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    Movie Review

    Netflix stakes claim as premier studio with propulsive Triple Frontier

    Alex Bentley
    Mar 6, 2019 | 1:00 pm
    Netflix stakes claim as premier studio with propulsive Triple Frontier
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    Netflix, much to the chagrin of some in Hollywood, is continuing to infiltrate all areas of the moviemaking world. Fresh off winning multiple Oscars for Roma, the streaming service seems to have designated 2019 as the year it truly takes over. Films from big-name directors — most notably Martin Scorsese’s The Irishman — will be coming out all year long, with the latest being the star-laden crime thriller Triple Frontier.

    As the film begins, Santiago Garcia (Oscar Isaac) is seen helping with a drug bust in South America. When he gets wind of a huge amount of cash hidden at a drug king’s home in the jungle, he sets out to recruit some former Special Forces buddies to help him steal it. They include Tom Davis (Ben Affleck), Ben Miller (Garrett Hedlund), William Miller (Charlie Hunnam), and Francisco Morales (Pedro Pascal).

    Each member of the group is now leading a life that is at stark odds with what they expected upon leaving the military, making them vulnerable to greed in a situation like this. Naturally, each member also possesses a certain skill crucial to the mission, talents that will come in handy if they are to succeed in not only raiding the house, but also schlepping the haul out of the country.

    If you’ve seen pretty much any heist movie, it’s clear from the get-go that not everything will go smoothly. But the manner of those obstacles and how effectively they are overcome determine the worthiness of this type of film. It already has a sheen of credibility thanks to Oscar-nominated co-writer/director J.C. Chandor and co-writer Mark Boal, who, along with executive producer Kathryn Bigelow, has made Oscar-winning military movies like The Hurt Locker and Zero Dark Thirty.

    The filmmakers give the story a propulsion from minute one that rarely lets up. While the film never goes too deep on why the five men are so good at what they do, thanks to their ease of communication, there’s never a doubt that they are elite soldiers who know how to handle themselves when things go to hell. They are also confronted with a number of moral quandaries, and it’s the treatment of those situations that makes the film more than just your standard thriller.

    A few elements hold it back a bit, most notably why the film is called Triple Frontier in the first place. Without any foothold in the plot of the film, it’s a generic action movie title that should have been rethought. And while the suspension of disbelief holds up for most of the running time, there are a few moments where characters go over the line and break the spell of the movie.

    The five main actors work as well together as you would hope. The film requires hyper-masculinity at almost all times, and each of them in their own unique way provides the requisite testosterone. Isaac is the de facto leader, and he exudes both a calmness and intensity that suits the role perfectly.

    Were this a standard theatrical release, it’s easy to see Triple Frontier competing for the top spot at the box office for a few weeks or more. It’s as good a crime thriller as any movie fan could want, and one that demonstrates that Netflix is staking its claim as one of the premier movie studios.

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    Triple Frontier will have a special one-week theatrical run at Landmark Magnolia before debuting on Netflix on March 13.

    Oscar Isaac and Ben Affleck in Triple Frontier.

    Oscar Isaac and Ben Affleck in Triple Frontier
    Photo by Melinda Sue Gordon
    Oscar Isaac and Ben Affleck in Triple Frontier.
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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

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    Marty Supreme opens in theaters on December 25.

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