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    C'est Si Bon

    Nasher partners with world's top museums for unrivaled French sculpture archive

    Alex Bentley
    Dec 26, 2014 | 5:01 pm

    The Nasher Sculpture Center has partnered with five other institutions, including four in France, to launch the French Sculpture Census, a digital archive of 7,000 French sculptures dating between 1500 and 1960 that are found in American museums, public buildings, historic homes and estates, or displayed in public space.

    Partners for the census, which is the first of its kind, include the University of Texas at Dallas, Institut National d’Histoire de l’Art, Musée d’Orsay, Musée Rodin and Ecole du Louvre in Paris. It is directed by Laure de Margerie, former senior archivist of sculpture at the Musée d’Orsay and current research fellow at UTD.

    “The French Sculpture Census marks an important contribution to the study of the history of taste, the building of American museum collections, the development of the art market and the transatlantic art trade,” said de Margerie in a release.

    The website is offered in both English and French and gives great detail for the breadth, quality and diversity of 500 years worth of French sculptures collected in the United States. De Margerie hopes that it will be a valuable resource for curators, historians, students and anyone else interested in French sculpture.

    Users can search sculptures by artist, place of birth and death, gender, type of sculpture, medium, period, or location. Results also include a list of exhibitions, descriptions of sculpture techniques and more.

    In all, the site features comprehensive information for works by 690 artists in 305 locations nationwide, including 23 in Texas. The goal is to increase the content to include between 15,000-20,000 sculptures.

    UTD is funding and contributing resources to de Margerie’s research; the Nasher built the website and will host and maintain it.

    Jacques Lipchitz, Andirons commissioned by Jacques Doucet, c. 1928, gilt bronze, Boston, Museum of Fine Arts, Gift of Charlotte F. and Irving W. Rabb and Insurance Fund, 1986.5-6.

    Lipchitz Boston
    Photo courtesy of Museum of Fine Arts, Boston
    Jacques Lipchitz, Andirons commissioned by Jacques Doucet, c. 1928, gilt bronze, Boston, Museum of Fine Arts, Gift of Charlotte F. and Irving W. Rabb and Insurance Fund, 1986.5-6.
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    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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