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    April Is Film Fest Month

    USA Film Festival proves it's no ugly stepsister to DIFF

    Alex Bentley
    Apr 15, 2013 | 2:01 pm

    It's easy to forget now that the just-finished Dallas International Film Festival has become the big man in town, but the USA Film Festival has been providing Dallas with new and interesting films for a long time. And with its just-announced schedule, the 43-year-old festival, taking place April 24-28, proves that you can never have too many good options when it comes to movies.

    Although the USA Film Festival is smaller in scale than DIFF, they've managed to pack quite a few meaty offerings into this year's slate:

    • Prince Avalanche, a new dramedy starring Paul Rudd and Emile Hirsch about two men painting traffic lines on a highway in an area that's recently suffered through wildfires. The film is written and directed by David Gordon Green, who will be honored by the festival and will be in attendance.
    • Manhunt, an HBO documentary about the 20-year hunt for Osama bin Laden. Director Greg Barker will be in attendance.
    • The Way, Way Back, a buzzy film starring Steve Carell, Toni Collette and Sam Rockwell and written and directed by Jim Rash and Nat Faxon, who won an Oscar for writing The Descendants. Rash and Faxon will be in attendance.
    • Much Ado About Nothing, the ultra-indie Shakespeare adaptation that also happens to be writer/director Joss Whedon's follow-up to a little movie called The Avengers. Longtime fans of Whedon's TV work will appreciate the presence of many of his previous actors, including Nathan Fillion, Alexis Denisof and Dallas native Amy Acker. Acker will be in attendance.
    • Touchy Feely, the latest from writer/director Lynn Shelton, who previously helmed the acclaimed My Sister's Sister. That film starred Rosemarie DeWitt, who also stars here.

    The festival will feature 24 feature films and 13 short films in all. It will also pay tribute to independent filmmaker Jeff Lipsky, whose credited filmography is relatively brief but whose influence on the film world goes back decades. They'll screen his latest film, Molly's Theory of Relativity.

    Other notable offerings include a 25th anniversary screening of They Live; Bridegroom​, a documentary that looks at the same-sex marriage debate through one couple's eyes; a free screening of the classic Harold Lloyd silent film Safety Last!; a short film compilation hosted by Dallas native Stephen Tobolowsky; and Bottled Up, a documentary about the fight over Dublin Dr Pepper.

    All USA Film Festival screenings are at Angelika Film Center Dallas. Tickets are $10 and can be purchased through Ticketmaster by calling 214-631-2787 or via the Ticketmaster site.

    Make sure you plan your schedule wisely, though; the festival overlaps many of their films, so if you have ones that are playing at the same time or back-to-back, you may have to make some hard choices.

    Emile Hirsch and Paul Rudd in writer director David Gordon Green's Prince Avalanche, screening as part of the USA Film Festival.

    Emile Hirsch and Paul Rudd in David Gordon Green's Prince Avalanche
    Photo courtesy of Magnolia Pictures
    Emile Hirsch and Paul Rudd in writer director David Gordon Green's Prince Avalanche, screening as part of the USA Film Festival.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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