighting video work for the likes of Balmain, Bjork and Yves Saint Laurent.

    “Because the space was so big, we could print more work,” said Vinoodh, as the pair’s 9-year-old son, Charles Star Matadin, ran up clad in miniature checkerboard Vans that matched his father’s. “And it’s great to be able to show the 27 videos we’ve done over the last few years, because we’ve never been able to do that until now.”

    Pretty Much Everything is a very apt name for the exhibition, as the more than 300 photos that hang in the Contemporary’s two largest galleries are “a reflection on how the images in our heads relate and exist together,” according to Inez. The way each piece is hung is significant, with subjects positioned near each other due to their status as friends, lovers or collaborators.

    “Each pairing has a meaning,” she explained.” “The show is huge, but it is very fluid and flows from one area to another. It was created by two people with two brains, working together.”

    Among those spotted admiring the art: Stuart Glass, Christie and Kit Sheffield, Karla McKinley, Nancy Rogers, Dan Pritchett,Matt Giese and Christie Smith.

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    Budget Cuts

    Funding cuts force Dallas Children's Theater to trim 2025-26 season

    Lindsey Wilson
    Jun 3, 2025 | 1:38 pm
    Dallas Children's Theater presents James and the Giant Peach
    Photo courtesy of Dallas Children's Theater
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    The upcoming 2025-26 season for Dallas Children's Theater is shrinking, according to a new communication from its leadership.

    A June 2 email signed by executive director Samantha Turner, board president Leah Mora, and recently appointed artistic director Emily Ernst informs supporters that due to "the significant financial challenges of the current environment," DCT will be reducing the upcoming season from five mainstage shows to three.

    The email doesn't specifically call out the government's cuts to arts funding, but it is heavily implied, especially since other theaters have recently experienced financial difficulties due to the federal cuts.

    "We remain deeply committed to artistic excellence and to the 90,000 young people and families we serve annually," reads the email. "Though we will have fewer performances, we will continue to provide meaningful theatrical experiences that inspire children, nurture their imagination, and encourage connection with the world around them."

    The 2025-26 will retain the previously announced world premiere of The Pigeon Gets a Big Time Holiday Extravaganza! (November 22-December 21, 2025), as well as The Very Hungry Caterpillar Show (January 24-February 22, 2026) and Moon Mouse: A Space Odyssey (March 27-29, 2026), and add a new developmental workshop envisioned by Ernst.

    The Musical Adventures of Flat Stanley and Jungalbook will no longer be produced, and ticket-holders will be receiving instructions on ticket options.

    DCT Academy classes, a vital part of the theater’s work, will continue through the summer, concluding August 8. After that, Academy sessions will be temporarily paused. Families enrolled for the fall semester will receive a separate email with next steps.

    "Although our performances are well attended and our community support is strong, ticket sales cover only a small portion of the true cost of producing theater," the email explains. "At the same time, our operating costs have steadily increased while funding levels have remained flat. This financial pressure requires immediate action to keep DCT viable — not just for this season, but for the years ahead."

    Tickets for the 2025-26 season are on sale now.

    childrenfamiliesdallas childrens theaterchildrens theaterarts fundingtheater
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