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    Summer movie preview

    Dallas' summer movie season makes a big return with these 15 must-see films

    Alex Bentley
    May 13, 2022 | 2:05 pm

    When the pandemic shut down movie theaters and made streaming movies at home an enjoyable option for many, it was fair to wonder if the landscape of watching movies had changed forever. But in the past six months, the box office returns of a number of films — most notably Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness — have proven that the reports of the death of movie theaters were greatly exaggerated.

    That makes summer movie season in 2022 one of the most anticipated ever, both because of the types of movies on the horizon and because of the thrill of seeing movies with large crowds again. Below, in chronological order by release date, are the 15 movies most likely to entice moviegoers the most this summer.

    Downton Abbey: A New Era (May 20)
    You may think that a film based on a PBS/ITV TV series featuring British nobility that went off the air seven years ago would be strictly an arthouse affair, but you'd be wrong. The first film in 2019 made almost $200 million worldwide, putting it squarely in the realm of blockbusters that cost much more to make. With its release coming between two "traditional" blockbusters, it serves as solid counter-programming, so don't be surprised if it makes $100 million or more again.

    Top Gun: Maverick (May 27)
    The last big movie that was slated for a release in 2020 to finally make it to theaters, Top Gun: Maverick is the sequel to the 1986 Tom Cruise film that we never knew we needed. But the trailer shows the high-flying action you'd expect, Cruise in his usual top form, and a bunch of younger stars looking to make their own mark on the franchise. With a new Lady Gaga song also in the mix, it will be the rare person who doesn't want to experience what this film has to offer.

    Jurassic World Dominion (June 10)
    The supposed finale to the Jurassic series (though, let's be serious - it will be back at some point), Dominion will attempt to match the strong box office performances of its two predecessors. Reviews have been decidedly mixed for the series so far, and even with the return of the stars of the original Jurassic Park — Sam Neill, Laura Dern, and Jeff Goldblum — they've got an uphill climb to win over the skeptics.

    Lightyear (June 17)
    Speaking of winning over skeptics, no one quite knows what to make of Pixar's new movie, which takes the Buzz Lightyear character from the Toy Story franchise and ... makes him real? Voiced by Chris Evans instead of Tim Allen, the movie looks like it will show Lightyear going through a bunch of space adventures with new and familiar characters. While it's best to doubt Pixar at one's own peril, the story for this film is going to have to be really good to justify its existence.

    Elvis (June 24)
    Also known as the movie that Tom Hanks was filming when he contracted COVID in March 2020, Elvis is the latest movie to try to add to the legend of the already mythic Elvis Presley. The first movie from Baz Luhrmann since 2013's The Great Gatsby, it's sure to have the visual pizzaz that the Australian filmmaker has displayed throughout his career. Starring Austin Butler as Elvis and Hanks in a fat suit as Colonel Tom Parker, here's hoping it will have both Elvis fans and movie fans all shook up.

    Minions: The Rise of Gru (July 1)
    The fifth movie in the Despicable Me series, Minions: The Rise of Gru takes fans back in time to the 1970s when Gru (Steve Carell) was just a villain wannabe hoping to get the attention of a supervillain supergroup. Naturally, he'll use his loyal servants, the Minions, in his quest, and since their name starts the title, it's more than likely that they will get at least equal billing to Gru himself. One of only two big animated films to be released this summer, it's sure to draw in lots of families.

    Thor: Love and Thunder (July 8)
    The next in line in the Marvel Cinematic Universe, Thor: Love and Thunder appears like it will continue the exploration of the multiverse established in Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness. The trailer shows a buff version of Thor's old girlfriend Jane (Natalie Portman), the return of the Guardians of the Galaxy, and a new villain, Gorr the God Butcher, played by former Batman Christian Bale. No matter whether it's good or bad, it's guaranteed to be one of the biggest movies of the summer.

    Where the Crawdads Sing (July 15)
    Mid-July is where we reach the unknown portion of the summer. Everything before now was either based on a pre-existing movie property or involved a music superstar. Based on the biggest selling book of 2019, the film is a murder mystery of sorts involving Kya (Daisy Edgar-Jones), a North Carolina woman who was abandoned as a girl and learned to live on her own. The book featured intertwining stories of Kya as a girl and an adult, so it'll be interesting to see how the film is able to handle the two different timelines.

    Nope (July 22)
    Writer/director Jordan Peele has become a brand unto himself following the Oscar-nominated Get Out and the perplexing-but-still-successful Us. His latest is the hilariously-named Nope, which is basically the reaction any normal person would have to anything they encounter in a horror movie. The film reunites Peele with Get Out star Daniel Kaluuya and features rising star Keke Palmer, but not much is known about the actual plot. Still, there are few more intriguing filmmakers than Peele and there are few other horror movies coming out this summer, so it's sure to be big.

    Bullet Train (August 5)
    Another filmmaker who has a growing reputation — in a good way — is David Leitch, a stunt performer/coordinator who has taken his knowledge from that realm to make a series of action-packed films. He's directed the first John Wick, Atomic Blonde, Deadpool 2, Hobbs & Shaw, and produced Nobody. This one, set aboard a bullet train in Japan as five assassins — most notably, Brad Pitt — try to kill each other, looks to be a literal non-stop thrill ride.

    Bodies Bodies Bodies (August 5)
    The smallest movie on this list, coming from indie studio A24, Bodies Bodies Bodies has the potential to be a late-summer breakout. It's about a group of rich 20-somethings, including Amandla Stenberg, Maria Bakalova, and Pete Davidson, who gather together for a hurricane party. But something goes very wrong during the night, resulting in a lot of in-fighting and backstabbing (perhaps literally?). With rising young stars and what looks to be a nastily fun story, this movie could be a big surprise.

