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    Weekend Event Planner

    These are the 5 best things to do in Dallas this weekend

    Alex Bentley
    Jan 21, 2021 | 6:00 am

    While many events in and around Dallas have either been postponed or canceled during the coronavirus pandemic, organizations have pivoted to virtual or socially distanced events to continue offering the masses some entertainment while we need it the most.

    Below are the best ways to spend your free time this weekend. While not every event is out of the house, they all promise to provide a nice distraction from the everyday life.

    Thursday, January 21

    Cirque Italia presents Paranormal Cirque
    After a false start in Irving, Cirque Italia will now debut Paranormal Cirque in Mesquite. Under the black and red big top tent of Paranormal Cirque exists a crazy yet fun fusion between circus, theatre, and cabaret in perfect harmony with the evolution of a show that brings audiences back to when they dream ... and when they had nightmares and fantasies. The show, taking place at Town East Mall through Sunday before moving to Stonebriar Centre in Frisco January 28-31, is only for teenagers and above; no kids under 13 will be admitted.

    Friday, January 22

    The Texas Theatre Sunset Drive-In: Metropolis with live score
    As part of their ongoing drive-in series, the Texas Theatre will screen the 2010 restoration of Fritz Lang's science fiction masterpiece Metropolis, which dramatizes the conflict between wealthy über-capitalists and rebellious subterranean laborers — orchestrated by a diabolical scientist capable of destroying them both. The screening, presented on both Friday and Saturday night, will be accompanied by a live original score by Austin composer and multi-instrumentalist David DiDonato. The new score includes elements of classical, electronic, metal, dance, vaporwave, industrial, and shoegaze.

    Saturday, January 23

    AURORA presents Jan Tichy: "Remote Pyramids"
    AURORA will present the three-part collaborative artwork "Remote Pyramids" by Jan Tichy. It connects a group of resettled refugee teenagers from the Vickery Meadow neighborhood in Dallas with a group of teenagers with their own experience of migration from the Oak Cliff neighborhood. Viewers can begin by exploring the history of "Remote Pyramids" and its individual projects at remotepyramids.org. The works by the six "Remote Pyramids" participating young artists will be on view at Oak Cliff Cultural Center through their storefront gallery windows and closed door windows through February 6, and on the evening of January 23, a video projection in connection with the young artists’ artworks and the "Remote Pyramids" digital space will take place on Dallas City Hall.

    USA Film Festival presents KidFilm
    The USA Film Festival will present the 37th Annual KidFilm, the oldest and largest children’s film festival in the world. KidFilm, presented for free on Saturday and Sunday at Angelika Film Center Dallas, is saluting some of their favorite children's books, as well as celebrating diversity, equity and tolerance, empowerment, the importance of friends and family, animated adventures, imaginative journeys, nature, and environmental awareness. Tickets for all shows are free, but guests must RSVP in advance to request tickets. Tickets can be requested by calling the USA Film Festival office at 214-821-6300 from 10:30 am-5 pm through January 22.

    Evil Dead with Live Commentary by Bruce Campbell
    Actor Bruce Campbell will host a worldwide virtual viewing of the 1981 Sam Raimi classic, Evil Dead, with live commentary throughout by the star himself. Viewers can watch the film with Campbell as he shares memories, stories, and anecdotes from the film, and for a few lucky viewers, Campbell will even answer questions from the chat.

    Paranormal Cirque will be at Town East Mall in Mesquite, January 21-24.

    Paranormal Cirque
    Photo courtesy of Cirque Italia
    Paranormal Cirque will be at Town East Mall in Mesquite, January 21-24.
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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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