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    Actor Spotlight

    How Tom Hanks inspired Dallas' Michael Federico to become an actor

    Lindsey Wilson
    Nov 6, 2014 | 1:02 pm

    Michael Federico has spent his years in Dallas making a name for himself not only onstage, but also off. A company member at Kitchen Dog Theater, Federico also wrote the book for the local musical that took the city by storm, On the Eve. The time-traveling show won accolades from critics and audiences alike as it played first at Fair Park’s Magnolia Lounge, and later as part of the 2014 season at Theatre Three.

    Now Federico returns home to KDT in The Arsonists. A new translation by Alistair Beaton of Max Frisch’s 1953 play, The Arsonists is an absurdly funny parable about accommodating the very thing that will destroy you. Original music by Jon Schweikhard rounds out the experience, which runs November 7 through December 13 at McKinney Avenue Contemporary.

    Federico recently took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Michael Federico

    Role in The Arsonists: Eisenring

    Previous work in the DFW area: Mike in Barbecue Apocalypse (KDT), Ralph D in The Motherfucker with the Hat (KDT), Leo in Profanity (Undermain), Andrew in Becky Shaw (KDT), Konstantin in The Seagull (KDT), Ariel in The Pillowman (KDT)

    Hometown: I was born in Philadelphia, but I grew up in Plano.

    Where you currently reside: East Dallas

    First theater role: I played Pat Sajak and emceed my elementary school talent show. Does that count?

    First stage show you ever saw: Annie at the Dallas Summer Musicals or Something’s Afoot at Creed Repertory Theatre. I can’t remember which one was first.

    Moment you decided to pursue a career in theater: I owe my theatrical career to the Tom Hanks/Meg Ryan classic Joe Versus the Volcano. During my eighth grade year, I was deciding whether or not to take theater in high school. I went to see that movie, and during the scene in which Hanks is dancing on a raft made of luggage while “Come and Go with Me” plays, I was like, “I’m going to take theater in high school, and I’m going to be an actor.” Always a good idea to make major life decisions at 14.

    Most challenging role you’ve played: Konstantin in The Seagull

    Special skills: Singing ’80s-style metal. Growing a beard quickly.

    Something you’re REALLY bad at: Cooking

    Current pop culture obsession: The return of Twin Peaks

    Last book you read: If on a winter’s night a traveler by Italo Calvino

    Favorite movie(s): Back to the Future

    Favorite musician(s): Sigur Ros, Mogwai, Pixies, Pavement, New Order, Led Zeppelin

    Favorite song: “Ceremony” by New Order

    Dream role: Bottom in A Midsummer Night’s Dream

    Favorite play(s): Travesties by Tom Stoppard, A Midsummer Night’s Dream, The Seagull, The Threepenny Opera, Cloud Nine by Caryl Churchill, On the Verge by Eric Overmyer

    Favorite musical(s): Into the Woods, Assassins, Hedwig and the Angry Inch, Little Shop of Horrors

    Favorite actors/actresses: Frances McDormand, Julianne Moore, Tina Fey, Stanley Tucci, Brian Cox, and basically the entire cast of Party Down

    Favorite food: Fried chicken (preferably from Babe’s)

    Must-see TV show(s): Broad City, Mad Men, Parks and Recreation, Doctor Who, Veronica Mars, Breaking Bad, Gotham, Twin Peaks, The Office (BBC), Sports Night, Slings and Arrows, Party Down

    Something most people don’t know about you: I am terrified of crocodiles.

    Place in the world you’d most like to visit: Iceland

    Pre-show warm-up: I usually drink a 32-ounce Coke, listen to show-related music and then do the Kitchen Dog group warm-up.

    Favorite part about your current role: It’s fun to play someone who is amoral.

    Most challenging part about your current role: I think Eisenring is always a few steps ahead of everyone else, so trying to keep up with the crazy jumps in his thought process can be a challenge.

    Most embarrassing onstage mishap: Opening night of Charm at Kitchen Dog, a prop that plays a huge part in the end of the show got stuck in a weird pocket-within-a-pocket of my pants and I couldn’t get it out. I tried for what felt like three hours. The playwright was in the house.

    Finally, I just grabbed another random prop that was in my other pocket. Luckily, I was on stage with John Flores and Jeffrey Schmidt and they totally went with it, changed the scene on the fly, and somehow made it work.

    Career you’d have if you weren’t in theater: I’d like to say superstar point guard for the Dallas Mavericks, but I’ll go with English professor.

    Favorite post-show spot: Lakewood Landing

    Favorite thing about Dallas-Fort Worth: Most of my favorite people live here. And the Mavs.

    Most memorable theater moment: Opening night of On the Eve at the Magnolia Lounge.

    Michael Federico stars in The Arsonists at Kitchen Dog Theater, running November 7-December 13.

    Dallas actor Michael Federico
    Photo by Jeffrey Schmidt
    Michael Federico stars in The Arsonists at Kitchen Dog Theater, running November 7-December 13.
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

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