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    Movie Review

    Space Jam: A New Legacy pumps up LeBron James and Warner Bros. properties

    Alex Bentley
    Jul 15, 2021 | 3:19 pm
    Space Jam: A New Legacy pumps up LeBron James and Warner Bros. properties
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    For a certain generation, 1996’s Space Jam will always hold a special place in their heart. Teaming up Looney Tunes cartoon characters like Bugs Bunny, Porky Pig, and Tweety with NBA superstar Michael Jordan was a goofy lark that has endured because of the iconic status of the characters and Jordan, not to mention the memorable song “I Believe I Can Fly” (although the less said about that song’s singer, the better).

    Twenty-five years later, there is only one obvious player on which to hinge the property’s return, and that’s LeBron James. That’s not only because he’s arguably the best player in the NBA since Jordan, but because – in limited reps – he’s proven to be an above average actor, most notably in Amy Schumer’s Trainwreck.

    Space Jam: A New Legacy finds LeBron playing a version of himself, complete with three kids and a wife. The movie LeBron is a bit of an overbearing sports dad, pushing his two sons to work as hard at basketball as he does. One son, Dom (Cedric Joe), is much more interested in creating his own NBA Jam-style video game than actually playing the sport, something that frustrates LeBron to no end.

    In the super-synergistic film, the movie studio Warner Bros. is using a computer algorithm to determine what kind of movies they should be making. Personified by Don Cheadle, Al G. Rhythm manages to capture both LeBron and Dom into his server. Once digitized, Al turns Dom against his dad by saying he never believed in him, and blackmails LeBron into playing a suped-up version of Dom’s video game to try to get his son back.

    That’s a lot of set-up for what will be a silly basketball game featuring LeBron, Dom, and a bunch of cartoon characters, but you have to give director Malcolm D. Lee and the sextet of screenwriters some credit for at least attempting to tell a story. The family drama between LeBron and Dom is a much better reason to have an NBA superstar playing a fake basketball game than the thin excuse given in the first film.

    Of course, LeBron is only half the attraction. The zaniness of the Looney Tunes is what most kids will be interested in, and the full complement of characters – including Bugs, Daffy Duck, Lola Bunny (voiced by Zendaya), Roadrunner, Elmer Fudd, and more – are as over-the-top as you’d expect. Some of it works, some of it doesn’t (oof, Porky rapping), but none of it is so stupid that it’s unwatchable.

    The same goes for the involvement of other basketball stars like Anthony Davis, Klay Thompson, Damian Lillard, Diana Taurasi, and Nneka Ogwumike, each of whom is transformed into characters with special powers for the game. The abilities Dom and Al put into the game are borderline incomprehensible, but at least they’re never boring. Ernie Johnson and Lil Rel Howery showing up as announcers for the game is also entertaining.

    The biggest negative of the movie is the tidal wave of self-promotion that Warner Bros. does. Not content to just promote their cartoon characters and Space Jam merchandise, the film includes references to every other conceivable Warner Bros. property, not just kid-friendly ones like Harry Potter or Scooby-Doo.

    There are nods to The Wizard of Oz, Casablanca, A Clockwork Orange, King Kong, The Matrix, and Mad Max: Fury Road, among many others. If done in a clever manner, they could have worked, but they’re mostly just dumped on screen in the form of spectators at the game, something that should cause even the least cynical person in the world to roll their eyes.

    Space Jam: A New Legacy is mostly shameless in the way it goes about its business, but that doesn’t mean there isn’t any fun to be had. LeBron James is a natural star, and the story the film lays out keeps it grounded even when it threatens to spiral out of orbit.

    ---

    Space Jam: A New Legacy opens in theaters and on HBO Max on July 16.

    LeBron James in Space Jam: A New Legacy.

    LeBron James in Space Jam: A New Legacy
    Photo courtesy of Warner Bros. Pictures
    LeBron James in Space Jam: A New Legacy.
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    Immersive Art Experience

    Instagram-friendly Dallas venue Rainbow Vomit to close after 7 years

    Alex Bentley
    Feb 11, 2026 | 4:24 pm
    Rainbow Vomit
    Photo courtesy of Rainbow Vomit
    The immersive art experience Rainbow Vomit will close its doors on Monday, March 23.

    Rainbow Vomit, which was part of a wave of Instagram-friendly venues to open in Dallas in recent years, will close its doors of its Fair Park location on Monday, March 23.

    According to a press release, a change in building ownership signaled the right moment for Rainbow Vomit to close this chapter and begin imagining what comes next.

    The immersive art experience, located at 3609 Parry Ave. in Dallas, opened in January 2019, the brainchild of owner Jason Mendez and Creative Director Deanna Theis (later joined by co-creator and Experience Director “Rainbow” Rob Andrews).

    Over seven years, it has welcomed more than 100,000 visitors into its playful, immersive environment.

    “Rainbow Vomit has always been an evolving creative experiment,” said Andrews in a statement. “Over seven years under Deanna’s creative leadership, it grew into something much bigger than an installation. Rainbow Vomit became a place where people could feel joy, connection, and permission to be themselves. This final run is about gratitude, reflection, and welcoming as many people as possible into the experience one more time.”

    From surprise rooms to recognizable characters like Gerard the Unicorn, the experience emphasized interaction and discovery rather than passive viewing. It also hosting interactive musical performances, artist collaborations, New Year’s celebrations, and more.

    “For us, the goal was never just a place to take pictures,” Theis said in a statement. “It was about creating an environment where people felt free to explore, imagine, and reconnect with a sense of play. Seeing those experiences of our guests is something I’ll always carry with me.”

    While the Fair Park installation is ending, Rainbow Vomit itself is not. The team is already exploring future possibilities and new ways to carry the spirit of Rainbow Vomit forward.

    “Thank you to everyone who showed up, believed in this space, and made it their own,” Mendez said in a statement. “This isn’t goodbye. It’s see you later.”

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