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Movie Review

New Adam Sandler movie Hustle wears love for NBA on its sleeve

Alex Bentley
Jun 8, 2022 | 9:06 am
Juancho Hernangomez in Hustle. play icon
Juancho Hernangomez in Hustle.
Photo courtesy of Cassy Athena Netflix

When sports movies get made, they’re rarely, if ever, all about the sport itself. Like other types of movies, the sport is the conduit toward telling a story that’s personal or political or whatever other type of subject matter you can attach to it. The new Netflix movie Hustle deals with a rarely-glimpsed side of professional sports, scouting, and how that job impacts both the scout and the players they covet.

Adam Sandler plays Stanley Sugerman, a renowned scout for the Philadelphia 76ers. He’s been with the team for over 30 years, and he’s long hoped that owner Rex Merrick (Robert Duvall) will hire him as a coach. Just as he’s about to get his chance, Rex dies, and his son, Vince (Ben Foster), takes over the team. Viewing Stanley as too valuable as a scout, he puts him out in the field again to try to find the next great star.

Stanley goes to Mallorca, Spain, where he accidentally comes across a street game where Bo Cruz (Juancho Hernangomez) is dominating while playing in work boots. Immediately thunderstruck by his raw ability, Stanley moves heaven and earth to try to get Bo seen by the powers-that-be in the NBA, making a lot of personal sacrifices along the way.

Unlike Sandler’s other movies he’s made as part of his blockbuster Netflix deal, Hustle is not a goofy comedy. Instead, it’s a relatively earnest attempt to examine the life of this one particular scout and the superstar-in-the-making he manages to find. Directed by Jeremiah Zagar and written by Will Fetters and Taylor Materne, the film attempts to navigate the typical sports movie arc without Bo ever taking part in a game that counts.

Instead, Stanley is the put-upon underdog whose talents are belittled by cocky people like Vince, while Bo has to learn to rein in his temper as he goes up against increasingly skilled players. The filmmakers set the scene for the duo’s various ups and downs effectively, with a lot of high-flying when Bo is playing street games and a healthy amount of skepticism when he moves onto indoor courts for tryouts.

A lot of the believability of the story comes from the presence of a ton of real NBA players, coaches, executives, and TV personalities. Hernangomez himself has played in the league since 2016, and among the many cameos are ones by Julius Erving, Mark Cuban, Dirk Nowitzki, Luka Doncic, Tobias Harris, Trae Young, Jordan Clarkson, Doc Rivers, Kyle Lowry, and Seth Curry. Additionally, broadcaster Kenny Smith plays an actual character, Leon Rich, who’s a former teammate of Stanley, and Anthony Edwards of the Minnesota Timberwolves plays Kermit Wilts, a rival prospect to Bo.

It’s probably best for non-NBA fans not to do any digging into Hernangomez’s actual career, or they’ll discover that he has been a journeyman in the NBA, playing for five different teams and only averaging 5.4 points per game in his career. That’s where the movie magic comes into play, making Bo seem like a dominant player even when the real guy has so far shown to be a middling talent, at best. Ray Allen in He Got Game, this is not.

That said, he proves himself to be a decent actor, acquitting himself well in the scenes where his basketball skills aren’t the only thing on which he needs to rely. Sandler, as he showed in 2019’s Uncut Gems, is capable of much more than the foolishness in his comedies. This role finds him somewhere in-between typical Sandler and Oscar-worthy, but it works for the film. Smith is actually the surprise of the film, bringing some heft to what could have been just a vanity part.

Hustle will likely play best to basketball junkies who will revel in seeing all the NBA talent on screen, but it makes for an entertaining experience no matter how much one knows about the sport. It won’t go in the pantheon of sports movies, but it’s far from an embarrassment, either.

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Hustle debuts on Netflix on June 8. It is also playing in select theaters.

Juancho Hernangomez in Hustle.

Juancho Hernangomez in Hustle
Photo courtesy of Cassy Athena/Netflix
Juancho Hernangomez in Hustle.
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Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Alex Bentley
Oct 9, 2026 | 2:00 pm
Rosalind Eleazar in Misty Green
Photo courtesy of A24
Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

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Misty Green is now playing in theaters.

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