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    Season Announcement

    New season at Dallas' Bishop Arts Theatre Center hits race and censorship

    Lindsey Wilson
    Aug 28, 2025 | 4:13 pm
    King Hedley II Arden Theatre Company

    The cast of Arden Theatre Company’s 2025 production of August Wilson’s 'King Hedley II.'

    Photo by Ashley Smith, Wide Eyed Studios

    An American classic, a banned books festival, and a family-friendly world premiere headline the 32nd anniversary season at Bishop Arts Theatre Center in Dallas.

    Founded in 1993, Bishop Arts Theatre Center is an award-winning, multicultural, multidisciplinary arts institution based in Dallas. This eclectic lineup reflects the company’s enduring commitment to cultivating local artists, celebrating cultural traditions, and sparking urgent conversations.

    “For more than three decades, Bishop Arts Theatre Center has stood at the intersection of community and creativity,” says executive artistic director Teresa Coleman Wash. “This season continues that legacy with stories that are both deeply personal and profoundly universal. From August Wilson’s searing portrait of redemption, to the joyous celebration of Black Nativity, to a bold festival challenging censorship, and a family-friendly world premiere by a Dallas artist, this is a season of firsts that reflects our city’s resilience and imagination."

    October 9-26: The season begins with August Wilson's King Hedley II, directed by Jemal McNeil in a co-production with Soul Rep Theatre.

    Part of Wilson’s legendary American Century Cycle, this gripping drama is set in 1980s Pittsburgh and follows an ex-convict fighting to rebuild his life against the crushing weight of systemic injustice.

    “August Wilson is a giant in the American theater, and it has always been our goal to produce his work,”says Guinea Bennett-Price, co-founder and co-artistic director of Soul Rep Theatre. “We are grateful to the Parrish Charitable Foundation for making this vision a reality, and thrilled to share this collaboration with Bishop Arts Theatre Center.”

    December 4-21: A cornerstone of Dallas holiday traditions returns next: Black Nativity. Inspired by Langston Hughes’s groundbreaking 1960 Broadway production, this version is written and directed by Calvin J. Walker, with music direction by Steven A. Taylor.

    Through partnerships with local high schools, including Sunset, Molina, and Adamson, this year’s production deepens the tradition by welcoming first-time actors and youth participants into the cast.

    “I’m honored to reimagine this timeless work,” says Walker. “My prayer is that audiences of all ages experience joy, connection, and inspiration this holiday season.”

    February 19-March 8, 2026: In an era of rising censorship, Bishop Arts Theatre Center reaffirms its commitment to amplifying silenced voices with its annual Banned Books Festival. Inspired by Ijeoma Oluo’s acclaimed So You Want to Talk About Race, six playwrights will create original works responding to the book’s urgent themes of race, identity, and justice.

    The festival extends beyond the stage with talkbacks and roundtables, including a special conversation with Oluo herself. Together with The Writer’s Garret and director Charles Jackson Jr., the festival invites audiences into a deeper dialogue about the power of art, literature, and free expression.

    “As censorship attempts continue, it’s our responsibility to defend free speech,” says Aaron Glover, executive director of The Writer’s Garret. “The arts remain one of the most powerful tools to connect, uplift, and challenge us. We are proud to co-present this festival with Bishop Arts Theatre Center.”

    September 10-20, 2026: The season closes with Portalgraphs, a magical new musical directed and with book by Justin Cavazos, and original music by Dustin and Justin Cavazos.

    It follows a spirited grandmother and her sassy granddaughter who stumble into a photo album that becomes a time machine. What begins as a whimsical journey through memories evolves into a moving story about love, legacy, and living in the moment. By engaging students from BATC’s Summer STEAM Camp and after-school programs, the production also welcomes local youth and first-time actors, building bridges between generations while nurturing the next wave of storytellers.

    “This is a fun show for the whole family,” says writer/director Justin Cavazos. “The songs are catchy, the jokes land for all ages, and the story will touch your heart.”

    All performances will be held at Bishop Arts Theatre Center, 215 S. Tyler Street in Dallas.

    Tickets are available online or by calling 214-948-0716. Seniors, students, and groups of 15-plus are eligible for discounts.

    bishop artsbishop arts theatre centerking hedley iiportalgraphsbanned books festivaltheater
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    shop local

    Cool Deep Ellum shop named one of America’s best indie bookstores

    Amber Heckler
    Apr 27, 2026 | 3:33 pm
    Deep Vellum Books, independent bookstores in Dallas
    Deep Vellum Books/Facebook
    Dallas' Deep Vellum Bookstore claimed bragging rights as one of the 20 best independent bookstores in America

    Dallas' Deep Vellum Bookstore is claiming new bragging rights as one of the 20 best independent bookstores in America, according to a new guide from Condé Nast Traveler.

    The list was published in celebration of Independent Bookstore Day on April 25 — but every day can be Indie Bookstore Day when you're supporting your local shop rather than a national chain like Amazon or Barnes and Noble.

    Indie bookstores and physical media have been having a much needed renaissance in today's digital (and AI slop-filled) era. More than 400 new bookshops opened in 2025 alone, the American Booksellers Association reported, and local bookstores are welcome third spaces for many literature loving individuals.

    Deep Vellum won the title as the best indie bookstore in the Lone Star State, outshining several other popular Texas booksellers. Located at 3000 Commerce St. in Dallas' Deep Ellum neighborhood, Condé Nast said the bookshop serves as "one of the country’s premier translators of contemporary global literature."

    "As esoteric as its collection may seem, the bookstore itself makes exploration approachable," wrote editorial assistant Kat Chen. "Crack into a can of craft beer, gaze at the wall plastered with polaroids of smiling patrons, and tuck into an engrossing read on one of the tweed armchairs."

    Deep Vellum was founded by Will Evans in 2013 as a community-focused literary arts center and nonprofit publishing house for diverse international literature, as well as local Dallas writers. The bookstore soon followed in 2015, and operations have now expanded to five publishing imprints that produce half English-original works and half international literature.

    This mighty bookshop and publishing house has long proved its staying power even after its federal funding was axed last year. In early April, the organization revealed it would launch its inaugural Deep Vellum Music and Literature Festival from July 10-12, 2026.

    "Through literary readings, author panels, spoken word, live music performances, and community activations this festival will bring voices from across Texas and around the world," a press release said.

    Until then, Condé Nast provided some recommended reading for Dallas bibliophiles that want to check out some (new-to-you) literary and psychological fiction: Tram 83 by Fiston Mwanza Mujila (translated by Roland Glasser) and Miss MacIntosh, My Darling by Marguerite Young.

    dallasindie bookstoredeep ellumbookstoresconde nast traveler
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