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    #NotInThisHouse

    Longtime Dallas theater practitioner dismissed for inappropriate behavior

    Lindsey Wilson
    Dec 5, 2017 | 11:03 am
    Lee Trull
    Lee Trull is no longer employed at Dallas Theater Center.
    Photo by Michael Hiller

    Lee Trull, a longtime employee at Dallas Theater Center, was terminated on December 4 for "inappropriate behavior," according to a statement from the theater company.

    DTC states that it received a complaint about Trull's behavior and initiated an investigation. It was determined that the alleged conduct was in violation of company policies, and his employment was terminated. DTC says that it remains dedicated to taking any action necessary to ensure a safe workplace free of harassment for all employees.

    "Theater is a collaborative art form that requires each person to bring his or her whole self to work and participate in the creative process," reads the statement. "Dallas Theater Center is committed to providing the type of environment necessary for the creative process to flourish. Anyone who contributes to an unsafe, unwelcome, or inequitable environment not only violates DTC's policies, but also undermines DTC's fundamental goal of creating the highest quality theatrical art that deeply engages our community."

    Some of the complaints are detailed on Dallas performing arts blog TheaterJones.

    Trull, who served as director of new play development, had worked for the company for more than a decade. In September, he announced his plans to leave the Tony Award-winning organization in summer 2018 to "to further his artistic work, both locally and nationally, as a playwright, actor, director, and dramaturg."

    He began his career at DTC as a member of its acting ensemble, then was named artistic associate in 2008 at age 28. A promotion to casting director came next, and then director of new play development.

    He is the director of this year's production of A Christmas Carol, which runs through December 28, and was set to be a producer of DTC's upcoming shows Fade, Frankenstein, and White Rabbit Red Rabbit, in addition to developing local playwright Jonathan Norton’s new play Penny Candy for 2018-2019 season. There is no word yet on who will assume those duties going forward.

    In addition to being a producer of multiple world premieres (Fortress of Solitude; Stagger Lee; Moonshine: That Hee Haw Musical; Clarkston; Bella: An American Tall Tale; Hood: The Robin Hood Musical Adventure; and Miller, Mississippi), Trull was a co-playwright of Deferred Action with Cara Mia Theatre Co.'s David Lozano.

    Trull was also scheduled to direct Second Thought Theatre's next production, Lucas Hnath's Hilary and Clinton. STT's artistic director is DTC resident acting company member Alex Organ. The company has since revoked the offer and released a statement:

    Late last week, Second Thought Theatre learned of allegations of misconduct by Lee Trull. Due to the nature of those allegations, our leadership decided we could no longer entrust Mr. Trull with a position of authority, and this past Sunday we rescinded his offer to direct in our 2018 season.

    Second Thought Theatre is committed to providing a safe and supportive environment where artists feel comfortable and confident creating alongside one another. We have a zero-tolerance policy for discrimination or harassment of any kind. It takes action by each of us as individuals and as a unified community to hold each other accountable, to have difficult conversations with each other, and to look inward at our own organizations so that we can make each other better and hold each other to higher standards. It's a conversation we as a community should have begun before the #metoo and #notinthishouse movements became necessary. While we are distraught that this conversation has to take place, we will not shy away from doing what is right. This is our community, and we want to do our part to make it better.

    Our first priority is to ensure our artists feel secure and protected while working at Second Thought. In addition to removing Mr. Trull from our season, our staff and board of directors have already begun revisiting our harassment policy to re-confirm its efficacy, and we are working to improve procedures for better articulating the policy to company members at the beginning of every production process.

    Kitchen Dog Theater, where Trull has been a longtime company member, initially suspended him pending a review, then issued an announcement his membership had been terminated. "Mr. Trull has been a company member at KDT since 2006 and there has never been a complaint about him in that time," reads the statement. "KDT has zero tolerance for harassment or discrimination of any kind and stands in solidarity with the women who have so bravely stepped forward and shared their stories to bring this behavior to light. KDT is committed to taking whatever steps necessary to make our house and our community at large a safe, nurturing environment to be an artist and create free from fear of sexual harassment, bullying, discrimination or retribution of any kind."

    Stage West has also severed ties with Trull, who was set to direct A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City at the Fort Worth theater in March. A statement from artistic director Dana Schultes says, "Today, after reading the TheatreJones article in which the allegations were spelled out in detail, we are all shaken and stunned. He has collaborated with Stage West off and on for nearly 20 years. There has never been a complaint about him during his time in our house. We regard the newly published allegations very seriously and intend to sever our ties. We will announce hi

    In the September announcement of Trull's originally scheduled departure, DTC artistic director Kevin Moriarty said, "Lee has been among my most valued colleagues, collaborators and friends since his arrival at DTC 10 years ago...I can’t imagine my artistic tenure at DTC without Lee’s immense contributions. He’s been an integral part of DTC’s many successes and we are already looking for opportunities to continue his artistic relationship with DTC in future years."

    For his tenure at DTC, Trull responded with, "I have loved my time at Dallas Theater Center and it's hard for me to imagine not walking into the beautiful Wyly Theatre everyday. However, after a decade on staff at DTC, it’s time for me to move on to new artistic opportunities and make space for fresh voices at the theater."

    There is a Town Hall to discuss inappropriate conduct and developing a code of standards across Dallas-Fort Worth theaters that was already scheduled to take place on December 11, from 8-10 pm at Arts Mission Oak Cliff. Laura T. Fisher, coordinator of Chicago Theatre Standards, will lead the discussion, which will be moderated by TheaterJones editor and CultureMap contributor Mark Lowry. Dallas Theater Center is one of the 11 TCG Member Theatres of North Texas that helped coordinate the meeting, which is free and open to the public.

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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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