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    The Literary Life

    Dallas-based publisher expands bookish empire to downtown store

    Kendall Morgan
    Dec 8, 2015 | 1:35 pm

    Independent bookstores are thin on the ground in our fair city, but that doesn’t deter Deep Vellum Publishing founder and publisher Will Evans. With 10 translated novels under his belt, the local literary light is just warming up.

    Next on his roster? A new bookstore opening in the same building as his literary arts organization’s offices at 3000 Commerce St. On December 9, local book fans can steal a sneak peek at the space-in-progress from 6-8 pm.

    “I’ve always believed literature belongs on the streets, among the people,” says Evans. “I’ve been wanting to open a bookstore in this exact location since I moved to Dallas two-and-a-half years ago. When the [Bishop Arts shop] Wild Detectives announced they were opening, I decided to postpone my own store to throw all my support behind them to make sure they could survive. I’m inspired and in awe of all they’ve done, so I found it was time for Dallas to have its second European-style bookstore.”

    Although the space — which will also have a small cafe offering coffee and wine — won’t officially have its grand opening until February, the Wednesday night event will give a glimpse into what Evans hopes will evolve into a “literary cultural center.” Focusing on the Deep Vellum catalog, the shop will also sell works from other independent publishers along with 'zines, chapbooks, and magazines. Readings, a poetry program, release parties, and book clubs will round out the events.

    With 13 titles on the docket for 2016 by authors from such far-flung places as Brazil, Morocco, the Netherlands, and the Ukraine, there will be plenty to keep that book club engaged. On January 5, Sergio Waisman, translator of Ricardo Piglia’s rave-reviewed philosophical novel Target in the Night, will kick off the programming.

    Evans, who says his model for the space was influenced by such iconic shops as Malvern Books in Austin, the Brazos Bookstore in Houston, New York’s Three Lives, and City Lights in San Francisco, felt compelled to create a space selling the books he wanted to read.

    “Anything outside the traditional big five corporate publishers who own everything in the industry,” he explains. “Think indie music equals indie literature. The under-appreciated. The better. The best. I want the people who read our books to own our store, to feel an investment in the success and health of our bookstore, and all bookstores, for the future. There are so many great bookstores in this country. I hope Deep Vellum can be counted among them in a hundred years' time.”

    Lest this seem like too lofty of a goal, rest assured that Evans is doing the legwork. Since founding the press in 2013, he’s attended the Frankfurt Book Fair three times, the London Book Fair, the Guadalajara Book Fair in Mexico, and Iceland’s Reykjavik International Literary Festival, as well as editor’s trips to Germany, the Netherlands, Flanders, and South Korea.

    With the e-reader’s failure to kill the printed word, even a mass retailer like Amazon can’t quite dull the enthusiasm for a quiet, welcoming place to discover new literature and meet like-minded souls who, quite simply, love to read.

    “The numbers show that more and more bookstores are opening every year for the last several years,” says Evans. “You never realize the true value of an independent bookstore in your community until it comes back. Dallas without the Wild Detectives was a much emptier, less literary place than it is today. The Wild Detectives, and hopefully our store, give the city more soul.

    “Literature and the literary arts are a vital part of the health of any city, and it’s great to see Dallas growing healthier in this way."

    The shop's selection will encourage more literary exploration in Dallas.

    Deep Vellum Books
    Photo courtesy of Deep Vellum Books
    The shop's selection will encourage more literary exploration in Dallas.
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    news/arts

    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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