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    Garth News

    Top 5 revelations from Garth Brooks' Arlington show press conference

    Malcolm Mayhew
    Jul 29, 2022 | 7:31 pm
    Garth Brooks
    Garth Brooks at press conference in Arlington on July 29.
    Photo by Malcolm Mayhew

    One day before his sold-out show on July 30 at AT&T Stadium, country megastar Garth Brooks was doing what Garth Brooks always does the day before a show: meeting up with the media.

    Casually dressed in blue jeans and a sweatshirt, Brooks hosted a press conference with about 20 reporters from local and regional media as far as Waco in the stadium's press room, where he leaked some highlights re: the Arlington stop on his 2022 Stadium Tour.

    It's unusual for a musical act to hold a press conference the day before, especially when the show is already sold out. It's not like he needs to sell tickets. But Brooks is not your usual musical act.

    These are the top 5 things Garth Brooks shared about the upcoming concert in Arlington:

    1. The set list
    Longtime fans will recall Brooks' trio of record-breaking, sold-out shows in 1993 at the now-gone Texas Stadium in Irving, the other house that Jerry Jones built, which were visual and theatrical wonders. Brooks flew over the audience via wires and utilized one-of-a-kind technology simulating a rainstorm in which audience members got wet.

    "Back then, we weren't afraid to make any mistakes," he said. "We dropped five brand-new songs that people hadn't heard yet. Today, you'd be too scared to do that, right? I'm still looking for that renegade guy that I was back then, but it's kind of a balance. I know I need to play certain songs. I mean, nothing would piss me off more than going to a concert and just hearing a bunch of new stuff."

    2. The backup band
    Brooks' backup band will include members of the G-Men, a group of studio musicians who have performed on every Garth Brooks studio album, but have rarely performed live with him. The seven-piece band was inducted into the Musician's Hall of Fame in 2016.

    "So the guys that do the records are different from the guys that do the tours," Brooks said. "I told them, 'You guys need to get out there and see what you've done.' They’ve done every record from "Much Too Young (To Feel This Damn Old)" to "Dive Bar," but they've never gone on the road with us."

    They'll join Brooks' current tour band, which includes veteran and new members. "There's five of us left from our 1988 shows. And then there are two guys from '91 and '92, and our fiddle player joined in 1994. We also just took on a kid named Bobby Terry. He’s the newest member."

    3. FaceTime with Garth
    Concert attendees will be given a code at Saturday's show for a chance to FaceTime with Brooks after the show. This has been a new feature during this tour which has proven to be hugely popular.

    4. The show at AT&T Stadium will be recorded
    Brooks revealed that the concert would be recorded, although he didn't say exactly for what.

    "You don't come into this place without wanting to preserve history," he said.

    5. Garth hearts Dallas-Fort Worth
    Brooks spent much of the conference reminiscing about the area, saying, "This is where it started," he said, name-dropping venues such as the Crystal Chandelier, Borrowed Money, and Billy Bob's.

    "I remember how hard it was getting my first show at Billy Bob’s," he said, recalling his first gig there in 1989. "I don't think you can (write) any page in any chapter of our story without talking about Dallas, Fort Worth, and Arlington. They've been a great home for us and thank God they continue to be."

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    Movie Review

    Chris Pratt plays one man against the AI machine in thriller Mercy

    Alex Bentley
    Jan 23, 2026 | 1:07 pm
    Chris Pratt in Mercy
    Photo courtesy Amazon Content Services
    Chris Pratt in Mercy.

    It seems like every other movie set in modern times being released these days includes either a reference to or a plot revolving around artificial intelligence. In the real world, the benefits of the technology compete with its downsides, but when it comes to movies A.I. is almost always seen as a threat, including in the new film Mercy.

    The audience is thrown headlong into the slightly futuristic story involving LAPD Detective Chris Raven (Chris Pratt), who finds himself strapped in a chair in a sparse room, being told that he is on trial for killing his wife. Turns out he’s in a court dubbed “Mercy,” which is overseen by an AI judge named Maddox (Rebecca Ferguson). By the rules of the court, Raven has 90 minutes to provide reasonable doubt of his guilt, or he will be executed on the spot.

    Raven is in a multi-pronged quandary: Not only does he believe he’s innocent despite a trove of evidence pointing to his guilt, but he’s also the poster boy for the law enforcement side of the equation, having arrested the first man who went to Mercy. Anger and disbelief for Raven turn into acceptance, which then turns into him tapping into his detective skills, scrutinizing every shred of evidence the court provides him in a desperate attempt to save his own life.

    Directed by Timur Bekmambetov and written by Marco van Belle, the film is a relatively propulsive thriller despite having a so-so story and even worse acting. The film is told in real time (with a few fudges here and there), so the concept alone of a man trying to prove his innocence in a short amount of time provides good intrigue. Bekmambetov’s use of digital elements as Raven scrolls through files or calls potentially exculpatory witnesses like his partner, Jaq Diallo (Kali Reis), keeps the film visually interesting.

    On the other hand, the swift viewing of videos and documents by Raven, not to mention the high degree of cooperation by Judge Maddox, opens up more than a few plot holes. The filmmakers try to explain away a few leaps in logic by having Raven falling off the sobriety wagon the night before, but they can only use that excuse for so long. They also have the AI judge experience technical glitches along the way, errors that seem to point toward a wider conspiracy until they’re completely forgotten.

    More than anything, it’s difficult to get over the wooden acting of Pratt and the misuse of other usually reliable actors. Pratt has no real presence, especially when he’s confined to a chair, so any emotion he tries to conjure up comes off as contrived. Ferguson is done no favors by a role that shows only her upper body and has her alternating between robotic and oddly sympathetic. Reis earned an Emmy nomination for True Detective: Night Country, but has little to do here, a fate that also takes out Chris Sullivan as Raven’s AA sponsor.

    If you’re okay with turning off your brain for a little while, Mercy can be an enjoyable watch. But if you find yourself scrutinizing why characters make the odd decisions they do, or the wishy-washy way the film approaches AI in general, then you’re likely to find the whole thing lacking.

    ---

    Mercy is now playing in theaters.

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