    Don't forget about Netflix: Of course, Netflix has not entirely ceded the floor to movie theaters. Given the overabundance of content on the streaming service, it can be difficult to tell what to pay attention to and what to ignore, but they have four big movies scheduled for release that offer up enticing stories, stars, or both:

    Hustle (June 8)
    Adam Sandler has made a bunch of middling-to-bad comedies for Netflix, but this is a drama that could be another award-worthy turn for the actor. He plays a longtime basketball scout in desperate need of a great discovery. He potentially finds that in a Spanish player (played by real NBA player Juancho Hernangomez), but they both have to overcome a lot of doubters along the way.

    Spiderhead (June 17)
    Pre-Netflix, this is the type of movie you'd expect to be a summer blockbuster. Directed by Top Gun: Maverick's Joseph Kosinski and starring Thor Chris Hemsworth, Miles Teller (who's in Maverick), and Jurnee Smollet, the film is about prisoners who are given a chance to shorten their sentences in exchange for being test subjects for new medicines. Of course, surely nothing will go wrong in that scenario, right?

    The Gray Man (July 22)
    Another blockbuster-type film debuting on the small screen, this one stars Ryan Gosling as a CIA agent who uncovers agency secrets, triggering a manhunt by a bunch of assassins. This is the second movie from the Russo brothers after Avengers: Endgame, and it looks like they're getting back into what they know best after the misfire that was Cherry. The film also stars former Captain America Chris Evans, Ana de Armas, and former Bridgerton star Regé-Jean Page, so you know the acting will be up to snuff.

    The Man from Toronto (August 12)
    The world is in need of another great action-comedy, and hopefully this one will fit the bill. Starring Woody Harrelson and Kevin Hart, the story is about the world's deadliest assassin and New York's biggest screw-up who get mistaken for each other at an Airbnb rental. Not exactly sure how Harrelson and Hart could be mistaken for each other, but that's sure to be part of the movie's hijinks.

    Tom Cruise in Top Gun: Maverick.

    Tom Cruise in Top Gun: Maverick
    Photo courtesy of Paramount Pictures
    Tom Cruise in Top Gun: Maverick.
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    Movie Review

    The Devil Wears Prada 2 fashions glam Runway comeback with underdressed story

    Alex Bentley
    Apr 30, 2026 | 1:42 pm
    Meryl Streep and Anne Hathaway in The Devil Wears Prada 2
    Photo by Macall Polay
    Meryl Streep and Anne Hathaway in The Devil Wears Prada 2.

    When The Devil Wears Prada came out 20 years ago, it was a sensation for essentially two reasons: The showcase of the glamour of the fashion industry, and the performance of Meryl Streep as Miranda Priestly. Streep’s withering glares, disdain shown toward Priestly’s subordinates, and delivery of several instantly iconic lines rightfully earned her an Oscar nomination.

    Two decades later, the gang has come back together for The Devil Wears Prada 2, trying to recapture some of that magic. Andy Sachs (Anne Hathaway), freshly fired from her job at the fictional New York Mirror, is brought back into the fold at Runway magazine to be their features editor. Miranda is still in charge and as standoffish as ever, but Nigel (Stanley Tucci) welcomes her back with open arms.

    Like everything else, Runway has had to change with the times, going mostly digital and having to kowtow to advertisers to keep the money flowing. That includes sucking up to Miranda’s former assistant, Emily (Emily Blunt), who’s now the head of the New York branch of Christian Dior. However, even Andy’s incisive writing and Miranda’s keen eye for the next fashion trend may not be enough to keep the magazine afloat.

    The filmmaking team of director David Frankel and screenwriter Aline Brosh McKenna have also returned, and they have done a good job of keeping the tone of the original film without relying too much on nostalgia. Most of the main characters have aged/changed in reasonable and appropriate ways, and it’s initially fun to see them all interacting again. The fashion side of things keeps the film feeling high-class, even if most regular people can’t afford most of what’s on display.

    The filmmakers have lots of ideas on how to update the characters for the modern world, but the follow-through on those ideas is not as great. Because there is no longer the same power dynamic between Andy and Miranda, Frankel and McKenna go in search of other conflicts, none of which work as well. The two-hour film ends up feeling like a bunch of individual scenes that are tenuously held together by the barest thread of a story.

    Strangest of all, though, is the film’s treatment of Miranda. She remains somewhat imperious, but her influence has diminished in multiple ways. In trying to make her change with the times, including bowing to politically correct terminology, the film has neutered what made her such a great character. There is rarely a point where she feels in charge, and the story choices made because of that weaken the film overall.

    In 2006, Hathaway was just barely out of her Princess Diaries phase, and she has gone on to become a major, Oscar-winning star with no fewer than five different films coming out in 2026. She remains the heart and soul of this film, and she elevates every scene she’s in. Streep is hamstrung by the changes in her character, but she still brings her unique presence to the role. Tucci remains a delight and has great chemistry with Hathaway, but Blunt is underserved by a role that keeps her apart from the others for large stretches and tethered to an annoying character played by Justin Theroux.

    As with many sequels, The Devil Wears Prada 2 is enjoyable just because it allows fans to spend time with some favorite characters again. Even though the filmmakers don’t utilize those characters in ways that are as memorable as the first time around, the film is still a fun time at the theater that gives moviegoers a glimpse at a world many can only dream to be in.

    ---

    The Devil Wears Prada 2 opens in theaters on May 1.

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