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    Movie Review

    Dwayne Johnson and Emily Blunt steer Disney's Jungle Cruise through rough waters

    Alex Bentley
    Jul 28, 2021 | 2:24 pm
    Dwayne Johnson and Emily Blunt steer Disney's Jungle Cruise through rough waters
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    The last time Disney decided to make a movie out of one of its rides, it yielded the Pirates of the Caribbean series, whose five films have collectively made just over $4.5 billion worldwide. So the next time they went to plunder their theme park for movie inspiration, they passed over obvious choices like Space Mountain or Big Thunder Mountain Railroad and went straight to … Jungle Cruise?

    Sure, the classic ride has been around since Disneyland opened and offers some mild thrills along the way, but it doesn’t necessarily jump out as one on which to base an entire movie, especially one starring two action heroes like Dwayne Johnson and Emily Blunt. Blunt plays Lily Houghton, an Indiana Jones-esque adventurer who must use her foppish brother MacGregor (Jack Whitehall) to lobby for help as the patriarchal British establishment of 1916 won’t even deign to hear from a woman.

    Lily absconds with an ancient arrowhead that’s supposed to be a key piece in finding a kind of Tree of Life in Brazil. Before you know it, she and MacGregor are making their way down the Amazon under the care of Frank Wolff (Johnson), a riverboat captain known for creating fake danger and spouting bad puns. Hot on Lily’s tail from England is Prince Joachim (Jesse Plemons), a German military officer who just so happens to have a submarine to be able to track them down the river.

    Directed by Jaume Collet-Serra and written by Glenn Ficarra, John Requa, and Michael Green, the film feels less like one trying to create its own identity — and since they could have gone in any direction, the sky was the limit — and more like one cribbing from other well-known properties. The Indiana Jones nods include Lily’s whole vibe and a German on the hunt for something to bring him unlimited power. Long-dead conquistadors being brought back to life is straight out of the Pirates of the Caribbean playbook. And the myriad weird CGI creatures that pop up everywhere bring to mind (in a bad way) the Star Wars prequels.

    But even if you’re not a movie nerd like me, the film fails in what should have been its main goal: Being fun. There is plenty of goofiness, like Frank’s puns that are a direct reference to the Disneyland ride, but it mostly feels forced instead of a natural byproduct of the characters’ interactions. Lily and Frank are less of an odd couple and more like similar souls in different packaging, something that doesn’t allow for as much wacky hijinks as the film needs.

    The filmmakers do take some interesting chances, including a take on the brother that truly shows how times have changed. The British dandy is a stereotype that’s been used many times in movies and TV, but the implication of that type of character is rarely made explicit. This film allows MacGregor to state the obvious — that he’s gay — in a brief but affecting scene, giving someone who’s usually just the butt of the joke a bit more depth.

    Anyone who’s seen their other movies knows what Johnson and Blunt bring to the table. They’re both extremely charming and athletic, and both skills play into why they were cast in their roles here. Plemons uses a hard-to-understand accent throughout, but since his villain character is supposed to be cartoonish, it mostly works. Paul Giamatti shows up as the owner of Frank’s boat, a role that goes absolutely nowhere, making it a mystery as to why an actor of his caliber was cast.

    Jungle Cruise is an adventure that rarely feels truly exciting, which is never a good sign. While the film won’t be the worst thing to show up on screens in 2021, it never lives up to its potential with two A-list actors leading the way.

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    Jungle Cruise opens in theaters and on Disney+ Premier Access on July 30.

    Dwayne Johnson, Emily Blunt, and Jack Whitehall in Jungle Cruise.

    Dwayne Johnson, Emily Blunt, and Jack Whitehall in Jungle Cruise
    Photo courtesy of Disney
    Dwayne Johnson, Emily Blunt, and Jack Whitehall in Jungle Cruise.
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    Movie Review

    Safe cracking is a snap for White Lotus alum Leo Woodall in Tuner

    Alex Bentley
    May 29, 2026 | 2:55 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties - not to mention the danger of the thefts - insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

    ---

    Tuner is now playing in theaters.

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