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Movie Review

New Adam Sandler movie Hustle wears love for NBA on its sleeve

Alex Bentley
Jun 8, 2022 | 9:06 am
Juancho Hernangomez in Hustle. play icon
Juancho Hernangomez in Hustle.
Photo courtesy of Cassy Athena Netflix

When sports movies get made, they’re rarely, if ever, all about the sport itself. Like other types of movies, the sport is the conduit toward telling a story that’s personal or political or whatever other type of subject matter you can attach to it. The new Netflix movie Hustle deals with a rarely-glimpsed side of professional sports, scouting, and how that job impacts both the scout and the players they covet.

Adam Sandler plays Stanley Sugerman, a renowned scout for the Philadelphia 76ers. He’s been with the team for over 30 years, and he’s long hoped that owner Rex Merrick (Robert Duvall) will hire him as a coach. Just as he’s about to get his chance, Rex dies, and his son, Vince (Ben Foster), takes over the team. Viewing Stanley as too valuable as a scout, he puts him out in the field again to try to find the next great star.

Stanley goes to Mallorca, Spain, where he accidentally comes across a street game where Bo Cruz (Juancho Hernangomez) is dominating while playing in work boots. Immediately thunderstruck by his raw ability, Stanley moves heaven and earth to try to get Bo seen by the powers-that-be in the NBA, making a lot of personal sacrifices along the way.

Unlike Sandler’s other movies he’s made as part of his blockbuster Netflix deal, Hustle is not a goofy comedy. Instead, it’s a relatively earnest attempt to examine the life of this one particular scout and the superstar-in-the-making he manages to find. Directed by Jeremiah Zagar and written by Will Fetters and Taylor Materne, the film attempts to navigate the typical sports movie arc without Bo ever taking part in a game that counts.

Instead, Stanley is the put-upon underdog whose talents are belittled by cocky people like Vince, while Bo has to learn to rein in his temper as he goes up against increasingly skilled players. The filmmakers set the scene for the duo’s various ups and downs effectively, with a lot of high-flying when Bo is playing street games and a healthy amount of skepticism when he moves onto indoor courts for tryouts.

A lot of the believability of the story comes from the presence of a ton of real NBA players, coaches, executives, and TV personalities. Hernangomez himself has played in the league since 2016, and among the many cameos are ones by Julius Erving, Mark Cuban, Dirk Nowitzki, Luka Doncic, Tobias Harris, Trae Young, Jordan Clarkson, Doc Rivers, Kyle Lowry, and Seth Curry. Additionally, broadcaster Kenny Smith plays an actual character, Leon Rich, who’s a former teammate of Stanley, and Anthony Edwards of the Minnesota Timberwolves plays Kermit Wilts, a rival prospect to Bo.

It’s probably best for non-NBA fans not to do any digging into Hernangomez’s actual career, or they’ll discover that he has been a journeyman in the NBA, playing for five different teams and only averaging 5.4 points per game in his career. That’s where the movie magic comes into play, making Bo seem like a dominant player even when the real guy has so far shown to be a middling talent, at best. Ray Allen in He Got Game, this is not.

That said, he proves himself to be a decent actor, acquitting himself well in the scenes where his basketball skills aren’t the only thing on which he needs to rely. Sandler, as he showed in 2019’s Uncut Gems, is capable of much more than the foolishness in his comedies. This role finds him somewhere in-between typical Sandler and Oscar-worthy, but it works for the film. Smith is actually the surprise of the film, bringing some heft to what could have been just a vanity part.

Hustle will likely play best to basketball junkies who will revel in seeing all the NBA talent on screen, but it makes for an entertaining experience no matter how much one knows about the sport. It won’t go in the pantheon of sports movies, but it’s far from an embarrassment, either.

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Hustle debuts on Netflix on June 8. It is also playing in select theaters.

Juancho Hernangomez in Hustle.

Juancho Hernangomez in Hustle
Photo courtesy of Cassy Athena/Netflix
Juancho Hernangomez in Hustle.
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Movie Review

Spanish film La Bola Negra showcases unique slice of gay history

Alex Bentley
Oct 30, 2026 | 10:15 am
Miguel Bernardeau and Guitarricadelafuente in La Bola Negra
Photo by Carla Oset/Netflix
Miguel Bernardeau and Guitarricadelafuente in La Bola Negra.

For a long time — too long — gay characters in movies tended to appear as either side characters with no real stories or as tragic figures who were usually unable to express their true selves for fear of what the world at large would think. That has changed in recent years, but the remnants of the past can still haunt, as the new film La Bola Negra demonstrates.

The film takes shape in storylines involving three different men: Carlos (Milo Quifes), a young man in Granada, Spain in 1932 who wants to join an exclusive casino (aka social club); Sebastián (Guitarricadelafuente), who unwillingly joins the military during the Spanish Civil War in 1937, only to have desires aroused in him when he’s asked to guard an enemy detainee; and Alberto (Carlos González), an out gay man in 2017 whose inheritance from his recently-deceased grandfather opens up a world he knew nothing about.

The film goes back and forth between each man, detailing how they handle their individual situations and the complications that arise in their individual lives. Along the way their stories are deepened through people they meet who either welcome them with open arms or shun them for various reasons. While tragedy bonds their stories, so too does hope, resistance, and love.

Co-director/co-writers Javier Calvo and Javier Ambrossi, along with co-writer Alberto Conejero, have expanded Conejero’s play, La Piedra Oscura, which was inspired by Federico Garcia Lorca’s unfinished play, La Bola Negra. Lorca, who was killed during the Spanish Civil War, had only finished four pages of the work, his first to feature an openly gay protagonist. It’s clear there’s a desire by the filmmakers to honor the legacy of Lorca as both a playwright and a gay man, and the seriousness of their pursuit is evident throughout the film’s 160 minutes.

Calvo and Ambrossi do little handholding to guide viewers through the three distinct stories, an approach that mostly works but occasionally leads to confusion, especially as more characters are added to the equation. None of the stories are overly complicated, but they take their time with each, making the long film feel even longer. Only Alberto’s story contains any kind of development that might be considered surprising, making it tough to fully engage with the other two.

Where the film does come alive is when it brings in two well-known actors for brief-but-fascinating stints. Penélope Cruz plays Nené Romero, a singer who entertains the troops and further expands Sebastián’s mind. Glenn Close pops up as Isabelle Durand, a scholar of Lorca who helps Alberto with a unique discovery he makes in his inheritance. Both actors bring up the level of the film significantly through their performances.

Quifes, Guitarricadelafuente (the stage name of Spanish singer Álvaro Lafuente Calvo, no relation to Javier), and González all put in good work in their roles, even if none are overly engaging. They are often overshadowed by supporting actors like Cruz and Close, as well as Miguel Bernardeau as Rafael Rodríguez Rapún, the captured soldier; Julio Torres as Alberto’s partner, and Alberto Cortés as Lorca, who brings a symmetry to the film as a whole.

La Bola Negra — which means “the black ball,” represented both literally and figuratively in the film — is an ambitious film that becomes a slight victim of its filmmakers’ aspirations. Although each of the three stories contain interesting elements, a strong emotional connection is lacking overall despite good-to-great performances.

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La Bola Negra is now playing in select theaters; it debuts on Netflix on December 2.

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