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    Weekend Event Planner

    These are the 10 best things to do in Dallas this weekend

    Alex Bentley
    Mar 4, 2021 | 6:00 am

    While many events in and around Dallas have either been postponed or canceled during the coronavirus pandemic, organizations have pivoted to virtual or socially distanced events to continue offering the masses some entertainment while we need it the most.

    Below are the best ways to spend your free time. While not every event is out of the house, they all promise to provide a nice distraction from the everyday life.

    Thursday, March 4

    The Cube: An Interactive Experience For The Socially Distanced Era
    If you missed The Cube during its first run in January, they're giving you another shot. The Cube is an immersive experience for the socially distanced era, featuring projections, audio, and lights. Taking place at Latino Cultural Center through March 20, the experience will ask audiences to redefine what community and loneliness mean to them. The lines will be blurred between the socially distanced virtual art we have all become accustomed to since March 2020, and the more traditional live theatrical performance we have loved for centuries.

    Improv Addison presents Gary Owen
    Gary Owen has been entertaining American audiences for more than a decade with his side-splitting comedy. Having performed to sold-out audiences in all the major comedy clubs and theatres across the country, Owen is a beloved comedian who was proclaimed by Ebony magazine as Black America’s “Favorite White Comedian.” He'll perform five times through Sunday at Improv Addison.

    Friday, March 5

    Galleria Dallas presents "She's Got the Look" opening day
    You can go back to the '80s at Galleria Dallas courtesy of the new fashion exhibition, "She’s Got the Look," a display of 1980s style with more than 50 looks and curated from some of Dallas’ most fashionable closets by Martini Consignment’s Ken Weber. The exhibition, located in the space next to Sephora, will focus on designers from the ’80s like Thierry Mugler, Oscar de la Renta, Yves Saint Laurent, Bob Mackie, Emanuel Ungaro, Halston, and Geoffrey Beene. It will remain on display through April 3.

    TobyMac Hits Deep Tour
    TobyMac, a Christian hip hop artist, was originally a founding member of the trio DC Talk. Since going out on his own in 2001, he's been a juggernaut on the Christian charts, notching five consecutive No. 1 albums, including 2018's The Elements. For this three-night stay at Allen Event Center, going on through Sunday, he'll be joined by special guests Tauren Wells, We Are Messengers, Unspoken, Cochren & Co., and Terrian.

    Kitchen Dog Theater presents Last Ship to Proxima Centauri
    Kitchen Dog Theater continues its season-long celebration of playwrights of color with the world premiere of Last Ship to Proxima Centauri by Greg Lam. The Earth has become uninhabitable. The last escape ship from Earth (Seattle, to be exact) arrives to their new home centuries after all the others. They are not prepared for what they find there: A planet full of unimpressed people of color who are not happy to see them. The production, available to stream at any time through March 21, asks viewers to examine 21st Century America, including white supremacy and cultural appropriation, through the lens of futurist neo-colonialism.

    Dallas Symphony Orchestra presents "Music from the Movies"
    Our favorite films would be unimaginable without music. Composers marry the action to music, eliciting the strongest of feelings that are forever tied to the film. The Dallas Symphony Orchestra will explore the history of American movies through the scores everyone knows and loves. The concert will have three performances through Sunday at Meyerson Symphony Center.

    Saturday, March 6

    Perot Museum of Nature and Science presents "The Science of Guinness World Records"
    All around the world, people are pushing themselves to achieve new and amazing things. From the world’s smallest stop motion film to the most drum beats in 60 seconds to the most consecutive pinky pull-ups, the world is full of fascinating people achieving strange and incredible feats. The special exhibit "The Science of Guinness World Records" looks into the science behind these mesmerizing accomplishments. It will be on display at the Perot Museum of Nature and Science through September 6.

    Southwest Celtic Music Association presents North Texas Irish Festival
    The annual North Texas Irish Festival was one of the last big events in Dallas in 2020 before the pandemic shut everything down in. A year later, like many other events, they've had to reimagine the event as a virtual one. The festival will celebrate the long, rich tradition of Irish and Celtic culture through music, dance, cultural, and culinary activities on six separate channels on the festival's website.

    Downtown Carrollton presents Sixth Annual TEXFest
    Downtown Carrollton will present the sixth annual TEXFest, a celebration of Texas Independence Day featuring craft beer, good food, and local artists performing Texas music. To protect the public’s health and safety, TEXFest will be broken into four sessions throughout the day, with each session allowing a maximum capacity of 100 attendees. The only way to guarantee entry into a session is to pre-purchase a $6 ticket for admission that also includes a commemorative souvenir beer glass.

    Sunday, March 7

    Dallas Museum of Art opening and closings
    It's moving day at the Dallas Museum of Art, as they will open one exhibit and bring two others to a close. Opening is "Devoted: Art and Spirituality in Mexico and New Mexico," which features devotional works drawn from the DMA’s Latin American collection, exploring interrelated artistic traditions in the two regions. Closing will be Love is the Message, The Message is Death, a collage of found and self-produced footage that juxtaposes representations of Black artists, scholars, athletes, and politicians with depictions of events ranging from faith-based transcendence to police brutality; and "Contemporary Art + Design," which features recently acquired paintings, installations, jewelry, furnishings, and design objects by artists from 11 countries.

    Galleria Dallas will present the '80s fashion exhibition "She's Got the Look," March 5-April 3.

    She's Got the Look exhibition
    Photo courtesy of Galleria Dallas
    Galleria Dallas will present the '80s fashion exhibition "She's Got the Look," March 5-April 3.
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    Movie Review

    Comedy all-stars Jack Black and Paul Rudd can't save Anaconda sequel

    Alex Bentley
    Dec 26, 2025 | 1:01 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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