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    Travel show spotlight

    All cameras are on Dallas for PBS's Samantha Brown's Places to Love

    Stephanie Allmon Merry
    Feb 17, 2020 | 3:28 pm

    Globe-trotting TV travel host Samantha Brown is as hard to track down for an interview as you'd imagine.

    The Dallas native was set to chat on the phone about the upcoming "Dallas" episode of her Emmy Award-winning PBS show, Samantha Brown's Places to Love, when she rescheduled to catch a plane to get ahead of a snowstorm. Then the snowstorm caught up with her while driving through Quebec, and our phone interview became an email exchange sent through a PR agency.

    Such is the catch-me-if-you-can life of the spunky Travel Channel alumna who has hosted such shows as Girl Meets Hawaii, Great Hotels, Green Getaways, and Samantha Brown's Asia.

    Places to Love, which airs locally on Saturday mornings on KERA-Channel 13, takes viewers to both well-known and little-known spots around the globe, hitting on topics including food and drink, art and design, music, and culture and adventure.

    For the episode airing Feburary 22, Brown comes home to Dallas. Without providing too many spoilers, she revealed that she spends time in Deep Ellum, Bishop Arts, and the Dallas Arts District. She stopped at Pecan Lodge for barbecue, Klyde Warren Park, Nasher Sculpture Center, Dude Sweet Chocolate, Purepecha at Revolver Taco Lounge, and Wild Detectives book store. She also had a custom cowboy hat made at Travis Austin Customs hat studio and took in some live music.

    In this Q&A, she reveals more about filming the episode and tackles some hot travel topics.

    CultureMap: You covered Houston and the Hill Country on Places to Love Season 1 (which CultureMap also wrote about). Why did you choose Dallas, and why now?

    Samantha Brown: Dallas is a city that had changed more in five years than most do in ten. It’s time to reboot our knowledge about the city so we can love it for what it is now.

    CM: You were born in Dallas but didn't live here long. Do you have any friends or family still in the area, and do you make it back often?

    SB: Unfortunately, no.

    CM: Do you personally have a say in which places you film for the show? Do you know, going in, what kind of story you want to tell about a place? What was that "story" you wanted to tell about Dallas?

    SB: I have total say in the places we visit. We do a tremendous amount of research to give us an overall idea of what’s going on. Then, we whittle that down to about 15 ideas for segments, and then my producer goes a month before the shoot to meet those 15, which we then choose the 8 or 9 to be in the show.

    I have a general idea of the theme, but we let the people speak for themselves. It is in post production of the edit that I discover the more authentic storyline. I never assume who people and places are.

    CM: What kind of prep did you do, and how long did filming take?

    SB: It takes five days to scout the grounds. This is a step few travel shows can afford to take, but one I feel is imperative to the integrity of the show. Filming is four days.

    CM: Tell me about some of the places you visited, starting with Pecan Lodge. Do you like Texas barbecue, and would you stand in their notoriously long line for it? (I'm guessing they let you skip it with a camera crew.)

    SB: Honestly, I don’t stand in line for food. But I do find ways, or ins, so that I’m going at a time or day when the line isn’t long. For Pecan Lodge, we featured that if you ordered 5 pounds of meat, you can skip the big line. So it’s good to come with a big group of people, or be prepared to make a friend, which in Dallas, isn’t that hard.

    CM: What were your impressions of the Nasher Sculpture Center and Klyde Warren Park?

    SB: I fell in love with Klyde Warren Park about 5 years ago when I stumbled upon it as I was walking around. To me, public spaces that invite everyone in and create places where there was none, is what a city has to have to be considered a real city.

    CM: You got a custom made cowboy hat in the episode, inspired by your roots here. Tell me about that?

    SB: It was at Travis Austin and we wanted to show that Dallas was all about the cowboy hat and yet because of the iconic hat, people in Dallas wear a lot of hats to define who they are. I was born in Dallas in 1970, so I made sure my hat had a yellow rose on it.

    CM: And now for some general questions on hot topics ....

    The Emmys: You won two last year for the show. Fingers crossed again? Got your gown picked out?

    SB: I’m going to wear pants and more sensible shoes this year. You have to wait in a three-hour line to get on the red carpet and in high heels, it was brutal. And there was no BBQ at the end of that line.

    CM: Regarding Coronavirus, what do you say to travelers who have future travel booked to China and other hard-hit areas, and what kind of long-term effect will this have on tourism in those places?

    [PR person speaking on behalf of SB: This isn't something that she can speak to with any authority.]

    CM: Between planes being grounded, weather, costs, security lines, a shortage of pilots, and other factors, travel can be tough these days. What is your best advice for navigating the "getting there" so people can experience more joy "being there?"

    SB: Plan plenty of time to get to the airport. I base it on the boarding time of the flight, not the departure. Doing it that way gives me time to find a seat or have a nice meal, use the restroom, etc., so I’m more relaxed on the plane.

    I think a good thing to remember is that travel is never supposed to be perfect. If that’s your expectation of it, you will always be disappointed. But simple rules that we learned in Kindergarten: be patient and be kind, go a long way.

    I also always have food with me. Being patient and kind comes easier when you’re not hungry.

    ---

    Samantha Brown’s Places to Love: Dallas airs on KERA-Channel 13 at 11 am Saturday, February 22. It's also available for streaming now at pbs.org.

    Samantha Brown got a custom hat made at Travis Austin's studio.

    Samantha Brown, Travis Austin hat
    Photo courtesy of Samantha Brown
    Samantha Brown got a custom hat made at Travis Austin's studio.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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