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    Movie Review

    Father Soldier Son details impact of military service on tight-knit family

    Alex Bentley
    Jul 16, 2020 | 1:35 pm
    Isaac Eisch, Brian Eisch, and Joey Eisch in Father Soldier Sonplay icon
    Isaac Eisch, Brian Eisch, and Joey Eisch in Father Soldier Son
    Photo by Cr. Marcus Yam/New York Times/Netflix

    There’s no question that those who choose to serve in the military in this day and age should be considered brave, as they are willingly putting themselves in harm’s way for the sake of the United States. But bravery and duty to country are not always the prime motivators for military service, something that is one of many interesting aspects of the new Netflix documentary Father Soldier Son.

    The film centers on Sgt. Brian Eisch, who, when we meet him in 2010, is an Army Ranger who’s been deployed to Afghanistan on multiple occasions. He has two young sons, Isaac and Joey, who must stay with other relatives when he’s away because their mother is no longer part of the picture. The boys obviously idolize their father, constantly wearing Army gear and pursuing activities like wrestling that he did when he was younger.

    When Brian is severely injured in battle in 2011, his return home sets in motion huge changes for him and his kids. Pain from the injury, a lack of mobility, and subsequent weight gain change Brian’s demeanor, although he tries to maintain some positivity. His kids react in different ways to his suffering, although part of that may be that Isaac is experiencing the typical moodiness of a growing teenager.

    Directed by reporters-turned-filmmakers Catrin Einhorn and Leslye Davis, the film follows the family over the course of a decade, transitioning from a film about one particular battalion to a film about the long-term effects of service on a military family. Despite his debilitation, Brian has no regrets about going into the army, repeating on multiple occasions the high esteem in which he still holds the military.

    Those strong feelings, combined with the adulation his kids have for him, can’t help but influence how Isaac and Joey feel about the military, too. Joey is more gung-ho about serving when he gets older, but Isaac still has designs on going to college if possible. However, the two kids’ decisions about whether to go into the military is about more than just familial pride.

    The family moves from Wisconsin to New York at some point between 2011 and 2014, a change likely made to put Brian in closer proximity to the medical care he needs, though the film never explicitly says that. What’s clear, though, is that Brian’s inability to work is a detriment to both the financial and social well-being of the family. Einhorn and Davis don’t focus on it, but it is implied that military service may well be one of the only viable options for both kids when they leave school.

    The documentary is full of emotion, including the early reunions of Brian and his kids, the fallout from Brian’s injuries, and more. No matter whether a particular viewer is a proponent of the military or not, the tight-knit nature of the family draws the viewer in, especially when they experience hard times.

    At the same time, though, the hold the military has on this particular family is inescapable. While careful never to pass judgment on their decisions, the film does shine a light on choices that not everyone would make. The film is not overtly political, but one’s political leanings might influence how you view its messages overall.

    Again, military service is not for everyone, so the fact that someone like Brian Eisch has sacrificed so much in the name of an ideal is humbling. Father Soldier Son is a compelling portrait of what that sacrifice looks like, and the impact it has on those closest to the person who gave so much.

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    Father Soldier Son debuts on Netflix on July 17.

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    Movie Review

    Jodie Foster brings depth and wit to French thriller A Private Life

    Alex Bentley
    Jan 30, 2026 | 9:41 am
    Jodie Foster in A Private Life
    Photo by Georges Lechaptois
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    Jodie Foster has been a member of the Hollywood community for almost 60 years, first as a child actor on TV, and then branching out into movies. She earned an Oscar nomination at the tender age of 14 for her role in Taxi Driver, and she’s gone on to be nominated five times, winning twice. Now, at age 63, she’s showing she’s still capable of surprises by fluently speaking another language in the French film, A Private Life.

    Foster plays Lilian Steiner, a psychiatrist who sees patients out of her Parisian apartment. When she learns of the death of one of her patients, Paula (Virginie Efira), she’s sad but otherwise unaffected until a few suspicious things start happening. This includes the robbery of her apartment, in which a recording of Paula’s last session with Lilian goes missing.

    With the help of her ex-husband, Gabriel (Daniel Auteuil), Lilian becomes an amateur private detective, tracking the movements of Paula’s husband, Simon (Mathieu Amalric), whom she increasingly suspects of murder. At the same time, Lilian must navigate a tense relationship with her son, Julien (Vincent Lacoste), along with an unexpected rekindling of romance with Gabriel.

    Written and directed by Rebecca Zlotowski, and co-written by Anne Berest, it is a psychological thriller that at times feels like an Inspector Clouseau movie. With little to go on but her own perhaps misguided suspicions, Lilian digs herself deeper into a situation of her own making. And she further clouds her mind by indulging in a tryst with Gabriel, who’s all too eager to help Lilian pursue her criminal theories. While the film is not a comedy, there are elements of humor that pop in to keep the story light.

    Zlotowski plays with the competing tones of the story well, keeping viewers on Lilian’s side even as she indulges in things that might not be the healthiest for her. Lilian’s various eccentricities - an adherence to recording on old-fashioned mini discs instead of fully digital, keeping an emotional distance from her son and grandson - make her a fascinating character whose vacillating motivations keep viewers guessing as to what she’ll do next.

    In a lot of ways, the film is a study of how Lilian needs to try to find ways to heal herself. The possibility of Paula being murdered wakes Lilian up to the idea that she has not been as attentive a doctor as she should be. The sessions with different patients that Zlotowski shows give the impression that there’s a general level of dissatisfaction with her, with one patient outright breaking up with her.

    Foster is no less compelling speaking mostly in French than she is in English language movies. Her fluency is never in doubt, and she fits in seamlessly with the actual French actors in the film. Auteuil is a fun counterpart for Foster, showing an unexpected chemistry with her that keeps their scenes crackling with energy. Amalric, a Wes Anderson favorite, has a relatively small role but still stands out when he gets a chance.

    A Private Life is not the type of thriller that American audiences might be used to, but its slow, methodical storytelling and subtle humor make it an interesting watch from beginning to end. The film is not up for any awards, but Foster’s performance shows she remains a top-tier actor.

    ---

    A Private Life is now playing in select theaters.

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    news/entertainment

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