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    Art as fashion

    Well-known Dallas artist unveils new Deep Ellum showroom for inspiring upcycled fashion line

    Kristina Rowe
    Mar 15, 2023 | 2:02 pm

    With the opening of his new showroom in Deep Ellum, Dallas artist Jerod DTOX Davies is looking forward to raising the visibility of his lesser-known work in fashion.

    Long acclaimed in Deep Ellum and beyond for his murals, album covers, and more, Davies will now give a wider audience a look at his fashion line, Artwork for Humans, which he calls "wearable art that upcycles clothing and uplifts the human spirit."

    His Artwork for Humans Showroom, at 3001 Canton St., will open to the public officially on Saturday, March 18.

    Now in its sixth year, the fashion line was Davies' brainstorm as he shopped in local thrift stores.

    "I was always buying on a budget, shopping in thrift stores," Davies says. "Regardless of the label on it, I could spot the quality of it. So I started flipping thrift store clothes."

    Sometimes Davies would spy an exceptional piece, like a vintage London Fog trench coat with a stain or other visible flaw, and this sparked an idea: he tried painting over garment flaws to create wearable art.

    As the idea developed, he brought his own identity as an artist to the clothing. The lines of the graphics he paints are simple, and he adds uplifting words and phrases to the garments, as well.

    Davies says he wants to "take a beautiful (or not beautiful) piece of clothing and inject creative intent into it" by mixing the power of encouraging imagery and encouraging words. He calls himself "sadistically optimistic" and wants the clothing to affect more than just the wearer.

    "After you see it or just pass by it, you’re left with the resonance of that clothing," he says.

    It's also not lost on him that by working with thrifted clothing, he's helping to reduce the carbon footprint of the fashion industry. Globally, the fashion industry is responsible for 8 to 10% of global carbon dioxide output.

    In his six years of creating his wearable art, Davies' garments have been favored by local musicians from Cameron McCloud to Erykah Badu, who wore a sweatshirt Davies created especially for her at her recent birthday party.

    The new showroom is the next step for Davies, providing one space to display his art and another space for a "boutique" for Artwork for Humans. After the grand opening, he'll open the boutique on Sunday afternoons for walk-ins and on Wednesdays by appointment.

    The grand opening celebration is set for Saturday, March 18 from 2 to 8 pm; it is free and open to the public.

    Artwork for Humans, Jerod Davies

    Kristina Rowe

    Davies' studio at 3001 Canton St. The entry door faces Clover Street.

    Davies invites attendees to wear or bring a light colored hoodie, sweater, or jacket to the event and he'll "tag" it live at the party.

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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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