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    Art Outside the Box

    Creative couple turns industrial warehouse into Dallas art world’s next destination

    Kendall Morgan
    kendall Morgan
    Sep 28, 2016 | 12:32 pm

    Nestled in the South Dallas sweet spot between Expo Park and the Cedars, an unobtrusive corrugated warehouse is poised to become the Dallas art world’s newest hot spot. The Box Company is an edgy project space for local and international talent, imagined by entrepreneurial couple Nancy and Jason Koen.

    The circa-1930s building at 2425 Myrtle St. was formerly a cotton depot and the Camacho Box Company (hence the new moniker). The couple has ties to the building: At age 12, Jason worked at the box company, which was founded by his grandfather, Gabriel Camacho.

    Nancy, editors’ choice winner in the 2015 CultureMap Stylemaker Awards, has spent most of her career creating companies like the jewelry line B. Stellar, as well as managing apparel and accessory brands such as Puma and Valentino. A skateboarder in his spare time, Jason opened a shop called Chrome in Expo Park in the mid-’90s.

    Former Angstrom Gallery owner David Quadrini opened just a few doors down, and the two became fast friends, inadvertently leading Jason into a life in art. As exhibitions coordinator with the Goss Michael Foundation, as well as a freelancer for the Dallas Contemporary and the Dallas Museum of Art, Jason has worked closely with the likes of Michaël Borremans, Tracey Emin, Damien Hirst, Richard Patterson, Michael Craig-Martin, Marc Quinn, and Julian Schnabel.

    When he and his wife had the opportunity to buy the building through a family trust, it was the perfect time to turn their respective skill sets into a functional business with an artistic bent.

    “A lot of this had to do with finding a use for this building, which my granddad left [to the family],” Jason says. “We’ve tried to sell it over the years and lease it in different ways, but we have a passion for art and tried to come up with something unique.”

    Throughout the last nine months, the Koens and their family and friends have cleaned out 14,000 square feet of storage (including decades-worth of old machines and junk). A single white cube that will serve as a “large box” to showcase art was constructed front and center, and a small box upstairs was devised to house an additional show by a developing artist.

    Because the couple’s ties in the community run deep, they’ve had a great deal of support from local galleries and painters, allowing them to mount an intriguing set of exhibitions right out of the gate. First on the roster is a showing of Francisco Moreno’s “Scribble Paintings,” which opens October 1, 7-10 pm, in tandem with Erin Cluley Gallery. Painter Paul Winker will take over the smaller space upstairs.

    The remainder of the now-empty building — 8,000 square feet in all — will eventually be transformed into artist studios that can be customized according to their renter’s needs.

    “We’re set up in such a way we could build out their own climate-controlled space,” Jason says. “We could even do something like a residency program. We have the facility and the amenities.”

    “We’re hoping to host different artists and also have art being made in the studios,” Nancy adds. “There’s going to be a lot of creative energy going on in the building, which we’re exited about.”

    The Koens anticipate mounting six exhibitions a year, but more important to the pair is the opportunity to revitalize one of the few remaining under-utilized neighborhoods in a city undergoing rapid gentrification.

    “It’s really desolate here, and this part of town used to be really pumping,” Jason says. “In the Depression era through the 1950s, it was a really lively, cool area. We want to establish our art space as an alternative art institution and reinvigorate the historical charm of the community.”

    Jason and Nancy Koen with the work of Francisco Moreno, the first artist to show in the Box Company's project space.

    The Box Company's Jason Koen and Nancy Koen
    Photo by Kendall Morgan
    Jason and Nancy Koen with the work of Francisco Moreno, the first artist to show in the Box Company's project space.
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    news/arts

    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
    news/arts
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