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Movie Review

Bloody & brutal Mortal Kombat gets back to video game series basics

Alex Bentley
Apr 23, 2021 | 10:49 am
Bloody & brutal Mortal Kombat gets back to video game series basics
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When the original Mortal Kombat film came out in 1995, it was among the first wave of movies based on video games, coming just three years after the game itself debuted in arcades in 1992. Like virtually every other video game adaptation since, it was much derided for its laughable plot, dialogue, and, most importantly, action.

Twenty-six years later, not much has changed in the reboot of the franchise except one key thing that lines it up much better with the aesthetic of the video game series. In this Mortal Kombat, the central figure is MMA fighter Cole Young (Lewis Tan), who is initially unaware that he shares a heritage with the great Hanzo Hasashi (Hiroyuki Sanada), an 1800s era Japanese warrior whose family is slaughtered in a brutal opening sequence.

As always in the series, the plot pits fighters from Earthrealm versus those from the Outworld, which is ruled by Emperor Shang Tsung (Chin Hun). As we learn – but don’t see – Outworld has defeated Earthrealm in nine straight tournaments, and one more win means they will rule for good. It’s up to Cole and the other fighters he meets along the way to prevent the worst from happening.

Directed by Simon McQuoid and written by Greg Russo and Dave Callaham, the filmmakers earn points by at least attempting to have a comprehensible plot. That’s not to say that they’re successful; after a decent start, the film quickly does away with any story nonsense to make it all about the fighting, all the time. But the bare minimum of giving Cole a family and laying out some background of other characters lends some light emotion to the proceedings.

Of course, the fighting is what most viewers will want to see, and the blood-spattered opening to the film makes it immediately clear that this is no PG-13 affair. The two ‘90s films were full of cheesy action scenes, so the intensity and graphic nature of the sequences in this film are a step up. And fans of the games will be happy to see that the finishing moves employed by the various characters are extremely gory, which at least gives a visceral sheen to the mostly inane combat.

The film features many of the video game series’ favorite characters, including Sub-Zero (Joe Taslim), Sonya Blade (Jessica McNamee), Kano (Josh Lawson), Jax (Mehcad Brooks), Liu Kang (Ludi Lin), and Lord Raiden (Tadanobu Asano). All of them are showcased to some degree, although given the nature of the story, there are very few surprises and no real stakes for any of them.

As the lead, Tan doesn’t do much to earn viewers’ attention. The character is not all that compelling, and Tan lacks the charm necessary to get people on his side. The two most successful actors are McNamee and Lawson, the former because she actually does possess some charisma, and the latter because his character is given free rein to be loud and profane. Everyone else relies on their fighting skills, CGI, or both to speak for their characters.

This Mortal Kombat will not win any awards and has very little to hang on to if you care about plot. However, with the type of violence that fans of the series will love to see, it can at least claim that it’s no longer watering down the most famous aspect of the game on which it’s based.

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Mortal Kombat is now playing in theaters and on HBO Max.

Lewis Tan in Mortal Kombat.

Lewis Tan in Mortal Kombat
Photo by Mark Rogers
Lewis Tan in Mortal Kombat.
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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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