Lizzo will perform at American Airlines Center on October 28.
Photo courtesy of Lizzo
Singer/rapper/flutist Lizzo's upcoming "The Special Tour" will include a stop at American Airlines Center in Dallas on October 28.
The tour, which will hit 25 cities across North America in Fall 2022, will kick off on September 23 in Sunrise, Florida. She'll also play in Austin on October 25 and Houston on October 26. Atlanta rapper Latto will be the special guest on all dates.
The body-positive superstar has been on a roll in recent weeks, releasing "About Damn Time," the lead single off her forthcoming new album, Special, scheduled for release on July 15. She was also given the relatively rare honor of being both the host and musical guest for the April 16 episode of Saturday Night Live.
Lizzo made her debut on SNL in her breakout year in 2019, during which she released her platinum-selling third album, Cuz I Love You, which featured mega-hits like "Truth Hurts" and "Good As Hell." She went on to win three Grammy Awards in 2020, including Best Urban Contemporary Album, Best Pop Solo Performance, and Best Traditional R&B Performance.
Fans who pre-save/pre-add Lizzo’s upcoming album at this link will receive early access to purchase tour tickets. The public on-sale date will be Friday, April 29 at 10 am on ticketmaster.com. American Express card members will have first access to purchase tickets before the general public beginning 10 am Tuesday, April 26 through 10 pm Thursday, April 28.
Lizzo is also teaming up with T-Mobile to give T-Mobile customers access to stage-front pit and lower bowl tickets at every U.S. tour stop, even at sold-out shows. Customers can get reserved tickets starting 30 days prior to each show at first-day prices.
For most of the 21st century, and especially the last 15 years, Tom Cruise has been a “movie star” rather than an “actor.” That’s not to say he’s a bad actor, but rather that his focus has been on making blockbuster movies where his unique ability to go all-in on action supersedes any need for introspection. Now perhaps past his action movie days, he’s giving full-on acting another try in Digger.
Cruise plays Digger Rockwell, an eccentric oil baron whose current project is drilling for oil in Greenland. Turns out that’s a bad idea in multiple ways, most significantly when an explosion at the site manages to calve an ice shelf five times the size of Boston. That humongous piece of ice then starts on an inevitable collision course with mainland Europe, where it is predicted that there will be hundreds of thousands of deaths and uncountable property damage from the ensuing tsunami.
That sounds bleak, and it is, but the film plays the scenario for laughs thanks to over-the-top characters like Digger, his sister Emma (Sandra Hüller), U.S. President Compson (John Goodman), and the unnamed Vice President (Michael Stuhlbarg). As those people and others try to spin the disaster of epic proportions, others like the scientist Ganesh (Riz Ahmed) try to get the leaders to see reason or to take responsibility for their actions.
Written and directed by Alejandro Iñárritu and co-written by three others, the film has more than a few surprises in store, including one big one that will go unspoiled here. Suffice it to say that for anyone who might be put off by how Cruise (who seems to be channeling his Les Grossman character from Tropic Thunder) and others are acting in the trailers for the film may change their minds about the performances after actually having seen the complete product.
What can be said is that the film is a wild, wacky, and occasionally disorienting experience that also doubles as a cogent critique of the governments and corporations responsible for climate change and unchecked capitalism. Digger is a motormouth who often cuts off people with relevant information to impart, having already determined that he knows all he needs to know about a certain topic. He’s stuck in his ways in many respects, including trying to keep alive a 20-year-old cat that clearly wants to die.
Once the full scope of the story is revealed, it becomes easier to understand what Iñárritu and Cruise are trying to accomplish with the film. It has some similarities to Stanley Kubrick’s dark satire Dr. Strangelove, but it also tries to stay grounded in certain ways. The push-and-pull between those who only seem to be out for themselves and those who want to get to the truth of the matter is played out on different fronts throughout the film. Not all of it lands, but enough does to not make the film seem completely unhinged.
Cruise has been nominated for three Oscars, and it’s clear he’s aiming for a fourth nod with this performance. He does his best to sell every quirk and aspect of the character, epitomized by a gonzo speech that utilizes every mental and physical skill he can muster. The supporting actors are hit-and-miss, but Ahmed comes off the best as a person serving as Digger’s moral conscience. He’s an antidote to Cruise’s mania, but then turns it up to 11 when needed.
Not everything is as it seems in Digger, and the out-there approach by Iñárritu and his team falls into the love-it-or-hate-it dichotomy that applies to many of his films. The very fact that everyone involved was willing to dedicate their whole selves to such an off-the-wall concept makes it deserving of attention, even if not everything is a success.