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Movie Review

Netflix stakes claim as premier studio with propulsive Triple Frontier

Alex Bentley
Mar 6, 2019 | 1:00 pm
Netflix stakes claim as premier studio with propulsive Triple Frontier
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Netflix, much to the chagrin of some in Hollywood, is continuing to infiltrate all areas of the moviemaking world. Fresh off winning multiple Oscars for Roma, the streaming service seems to have designated 2019 as the year it truly takes over. Films from big-name directors — most notably Martin Scorsese’s The Irishman — will be coming out all year long, with the latest being the star-laden crime thriller Triple Frontier.

As the film begins, Santiago Garcia (Oscar Isaac) is seen helping with a drug bust in South America. When he gets wind of a huge amount of cash hidden at a drug king’s home in the jungle, he sets out to recruit some former Special Forces buddies to help him steal it. They include Tom Davis (Ben Affleck), Ben Miller (Garrett Hedlund), William Miller (Charlie Hunnam), and Francisco Morales (Pedro Pascal).

Each member of the group is now leading a life that is at stark odds with what they expected upon leaving the military, making them vulnerable to greed in a situation like this. Naturally, each member also possesses a certain skill crucial to the mission, talents that will come in handy if they are to succeed in not only raiding the house, but also schlepping the haul out of the country.

If you’ve seen pretty much any heist movie, it’s clear from the get-go that not everything will go smoothly. But the manner of those obstacles and how effectively they are overcome determine the worthiness of this type of film. It already has a sheen of credibility thanks to Oscar-nominated co-writer/director J.C. Chandor and co-writer Mark Boal, who, along with executive producer Kathryn Bigelow, has made Oscar-winning military movies like The Hurt Locker and Zero Dark Thirty.

The filmmakers give the story a propulsion from minute one that rarely lets up. While the film never goes too deep on why the five men are so good at what they do, thanks to their ease of communication, there’s never a doubt that they are elite soldiers who know how to handle themselves when things go to hell. They are also confronted with a number of moral quandaries, and it’s the treatment of those situations that makes the film more than just your standard thriller.

A few elements hold it back a bit, most notably why the film is called Triple Frontier in the first place. Without any foothold in the plot of the film, it’s a generic action movie title that should have been rethought. And while the suspension of disbelief holds up for most of the running time, there are a few moments where characters go over the line and break the spell of the movie.

The five main actors work as well together as you would hope. The film requires hyper-masculinity at almost all times, and each of them in their own unique way provides the requisite testosterone. Isaac is the de facto leader, and he exudes both a calmness and intensity that suits the role perfectly.

Were this a standard theatrical release, it’s easy to see Triple Frontier competing for the top spot at the box office for a few weeks or more. It’s as good a crime thriller as any movie fan could want, and one that demonstrates that Netflix is staking its claim as one of the premier movie studios.

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Triple Frontier will have a special one-week theatrical run at Landmark Magnolia before debuting on Netflix on March 13.

Oscar Isaac and Ben Affleck in Triple Frontier.

Oscar Isaac and Ben Affleck in Triple Frontier
Photo by Melinda Sue Gordon
Oscar Isaac and Ben Affleck in Triple Frontier.
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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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