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    Best of the Big Screen

    Must-see movies at the Dallas International Film Festival

    Alex Bentley
    Apr 5, 2013 | 12:21 pm

    The Dallas International Film Festival is just underway, and its lineup of close to 200 films can be daunting to even the heartiest of moviegoers. So what's the best way to get the most out of the fest?

    The first rule of thumb is to plan ahead. Your most-anticipated film could be anticipated by many others, so if there's a movie you really want to see, it's best to buy a ticket in advance (passholders are guaranteed tickets so long as get there at least 15 minutes ahead of time).

    But the other thing to keep in mind is to not overdo it. The vast majority of films will have two screenings on different days, so there's no need to do a full-day binge. The festival lasts until April 14, giving you plenty of time to set your schedule.

    But what films should you see? While 42, showing at Cinemark West Plano on Thursday, is arguably the biggest film of the festival, we prefer those that you might not otherwise see if not for festivals like this. Here are our best off-the-beaten-path picks for every day remaining in the festival.

    Friday, April 5

    Mud - The film voted by CultureMap Dallas readers as their most-anticipated film of the festival is one of the few films that will only have one screening. Starring Matthew McConaughey, Reese Witherspoon and two precocious newcomers, it's earned raves at Cannes and Sundance, and will likely do the same here.

    The Rambler - One of DIFF's midnight specials, this one stars Dermot Mulroney as a man known simply as "The Rambler" who meets people like "The Scientist" and "The Girl" in his journey across America. It promises to be an eccentric and violent romp that has as many secrets as those anonymous names suggest. (Also playing on Saturday, April 6)

    Saturday, April 6

    Good Ol' Freda - The Beatles have been one of the most documented bands in history since they took over the world in the 1960s, so you'd think all their stories would have been exhausted by now. But this documentary about a secretary to the band and their fan club is an enthralling look at one person's inside look at the Fab Four. (Also playing on Sunday, April 7)

    Sweetwater - They have an ebb and flow like any genre, but Westerns will never go out of style. A star-studded cast including Ed Harris, January Jones and Jason Isaacs, the film pits two struggling landowners against an area preacher and a big-city sheriff. (Also playing on Sunday, April 7)

    Sunday, April 7

    The Bounceback - A film about breakups and obsession, two couples experience a wild night in Austin when one ex-boyfriend decides to track his ex-girlfriend to Texas' capital city. It's a comedy that will have anyone who's ever broken up with someone - aka all of us - cringing with sympathy. (Also plays on Saturday, April 6)

    Buck Wild - Another midnight special, this one involves a hunting trip gone awry when four friends run afoul of local gangsters, the sheriff and, naturally, zombies. Almost anything can and does happen in this Texas-set film. It also plays on Saturday, April 6, but we're choosing this one since it's at the somewhat friendlier time of 10 pm.

    Monday, April 8

    Dirty Wars - If you're able to get away during the day, this documentary is definitely worth your while. A look at the state of warfare today, it shows how things like drone strikes, night raids and torture have completely changed the game when it comes to America engaging its enemies. (Also plays on Saturday, April 6)

    Rushlights - Josh Henderson has made a big impact in the television world the past two years as the diabolical John Ross Ewing on Dallas, and this film will have him facing more intrigue and murder. The thriller has his character trying to run scams in small town Texas, with the local sheriff and others trying to prevent his schemes. (Also playing on Tuesday, April 9)

    Tuesday, April 9

    Decoding Annie Parker - We've been following this film for a while now, so it's no surprise it's on our list. Telling two stories - one of a woman with breast cancer, one of researcher looking for genetic links for the cancer - it's a heartfelt drama that has the added bonus of having a local connection. (Also playing on Thursday, April 11)

    The Dirties - With the school shooting in Newtown still fresh on our minds, The Dirties takes on the topic in an unexpected way. Two high schoolers turn to making a movie to release their anger about being bullied, but where does the fantasy of the movie end and real life begin? (Also playing on Wednesday, April 10)

    Wednesday, April 10

    Good Night - If you had a life-threatening illness, how would you go about saying goodbye to your family and friends? That's the premise behind this film, where the reaction to one character's announcement turns into a night of sadness, questioning and celebration. (Also playing on Thursday, April 11)

    The Kings of Summer - Two teenagers, sick of their home lives for different reasons, concoct an idea to build their own house in the woods. Joined by an eccentric schoolmate, they set out to become their own men, with unexpected consequences. It's a funny look at rebellion taken to a whole new level. (Also playing on Thursday, April 11)

    Thursday, April 11

    Chasing Shakespeare - This Bard-related film, starring Danny Glover, parallels the star-crossed duo of Romeo and Juliet. Glover's character his character's love for a Native American woman knows no bounds, not even death. The film is highlighted by beautiful visuals and a haunting score. Does love truly conquer all? (Also playing on Friday, April 12)

    C.O.G. - David Sedaris is an author and humorist who's semi-well known for his work and for his famous sister, Amy. This film is the first time his work has been adapted for the big screen, telling the story of a guy who does some deep soul-searching after going to work on an Oregon apple farm one summer. (Also plays on Wednesday, April 10)

    Friday, April 12

    Twenty Feet from Stardom - We know all about music headliners, but what exactly does it take to be a backup singer? That's the thrust of this documentary, which intersperses interviews with big names like Bruce Springsteen and Bette Midler with those who toil in the background. An invaluable look at these unsung musical legends. (Also playing on Sunday, April 14)

    The Discoverers - Most teenagers have been forced to endure a trip they'd rather not have gone on, but this one may take the cake. A writer drags his children along to a conference in hopes that he will get inspiration, only to find the whole family being dragged in unexpected directions when his father goes missing while on a wildlife expedition. (Also playing on Sunday, April 14)

    Saturday, April 13

    Smashed - The perils of alcoholism have often been portrayed on screen, but it's not often a film delves into the intricacies of recovery. That's mainly what this film is about, as stars Mary Elizabeth Winstead and Aaron Paul fearlessly portray that ugliness when Winstead's character gives up alcohol. Winstead will be on hand to speak about the film afterward.

    The Exorcist - There are not many horror films that can stand the test of time, but William Friedkin's 1973 masterpiece is one of them. It's still as freaky now as it was 40 years ago to see poor Linda Blair speak in tongues, crawl up the stairs backward or projectile vomit green nastiness. Friedkin will be on hand to speak about the film afterward.

    Sunday, April 14

    Life is Beautiful - Roberto Benigni's 1997 Oscar winner is being shown as part of a tribute to Italian cinema, and it still retains its poignancy. Set in a Nazi concentration camp, a father must protect his son from the horrors going on all around him by convincing him it's all one big game.

    Unfinished Song - When Vanessa Redgrave's character is no longer able to sing in her beloved choir, her husband (Terence Stamp) reluctantly takes her place. But his grumpiness is soon replaced by something akin to joy when the music awakens parts of him he thought were long gone. (Also plays on Tuesday, April 9)

    Ed Harris stars in Sweetwater, playing on Saturday, April 6 and Sunday, April 7.

    Dallas International Film Festival, Sweetwater
    Photo courtesy of Dallas International Film Festival
    Ed Harris stars in Sweetwater, playing on Saturday, April 6 and Sunday, April 7.
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    Movie review

    Over-the-top The Bride! makes other Frankenstein movies seem subtle

    Alex Bentley
    Mar 6, 2026 | 12:15 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

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