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    Bold Ambition

    DMA aims to bridge cultural divide with appointment of senior advisor of Islamicart

    Kendall Morgan
    Nov 30, 2012 | 10:26 am
    • Sabiha Al Khemir, the founding director of the Museum of Islamic Art in Doha,Qatar, is the Dallas Museum of Art’s first senior advisor of Islamic art.
      Photo courtesy of Sabiha Al Khemir
    • DMA director Maxwell L. Anderson took an interest in Khemir's work and appointedher the museum's first senior advisor of Islamic art.
      Photo by Hadley Fruits
    • Khemir says the "DMA has an encyclopedic collection that touches on East andWest, ancient and contemporary."
      Photo courtesy of Dallas Museum of Art

    With its recent announcement to a return to free general admission (beginning January 21, 2013), the Dallas Museum of Art continues to build on the innovative model devised by its director, Maxwell L. Anderson — a model designed to make the DMA a leader in museum engagement unsurpassed by other American institutions of art.

    This includes the recent appointment of Sabiha Al Khemir, the founding director of the Museum of Islamic Art in Doha, Qatar, and the DMA’s first senior advisor of Islamic art. A nationally known authority on Islamic art from the seventh century to the present, Khemir will work closely with the DMA to further its connections with the great collections of Islamic art. CultureMap took a moment to discover just how she plans to do this.

    CultureMap: Tell us a little bit about how you were approached by Maxwell Anderson to take on your role at the DMA.

    “Dallas will be a shining example for everyone,” says Sabiha Al Khemir. “Bringing Islamic art to Dallas is a very positive step toward the cultural bridging that is much needed with Islamic culture.”

    Sabiha Al Khemir: Maxwell Anderson has had plans for Islamic art for a long time. I met Dr. Anderson a few years ago in Austria, and he was interested in my work at the Doha Museum of Islamic Art.

    I came to live in New York City over three years ago and worked as the project director of an Islamic art show entitled Beauty and Belief — Crossing Bridges with the Arts of Islamic Culture. Dr. Anderson took this show to the Indianapolis Museum of Art, where he was director, but moved to Dallas before seeing it open.

    As part of his international plan for the DMA, Dr. Anderson recognizes the importance of Islamic art and culture. Soon after he joined the DMA, he invited me to join him in developing this important part of his vision for the museum.

    CM: How have you found the DMA’s global collections differ from some of the other institutions you've worked with in the past?

    SAK: The DMA has an encyclopedic collection that touches on East and West, ancient and contemporary. Its breadth reflects a large scale, even though it does not yet have a large collection of Islamic art. But we are at the beginning of a journey!

    CM: How will you be promoting Islamic art in Dallas, and are you working on any specific exhibitions for 2013?

    SAK: By helping the Islamic art collection of the DMA to grow, through museum purchases and long-term loans, as well as organizing Islamic art shows. There are certainly plans for exhibitions, and themes and dates will be announced soon.

    CM: Can you share with CultureMap readers how bringing Islamic art to Dallas can help bridge cultural divides?

    SAK: Islamic art is an art that is very close to the people who made it. It is a window into a culture, itself diverse and complex. Islamic art is a tool for communicating a way of life as well as a way of seeing the world that is particular to the Islamic world.

    Through Islamic art, museum visitors will come into contact with the material culture of Islam and will have the opportunity to learn directly about the Islamic world. Through appreciating the beauty of a different people, the way they express their particular coherence of the world, we find differences and similarities and perception shifts on all sides.

    Dallas is a powerful city, and it is through the role played by such an important city that perceptions can shift. Dallas will be a shining example for everyone. Bringing Islamic art to Dallas is a very positive step toward the cultural bridging that is much needed with Islamic culture.

    There can be no cultural bridging without understanding, and the arts can play a major role in that.

    unspecified
    news/arts

    Budget Cuts

    Funding cuts force Dallas Children's Theater to trim 2025-26 season

    Lindsey Wilson
    Jun 3, 2025 | 1:38 pm
    Dallas Children's Theater presents James and the Giant Peach
    Photo courtesy of Dallas Children's Theater
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    The upcoming 2025-26 season for Dallas Children's Theater is shrinking, according to a new communication from its leadership.

    A June 2 email signed by executive director Samantha Turner, board president Leah Mora, and recently appointed artistic director Emily Ernst informs supporters that due to "the significant financial challenges of the current environment," DCT will be reducing the upcoming season from five mainstage shows to three.

    The email doesn't specifically call out the government's cuts to arts funding, but it is heavily implied, especially since other theaters have recently experienced financial difficulties due to the federal cuts.

    "We remain deeply committed to artistic excellence and to the 90,000 young people and families we serve annually," reads the email. "Though we will have fewer performances, we will continue to provide meaningful theatrical experiences that inspire children, nurture their imagination, and encourage connection with the world around them."

    The 2025-26 will retain the previously announced world premiere of The Pigeon Gets a Big Time Holiday Extravaganza! (November 22-December 21, 2025), as well as The Very Hungry Caterpillar Show (January 24-February 22, 2026) and Moon Mouse: A Space Odyssey (March 27-29, 2026), and add a new developmental workshop envisioned by Ernst.

    The Musical Adventures of Flat Stanley and Jungalbook will no longer be produced, and ticket-holders will be receiving instructions on ticket options.

    DCT Academy classes, a vital part of the theater’s work, will continue through the summer, concluding August 8. After that, Academy sessions will be temporarily paused. Families enrolled for the fall semester will receive a separate email with next steps.

    "Although our performances are well attended and our community support is strong, ticket sales cover only a small portion of the true cost of producing theater," the email explains. "At the same time, our operating costs have steadily increased while funding levels have remained flat. This financial pressure requires immediate action to keep DCT viable — not just for this season, but for the years ahead."

    Tickets for the 2025-26 season are on sale now.

    childrenfamiliesdallas childrens theaterchildrens theaterarts fundingtheater
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