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    Actor Spotlight

    Avant-garde Dallas actor divulges unique process and dream role

    Lindsey Wilson
    Oct 26, 2016 | 12:00 pm

    It would be pigeonholing to describe Justin Locklear as an artist-in-residence at Ochre House Theater. He is, but he's also a visual artist and a producer and conceptual artist with Danielle Georgiou Dance Group (DGDG). He also has popped up onstage and behind the scenes at theaters across Dallas.

    But his work at Ochre House — as playwright, actor, costumer, musician, puppet designer, and more — is what people associate him with the most. Locklear's keeping his Ochre streak going as Nikola Tesla with the Expo Park company's next original work, Dreaming Electric.

    Before the show opens on October 29 (it runs through November 19), Locklear took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Justin Locklear

    Role in Dreaming Electric: Nikola Tesla, scientist and inventor

    Previous work in the DFW area: Ochre House Theater, Shakespeare Dallas, WaterTower Theatre, Cara Mia Theatre Co., Undermain Theatre, Second Thought Theatre, Dead White Zombies

    Hometown: Decatur, Georgia

    Where you currently reside: White Rock Lake, in the water.

    First theater role: The Turtle in a skit about the Turtle and the Hare, in vacation bible school.

    First stage show you ever saw: No clue. Probably something at Georgia Shakespeare Festival.

    Moment you decided to pursue a career in theater: I was walking through the park one day, and I saw a bright flash of light. "Be an actor!" was somehow spoken to me, without words, and I saw an image of myself standing on a stage. And then, like, I got some fro-yo.

    Most challenging role you’ve played: Probably the Turtle.

    Special skills: Unsolicited anecdotes, shoulder massage, puns.

    Something you’re REALLY bad at: Listening to people eat.

    Current pop culture obsession: Mindless, unyielding human conflict.

    Last book you read: I was reading Illuminations, a collection of essays by Walter Benjamin, and then, like, stopped. But I liked it. It was cool.

    Favorite movie(s): The Imposters, Big Night

    Favorite musician(s): Eryka Badu, Ligeti, Stefan Gonzalez, Trey Pendergrass, BlackTaffy

    Favorite song: "My Guitar Wants to Kill Your Mama" by Frank Zappa

    Dream role: Krapp in Krapp's Last Tape by Samuell Beckett

    Favorite stageworks: Mean and Dreams of Slaughtered Sheep by Matthew Posey; Einstein on the Beach and Shakespeare’s Sonnets by Robert Wilson and the Berliner Ensemble; Cafe Müller by Pina Bausch; Mother Courage and Her Children and How Much Is Your Iron? by Bertolt Brecht; Krapp’s Last Tape by Samuel Beckett; La Veillee des Abysses by James Thiérée

    Favorite actors/actresses: Stanley Tucci

    Favorite food: Oreos

    Must-see TV show(s): Oxymoron, but I suppose I can recommend Psych for fans of Encyclopedia Brown, bad jokes, and '80s references.

    Something most people don’t know about you: I’m taller than I think I am.

    Place in the world you’d most like to visit: Surprise me, I’m down.

    Pre-show warm-up: Depending on the project: yoga, walking around in a state of irrationally stubborn concern, tongue twisters.

    Favorite part about your current role: Tesla was an actual genius, and it’s fascinating to investigate how a genius lives his truth — what his internal life looks like.

    Most challenging part about your current project: Getting to discover a new play in a matter of weeks is always the most challenging yet life-giving aspects of working at the Ochre House. It’s fun, it’s educational, it’s risky, it’s barreling headfirst down a hill of inspiration with an audience waiting at the bottom.

    Most embarrassing onstage mishap: Random C-word out of nowhere. Just a bad moment for a breath.

    Career you’d have if you weren’t in theater: Park ranger

    Favorite post-show spot: The Couch. It’s super exclusive.

    Favorite thing about Dallas-Forth Worth: The art and the people, not necessarily in that order.

    Most memorable theater moment: Getting stabbed? Or yeah, casual sodomy with confetti cannons.

    Justin Locklear as Nikola Tesla in Ochre House Theater's Dreaming Electric.

    Justin Locklear in Dreaming Electric
    Photo by Kevin Grammer
    Justin Locklear as Nikola Tesla in Ochre House Theater's Dreaming Electric.
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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