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    Movie Review

    Laziness dooms Paws of Fury: The Legend of Hank to also-ran status

    Alex Bentley
    Jul 15, 2022 | 9:31 am
    Hank (Michael Cera) and Jimbo (Samuel L. Jackson) in Paws of Fury: The Legend of Hank.play icon
    Hank (Michael Cera) and Jimbo (Samuel L. Jackson) in Paws of Fury: The Legend of Hank.
    Photo courtesy of Paramount Pictures

    Live-action remakes are all the rage at Disney, which has dedicated itself to redoing all of its classic animated properties. But it’s not often you see the reverse — an animated remake of a classic live-action movie — and of all the movies you might think would be remade, one of the ones least likely to come to mind would be Mel Brooks’ 1974 black comedy, Blazing Saddles.

    And yet, that’s exactly what the new animated film Paws of Fury: The Legend of Hank, tries to do, although the connection between the two films is tenuous at best. In the film, the narcissistic Ika Chu (Ricky Gervais) leads a land dominated by cats, one in which each town is protected by a samurai. One such town, which just lost its fraidy cat of a samurai, stands in the way a great view for Ika Chu, and he vows to eradicate it altogether.

    He attempts to make that easier by appointing a dog, Hank (Michael Cera), as the town’s new samurai, hoping the townsfolk will revolt against him. Naturally, everyone warms to him right away, especially after he earns an early victory with the help of an aging samurai, Jimbo (Samuel L. Jackson). Soon, Hank and the town prove to much more formidable than Ika Chu ever expected.

    Directed by a trio of filmmakers and boasting five credited writers (although three of them are the original Blazing Saddles writers), the film is one of the laziest mainstream animated films in quite some time. The film is full of cheesy one-liners, the breaking of the fourth wall on multiple occasions, and more that seem greatly out of place. What works in an adult-oriented comedy doesn’t fly in a kids movie because all of the bite is missing, leaving the jokes with no clear audience.

    The filmmakers and writers just don’t seem to know how to make a broadly entertaining film. There are several clumsy attempts at making the movie relevant, vaguely calling out actions of hate and/or racism, but they don’t land at all. They throw in lots of anachronisms, inserting modern-day aspects among the ancient days of the samurai, but those scenes mostly confuse matters.

    Worst of all is the storytelling decisions in general. If you didn’t know going in that it was based on Blazing Saddles, there would be little way to tell other than the presence of Mel Brooks in a small role. And the use of samurai instead of simply Old West figures is supremely odd, and in a way insulting, like they’re trying to steal from a culture they know nothing about. Perhaps they didn’t want to use guns, but writers who were more clever could have found a better way around this obstacle.

    It’s difficult to keep up with Disney, Pixar, Illumination, and the like in the animation field, but the work put forth in this film is still relatively shoddy. The characters look fine, but none of them are so appealing that you can’t wait for the film to get back to them. And the fine details like hair and water are noticeably lacking compared with the superb graphics other studios produce.

    The lackluster parts of Paws of Fury: The Legend of Hank, including the story, the writing, the animation, and the presence of celebrity actors no kid could ever name, provide no good reason for its existence. Even kids are smart enough to know when they’re being served something mediocre, and this film is so subpar it doesn’t even qualify as that level.

    ---

    Paws of Fury: The Legend of Hank is now playing in theaters.

    Hank (Michael Cera) and Jimbo (Samuel L. Jackson) in Paws of Fury: The Legend of Hank.

    Hank (Michael Cera) and Jimbo (Samuel L. Jackson) in Paws of Fury: The Legend of Hank
    Photo courtesy of Paramount Pictures
    Hank (Michael Cera) and Jimbo (Samuel L. Jackson) in Paws of Fury: The Legend of Hank.
    movies
    news/entertainment

    Movie Review

    The Dink aces pickleball with funny, star-filled comedy

    Alex Bentley
    Jul 24, 2026 | 11:30 am
    Mary Steenburgen and Jake Johnson in The Dink
    Photo courtesy of Apple TV+
    Mary Steenburgen and Jake Johnson in The Dink.

    While the sport of pickleball was invented way back in the 1960s, it has exploded in popularity in the 2020s. It was only a matter of time before someone figured out a way to make a movie about the craze, and a comedy like the new Apple TV+ film The Dink provides the best way to honor and make fun of the divisive sport at the same time.

    Dusty Boyd (Jake Johnson), aka The Hammer, is a former tennis phenom who’s now working as an instructor at a club owned by his dad, Chuck (Ed Harris). While the two don’t always see eye-to-eye, they have a mutual hatred for pickleball, which they have begrudgingly allowed on the property by giving it the worst court.

    Dusty is hoping to stop all future pickleball expansion by winning a one-on-one grudge match, but when he injures his wrist, he’s given a prescription of pickleball as a form of rehab. Older women like Candace (Mary Steenburgen) are the only people he can find to play with, and despite his disdain for the sport, he soon falls prey to its low-key charms.

    Directed by Josh Greenbaum (Will & Harper) and written by Sean Clements, the film is probably the best advertisement pickleball will ever have. Dusty’s introduction to the sport serves as a lighthearted tutorial for the uninitiated while still getting in some nice digs at its expense. The other players - Candace, Gail (Cleo King), and Judy (Lynn Marie Stewart) - are equally welcoming and critical of Dusty, who initially has trouble adjusting to the game’s different rules.

    The film’s approach to the story is silly but never stupid. Dusty is a blowhard, but he’s also able to admit when he’s wrong, especially when Candace introduces him to multiple things he had never considered before. A long-standing feud between Dusty and Andy Roddick provides more than just a goofy cameo for the real-life tennis star. The film also pushes right to the edge of being over-the-top before pulling back, allowing it to keep a semblance of reality to it.

    Clements’ story follows a tried-and-true formula, making the film very predictable but enjoyably so. Where it earns its comedy credentials is in its finer details, like Dusty’s love for his 1999 Buick LeSabre with under 200,000 miles on it, his trunk full of old VHS tapes, or his interactions with his assistant PJ (Aaron Chen), who manages to be the comic relief in an already funny film.

    Johnson, probably best known for starring in the sitcom New Girl in the 2010s, has the right amount of smarm and niceness to pull off the role, letting viewers laugh at and root for him at the same time. The film is full of comedy all-stars in small roles like Oswalt, Chris Parnell, and Ben Stiller, but Harris steals everyone’s thunder. The line readings by the four-time Oscar nominee give an extra punch to his character’s jokes, especially one that hints at the sordid history of the tennis club.

    It’s a shame that The Dink is only playing on a streaming service as there’s a dearth of good comedies like this in movie theaters. With a solid joke-telling approach, a respect for its subject matter, and a cast who all play off each other well, this is a film that deserves to be seen by more than just those with an Apple TV+ subscription.

    ---

    The Dink is now streaming on Apple TV+.

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