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    SPRING ART SEASON IS HERE

    Hope springs eternal in these 8 Dallas-Fort Worth art openings in March

    Kristina Rowe
    Mar 3, 2023 | 2:30 pm
    sculpture of a minotaur

    Hulktaur is one of the pieces on exhibit at Joshua Goode's solo show, "The Ruins of Burg Worth," at Fort Works Art.

    Joshua Goode, Hulktaur, 2018

    Spring may not officially be here yet, but we can tell it's on the way as art springs up all over.

    In Fort Worth, the Fort Worth Art Dealer's Association (FWADA) welcomes the season with their annual Spring Gallery Night on March 25. FWADA's website features a list of member organizations you can check out for their planned events for the evening.

    In Dallas, March could be called a warm-up month for Dallas Arts Month in April. Till then, here are eight must-see exhibitions to visit in March, in order of opening date.

    "Artists of Texas Spring Fling"
    Keller Town Hall, March 6-April 20
    The work of 11 Texas artists will be on display in the Town Hall in Keller this month. Works span from watercolor to modern abstract, covering subject matter from animals to the outdoors and more. An artist reception will be held at 7 pm on March 16 at 1100 Bear Creek Parkway.

    Rapheal Crump "B.O.R.N." Solo Exhibition
    Atelier Gallery, March 11
    It's only right that luxury apartments in the Dallas Arts District have their own galleries, right? At Atelier on Pearl Street, this month's exhibition is from Raphael Crump, who moved to Dallas in 2014. He classifies his work as urban contemporary art, and indeed, scenes from Dallas play a role in his "Beautiful Outside Right Now" show. Join the artist for a gallery walkthrough and talk at 11 am on Saturday, March 11 at Atelier.

    "Modern Analog: Historical Processes in the Digital World"
    Dallas Center for Photography, March 11-25
    The photographs in this juried exhibition use "a wide array of analog and alternative processes, including pure analog from start to finish, film-captured to digital-print, Polaroids, alt processes, cyanotypes, digital negatives and photograms, and many more techniques that incorporate the unique traits and discipline of analog photography." Juror Lisa Elmaleh and several exhibiting photographers will be present at the opening reception on Saturday, March 11 at 6 pm.

    "Parables of Mayhem"
    Kirk Hopper Fine Art, March 11-April 15
    Artist Shaun Roberts, an associate professor of art at Stephen F. Austin State University, creates self portraits and narrative works influenced by allegory, and the universal human condition. This exhibit features twenty of his paintings from the last six years and illustrate pandemonium, desperation, and the enduring human spirit's unvanquished capacity for redemption. The artist's reception will be held from 5 to 7 pm on Saturday, March 11.

    "Emancipation: The Unfinished Project of Liberation"
    Amon Carter Museum of American Art, March 12-July 9
    This exhibition, which includes the work of seven contemporary Black artists, explores the legacy of the Civil War. With installations including sculpture, photography, and paper and textile fabrications, each work is an artist's response to a sculpture in the Carter's collection, The Freedman, by John Quincy Adams Ward.

    "Talk of the Town: A Dallas Museum of Art Pop-Up Exhibition"
    NorthPark Center, March 19-April 29
    Featuring artworks from the Dallas Art Fair, and opening during Women's History Month, this group exhibit celebrates women using non-traditional portraiture. All of the works on display were acquired by the DMA in the last six years through the Dallas Art Fair Foundation Acquisition Program. Visit the free exhibit at NorthPark Center’s Level Two, between Nordstrom and Macy’s.

    Joshua Goode: "The Ruins of Burg Worth"
    Fort Works Art, March 25-April 29
    In his first solo show at Fort Works Art, North Texas artist and curator Joshua Goode brings together created artifacts and remnants of the "ancient" past with performance art in an interactive installation. In the exhibit, Fort Worth history is reimagined and set in a fortress at Eagle Mountain.

    Goode intertwines his research of local culture and background in archaeology into his creations of sarcophagi and other items reminiscent of the eruption of Mount Vesuvius in 79 A.D. With works featuring extinct animals, objects and artifacts, he aims to expose “the malleability of our past, present, and future” and the ease at which history can be distorted. An opening reception will be held on Gallery Night, March 25, from 12-9 pm.

    "We are all Homeless"
    Art on Main, March 26-April 9
    For more than 30 years, SMU Meadows School for the Arts professor Willie Baronet has been purchasing signs from people experiencing homelessness. The installations Baronet creates from them help viewers "explore the humanity of the signs, and questions regarding the nature of home, compassion, and what it means to truly see each other." Art on Main will host an artist reception from 3-5 pm Sunday, March 26 with an accompany event from 2-4 pm. to help put together Blessing Bags to be distributed to people in Dallas experiencing homelessness.

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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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