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    More Bands for the Money

    South by So What Festival moves into big time with 3-day music spree

    Alex Bentley
    Mar 13, 2014 | 12:10 pm

    You wouldn't guess it by the name, but the organizers of the South by So What?! Festival, holding its seventh annual edition March 14-16 at QuikTrip Park in Grand Prairie, are actually huge fans of South by Southwest. In fact, their festival wouldn't exist without it.

    "South by So What was always based around the bands from South by Southwest," says Mike Ziemer, founder of Third String Productions, which puts on the event. "This guy that I was working with said, 'Man, you should just call your festival South by So What because you’re bringing all the bands that the kids want to see.'"

    "We’ve sold tickets in probably every single state in the United States and multiple countries," says Mike Ziemer, founder of Third String Productions, which puts on the event.

    The festival is aimed at the 15-25 age range and is similar in theme to Bamboozle or Warped Tour. Essentially, if you're into rock, metal, hardcore or punk music, you'll find something to like at South by So What.

    The idea has proven increasingly popular for bands who want to play in Austin but need to make extra money.

    "There are not a lot of paid shows down there for bands in this genre," Ziemer says. "For them to be able to come to our festival and have an outlet to make money and still showcase in Austin is really cool for them."

    As South by So What has grown, though, it has also needed more space. It started at the Plano Centre in 2008, tried Dr Pepper Arena in Frisco in 2010 and Palladium Ballroom in 2011 before settling into its current home in 2012.

    Ziemer says QuikTrip Park offers an ideal setting for the festival.

    "We sold out in advance at the Palladium, and that was the turning point of realizing how big our festival had gotten and that the only way to do it was to do it outdoors," Ziemer says.

    "It has to be something that you can fit anywhere from 5,000-10,000 people without limiting where they can view the bands from. There’s really nowhere indoors where you can do that."

    As the festival gained notoriety, it became easier to attract bigger bands, which ultimately led to the decision to bump up the schedule from one day to three.

    "It’s become something where we went from begging and pleading to getting some of these bands at our festival to the agents coming to us and saying, 'Here’s everybody that I have, and we’d really like to get them all in the show,'" Ziemer says.

    The quality of the bands they booked was also a factor in spreading out the festival over three days.

    "We had bands like Bring Me the Horizon, Taking Back Sunday and The Used, and when you have that many bands at that level, you can’t just pick and choose and have a band like Bring Me the Horizon play at 4 in the afternoon," Ziemer says.

    "And then we found out that Between the Buried & Me, The Devil Wears Prada and a bunch of these other hardcore bands were coming around, so we said, 'You know what? Let’s just go all-out and do a three-day festival.' Most destination festivals are three days, anyway."

    With the festival getting so large — around 150 bands — the focus went from having a 50-50 split between Texas and national bands to a lineup that would have a broader appeal.

    "I really like the majority of the festival being national and international bands, because that’s what brings your out-of-state appeal," Ziemer says. "We’ve sold tickets in probably every single state in the United States and multiple countries, and I think if we did what we’ve always done, 50 percent of the lineup would be bands the rest of the world doesn’t recognize."

    In addition to the ones named above, headliners include Asking Alexandria, August Burns Red, Of Mice and Men, Motionless in White, Attila and The Story So Far. Those bands are mostly separated over the three days in order to give fans an equal chance to catch their favorites.

    And if for some reason you don't like this year's band roster, know that Ziemer and his co-workers are always looking for feedback on ways to make the festival better.

    "We constantly say, 'What bands are you really looking forward to this year? Who’s the new up-and-coming band? What record are you most excited for?,'" Ziemer says.

    "It’s definitely a process keeping up with which band is going to be hot or which band is starting to really take off, but it’s definitely worth it when you see your ticket sales going crazy because everyone is really excited."

    The South by So What?! Festival, March 14-16 at QuikTrip Park, is celebrating its seventh year and its first as a three-day event.

    South by So What?
    South by So What?! Facebook
    The South by So What?! Festival, March 14-16 at QuikTrip Park, is celebrating its seventh year and its first as a three-day event.
    unspecified
    news/entertainment

    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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    news/entertainment

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