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    Weekend Event Planner

    These are the 12 best things to do in Dallas this weekend

    Alex Bentley
    May 23, 2019 | 6:00 am

    Music and theater take center stage, often at the same time, in the slate of events taking place in and around Dallas this weekend. There will be two touring musicals, the first local production of an acclaimed musical, a big-name concert in a small venue, a unique show about a racial issues, and three separate music festivals taking advantage of the long Memorial Day weekend.

    Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

    Thursday, May 23

    AT&T Performing Arts Center presents The Lightning Thief: The Percy Jackson Musical
    In The Lightning Thief: The Percy Jackson Musical the Greek gods are real, and they’re ruining Percy Jackson’s life. As a son of Poseidon, Percy has newly discovered powers he can’t control, monsters on his trail, and is on an epic quest to find Zeus’ lightning bolt to prevent a war between the gods. An adaptation of the novel by Rick Riordan (which was also turned into a 2010 movie), the production will run at Winspear Opera House through Sunday.

    John Oates and The Good Road Band in concert
    John Oates, one half of the best-selling duo of all time, Hall & Oates, is also an accomplished solo artist. With Hall & Oates all but done recording new music, Oates has released five solo albums over the past 17 years, including 2018's Arkansas. He'll play at The Levitt Pavilion for the Performing Arts in Arlington with his band, The Good Road Band.

    The Firehouse Theatre presents Bright Star
    A little less than a year after the Broadway tour of Bright Star came to town, The Firehouse Theatre in Farmers Branch will present the first local production of Steve Martin and Edie Brickell's Tony-nominated musical. It tells a sweeping tale of love and redemption set in motion when literary editor Alice Murphy meets a young soldier just home from World War II. The production will run through June 9.

    AT&T Performing Arts Center presents Cruel Intentions: The '90s Musical
    Cruel Intentions: The ’90s Musical centers on Sebastian Valmont and Kathryn Merteuil, two diabolically charming step-siblings who place a bet on whether or not Sebastian can deflower their incoming headmaster’s daughter, Annette Hargrove. The musical, which features throwback hits by artists like Boyz II Men, Christina Aguilera, REM, NSYNC, and Britney Spears, plays at Wyly Theatre through Sunday.

    Friday, May 24

    Dallas Symphony Orchestra presents Haydn the Creation
    Haydn’s most famous and enduring masterpiece is at once a deeply personal statement of his faith, and a massive, jubilant hymn of praise. The season-ending concert, highlighting soprano Carolyn Sampson; tenor James Gilchrist; and baritone Joshua Hopkins, will be performed three times through Sunday at Meyerson Symphony Center.

    Saturday, May 25

    Sweet Tooth Hotel: Discotech
    Sweet Tooth Hotel will present chapter three of their installation series, titled Discotech, which combines electronic music and new media to create interactive audio-visual installations. Guests will put on a pair of silent disco headphones and explore the newly expanded 5,000 square foot space, complete with a bar. The Instagram-able exhibit will be on display in Victory Park through at least September 30.

    Oral Fixation presents Freedman's Town to Botham Jean: Stories For Racial Healing
    Freedman's Town to Botham Jean: Stories For Racial Healing is a live storytelling show featuring seven diverse Dallasites sharing their true, personal stories about racial tension in Dallas. The storytelling experience, taking place at a different Dallas Public Library branch every Saturday through June 22, will provide historical context and a personal lens to racial tension between blacks and whites in Dallas.

    Bruce Robison and Kelly Willis in concert
    There are lots of husband-and-wife duos who exemplify #CouplesGoals, but Bruce Robison and Kelly Willis belong near the top of any list. They have been married for 22 years, raised four children together, and supported each other's careers, which has included four collaborative albums, including the forthcoming Beautiful Lie, set for release on June 10. They'll play at The Levitt Pavilion for the Performing Arts.

    Sunday, May 26

    Dallas Museum of Art presents Berthe Morisot: "Woman Impressionist" closing day
    Sunday is the final day to see Berthe Morisot: "Woman Impressionist" at the Dallas Museum of Art. Dedicated to one of the founding members of the French Impressionist movement, Berthe Morisot (1841–95), "Woman Impressionist" focuses on the artist’s treatment of the modern figure through approximately 60 paintings from public and private collections around the world.

    97.1 The Eagle presents BFD 2019 featuring Shinedown
    Hard rock fans will be in heaven once again at 97.1 The Eagle's BFD, taking place at Dos Equis Pavilion. The daylong event will be headlined Shinedown, which released its sixth album, Attention Attention, in 2018. There will also be performances by Seether, In This Moment, Live, Thrice, Bad Wolves, The Glorious Sons, and The Dirty Nil.

    Klyde Warren Park presents Memorial Day Music Fest
    The first-ever music festival at Klyde Warren Park will feature performances across multiple stages throughout the day and into the night. Performers will include Jonathan Tyler, Blane Howard, Tatiana LadyMay Mayfield, Blacktop Mojo, The Effinays, and more. Between performances, guests can explore vendor booths, play in the family game zone, have their faces painted, and feast on bites from food trucks.

    Exodus Music & Arts Festival
    Gospel artist Kirk Franklin will host and headline the second annual Exodus Music & Arts Festival, taking place at The Pavilion at Toyota Music Factory in Irving. This festival, which champions the genre of gospel music, will feature performances by Franklin, Fred Hammond, The Clark Sisters, Tasha Cobbs Leonard, Travis Greene, Vashawn Mitchell, and Kelontae Gavin.

    The Lightning Thief: The Percy Jackson Musical will play at Winspear Opera House through May 26.

    The Lightning Thief: The Percy Jackson Musical
    Photo by Jeremy Daniels
    The Lightning Thief: The Percy Jackson Musical will play at Winspear Opera House through May 26.
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    Movie review

    Over-the-top The Bride! makes other Frankenstein movies seem subtle

    Alex Bentley
    Mar 6, 2026 | 12:15 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

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