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    Movie Review

    The Bad Guys is a very good new animated franchise for Dreamworks

    Alex Bentley
    Apr 20, 2022 | 1:45 pm
    The Bad Guys is a very good new animated franchise for Dreamworks
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    Though shunned by some moviegoers, animated films are where you can find some of the best creativity in filmmaking. Unrestrained by the rules of the real world, they can offer up any number of extraordinary scenarios without audiences blinking an eye since literally anything can happen. Naturally, some movies use this freedom in better ways than others, as the new animated film The Bad Guys demonstrates.

    Based on the popular kids’ graphic novel series by Australian author Aaron Blabey, the film features a criminal group made up of the suave Wolf (Sam Rockwell), cantankerous Snake (Marc Maron), techy Tarantula (Awkwafina), master-of-disguise Shark (Craig Robinson), and muscular Piranha (Anthony Ramos). The group is known far and wide for their burglary skills, to the point that normal citizens just get out of their way whenever they show up.

    When one of their heists doesn’t go as planned, they attempt to wriggle out of trouble by convincing local hero/good Samaritan/guinea pig Professor Marmalade (Richard Ayoade) and Governor Diane Foxington (Zazie Beetz) that they can be rehabilitated under Marmalade’s guidance. Of course, that’s just a scheme to get what they really want … until they discover that being good can actually make you feel good, too.

    Directed by Pierre Perifel and written by Etan Cohen, the film is inventive in a number of ways. The world of the film is one in which humans and talking animals live side-by-side as if that’s completely normal. Yes, the bad guys are animals, but so too are Professor Marmalade and Gov. Foxington, so it’s not as if there’s some natural separation between the species. To add to the mixture are non-talking animals like cats and smaller guinea pigs being subjected to experiments, which raises several questions that the film glides over.

    A blend of 2D and 3D animation, the film is a visual delight from beginning to end. Most notable is the eyes of the many of the characters, which have a different style from the rest of their faces, making for a unique contrast that draws the viewer in. The animators do similar tricks on other elements throughout the film that complement the story extremely well.

    Most of all, though, the film is just plain fun. The film riffs on the Ocean’s series in a way that adults will recognize but doesn’t alienate kids. The ridiculous nature of animals, especially an enormous shark, disguising themselves with a mere change of clothes can’t help but amuse. And there are a number of sight gags and callbacks to earlier jokes that show the filmmakers know how to please viewers of all ages.

    The main quintet is comprised of actors who fit their roles very well, especially Rockwell and Maron, whose real-life personas are similar to those of their respective characters. Awkwafina, thanks to her instantly recognizable voice, will work for years in animated films if she wants to. Robinson and Ramos aren’t as distinctive, but they each bring their own flair to their roles.

    The Bad Guys is a boon for Dreamworks Animation, whose other current franchises (Trolls, The Croods, Boss Baby) haven’t fully lived up to expectations. With 14 books and counting in the series, there is plenty of source material from which to draw new stories, so we can expect to see much more of these bad/good guys for years to come.

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    The Bad Guys opens in theaters on April 22.

    Shark, Snake, Piranha, Wolf, and Tarantula in The Bad Guys.

    Shark, Snake, Piranha, Wolf, and Tarantula in The Bad Guys
    Photo courtesy of DreamWorks Animation LLC
    Shark, Snake, Piranha, Wolf, and Tarantula in The Bad Guys.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

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    Oh. What. Fun. is now streaming on Prime Video.

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