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    K8 Expectations

    Multifarious artist K8 Hardy returns to Texas with legendary show at DallasContemporary

    Kendall Morgan
    Oct 3, 2012 | 12:56 pm
    • Artist K8 Hardy at the opening of her show (along with Inez and Vindooh: PrettyMuch Everything) at the Dallas Contemporary.
      Photo by Jerry McClure
    • Legends is a one-night-only fundraiser for the Dallas Contemporary on October 4.
    • September Issues (through December 30), is Hardy's take on those five-poundglossies bursting with ads that arrive in mailboxes every August.
    • September Issues installation at the Contemporary.
      Photo by Kevin Todora
    • September Issues installation at the Contemporary.
      Photo by Kevin Todora
    • September Issues installation at the Contemporary.
      Photo by Kevin Todora

    Even among the relatively eclectic crowd at BarBelmont, artist K8 Hardy stands out. Her two-tone hair, signature blue glasses and ACT UP “HIV Positive” T-shirt signify more than just a style statement.

    “I don’t give a fuck about fashion,” says the New York-based artist, although her upcoming Legendary — a fundraising performance for the Dallas Contemporary — is ostensibly a runway show. “I use fashion as an inspiration because we’re so oversaturated with images that fuel our consumption and our commercialism. That’s more interesting to me.”

    Hardy’s September Issues installation at the Contemporary, which runs through December 30, illustrates her take on those five-pound glossies bursting with ads that arrive in mailboxes each August. Posing awkwardly in a too-tight pencil skirt or clutching a mash-up of the latest “it” bag with pastel-painted talons, the awkwardness of her body language and ridiculousness of the costumes recall an overly ambitious style blogger attending her first season of runway shows.

    Her participation in Legendary is more as the director — rather than the star — but Hardy brings a big piece of herself into what is a largely an improvisational performance.

    Both Legendary and September Issues could be seen as an outgrowth of Hardy’s successful Untitled Runway Show, 2012 performance earlier this year at the Whitney Museum’s 76th Biennial, which — according to The New York Times — was reminiscent of avant-garde designers such as Miguel Adrover, Susan Cianciolo and Bernadette Corporation.

    A former stylist for Fischerspooner and co-founder of the queer feminist artist collective LTTR, Hardy was raised in Fort Worth and spent her teen years sneaking out to punk clubs on Greenville Avenue and creating ‘zines. Adopting her moniker from a play on classic Sk8r terminology, she was exploring a feminist voice in her music and writing, yet not defining what she did as “art.”

    “I had gone to the Kimbell [Art Museum], but I couldn’t paint, so it never occurred to me I was an artist,” she says.

    Hardy majored in women’s studies at Smith College in Massachusetts, and she found video production the perfect way to explore the topics of identity and gender power. Her professor, established artist and filmmaker Elisabeth Subrin, encouraged her, showing contemporary video arts and experimental film that, as Hardy says, “blew my mind.”

    Hardy started making and selling a “cinezine” of her films and played videos at shows of the conceptual art band Tracy + the Plastics. An internship with artist Miranda July led to a tour down the West Coast, with stops everywhere from Ladyfest to television access shows. As she expanded her work into live performance and photography, Hardy continued to use herself as the subject to avoid objectification and play with the fluidity of identity.

    Her participation in Legendary is more as the director — rather than the star — but Hardy brings a big piece of herself into what is a largely an improvisational performance. For her, the most important thing is that Legendary is a “call and response” with the viewer, opening a dialogue that will continue long after the show is over.

    “I don’t need to prove myself in my work,” she says. “I just let that be open to how the audience wants to receive it. Probably in a different life I was a politician because I like talking and I like listening. I feel my work is about agency — it’s an active, not a passive, way of living.”

    Legendary by K8 Hardy takes place Thursday, October 4, 8:45 pm, at the Dallas Contemporary. All proceeds benefit Dallas Contemporary exhibitions and learning programs. September Issues runs through December 30.

    unspecified
    news/arts

    Budget Cuts

    Funding cuts force Dallas Children's Theater to trim 2025-26 season

    Lindsey Wilson
    Jun 3, 2025 | 1:38 pm
    Dallas Children's Theater presents James and the Giant Peach
    Photo courtesy of Dallas Children's Theater
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    The upcoming 2025-26 season for Dallas Children's Theater is shrinking, according to a new communication from its leadership.

    A June 2 email signed by executive director Samantha Turner, board president Leah Mora, and recently appointed artistic director Emily Ernst informs supporters that due to "the significant financial challenges of the current environment," DCT will be reducing the upcoming season from five mainstage shows to three.

    The email doesn't specifically call out the government's cuts to arts funding, but it is heavily implied, especially since other theaters have recently experienced financial difficulties due to the federal cuts.

    "We remain deeply committed to artistic excellence and to the 90,000 young people and families we serve annually," reads the email. "Though we will have fewer performances, we will continue to provide meaningful theatrical experiences that inspire children, nurture their imagination, and encourage connection with the world around them."

    The 2025-26 will retain the previously announced world premiere of The Pigeon Gets a Big Time Holiday Extravaganza! (November 22-December 21, 2025), as well as The Very Hungry Caterpillar Show (January 24-February 22, 2026) and Moon Mouse: A Space Odyssey (March 27-29, 2026), and add a new developmental workshop envisioned by Ernst.

    The Musical Adventures of Flat Stanley and Jungalbook will no longer be produced, and ticket-holders will be receiving instructions on ticket options.

    DCT Academy classes, a vital part of the theater’s work, will continue through the summer, concluding August 8. After that, Academy sessions will be temporarily paused. Families enrolled for the fall semester will receive a separate email with next steps.

    "Although our performances are well attended and our community support is strong, ticket sales cover only a small portion of the true cost of producing theater," the email explains. "At the same time, our operating costs have steadily increased while funding levels have remained flat. This financial pressure requires immediate action to keep DCT viable — not just for this season, but for the years ahead."

    Tickets for the 2025-26 season are on sale now.

    childrenfamiliesdallas childrens theaterchildrens theaterarts fundingtheater
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