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    Movie Review

    The Guilty is guilty of allowing Jake Gyllenhaal to overact

    Alex Bentley
    Sep 24, 2021 | 11:12 am
    Jake Gyllenhaal in The Guiltyplay icon
    Jake Gyllenhaal in The Guilty.
    Photo courtesy of Netflix

    The cop drama has been done so often in movies that it’s very difficult to bring anything special to the genre. Add on the reckoning that real-life police departments are facing over their policies and bad actions by some officers, and centering a story on a loose cannon is tough sell in this day and age.

    The Guilty forgoes the normal cop stereotypes by placing its lead character, Joe (Jake Gyllenhaal), in a 911 call center. Joe is an officer who has been demoted for reasons that aren’t clear until the final act, and he’s not exactly well-suited for the role. He treats multiple callers with derision or worse, and the resulting conversations are terse and perfunctory.

    His mood gets exponentially worse when he takes a call from a woman whom he comes to discover has been kidnapped. He quickly becomes obsessed with trying to help her, using his investigative skills to find out more information about her and her abductor. But the limitations that come with only being able to do so much while sitting at a computer frustrate him, causing him to lash out at the agencies he enlists to track her down.

    The film has two figures intimately familiar with cop dramas leading the way, as it was directed by Antoine Fuqua (Training Day) and written by Nic Pizzolato (True Detective). Adapting the story from a 2018 Danish film, the filmmakers attempt to ratchet up the tension of the kidnapping story while also showing how unhinged Joe’s life has become. They mostly accomplish this with Gyllenhaal going into rage mode, a tactic that’s only intermittently effective.

    Filmed during COVID, the film only features a few actors on camera, with a bunch of well-known actors – Peter Sarsgaard, Riley Keough, Ethan Hawke, Eli Goree, and Paul Dano among them – chipping in as 911 callers or first responders. The effect is like watching an audio play, but without the sound quality, as it can often be difficult to understand what many of the people on the other end of the line are saying.

    Because of the film’s fast pace, a variety of issues come up that the filmmakers don’t even attempt to address. For some reason, all of this takes place while the hills surrounding the Los Angeles area are on fire. This added element mildly affects a couple of sequences, but otherwise seems apropos of nothing. Also, it seems odd that an officer facing some kind of discipline would be temporarily demoted to 911 operator, a position that would seem to require training that a beat officer would not have. Joe doing that job comes off more as a movie gimmick than a legitimate option for someone in his position.

    Gyllenhaal has always been an intense actor, and when it works – Brokeback Mountain, Zodiac, Prisoners, Nightcrawler – he’s Oscar-worthy. When it doesn’t, as is the case here, it’s just histrionics with no purpose. As is the case with most voice work, there was no real point in having famous actors occupy the roles, although Hawke and Da’Vine Joy Randolph are enjoyable in their brief “appearances.”

    The story of The Guilty might have been an enthralling one, but it’s consistently undermined by Gyllenhaal showing exactly how angry he can get. The filmmakers never find an effective way to deliver the message of the film, leaving it flailing around as much as its central character.

    ---

    The Guilty is now playing in theaters. It will debut on Netflix on October 1.

    movies
    news/entertainment

    Concert News

    Pop rock band Maroon 5 returns to road in 2025 with stop in Dallas

    Alex Bentley
    Jun 23, 2025 | 10:51 am
    Maroon 5
    Photo courtesy of Maroon 5
    Maroon 5 will play at American Airlines Center on November 7, 2025.

    Pop rock band Maroon 5 will hit the road in fall 2025 for a U.S. arena tour in support of their new album, Love is Like, including a stop at American Airlines Center in Dallas on Friday, November 7.

    The 23-city run will kick off in Phoenix, Arizona on October 6, running throughout October and November. In addition to Dallas, the band will play in Austin on November 4 and Houston on November 5.

    The band, led by lead singer Adam Devine, will be joined by Claire Rosinkranz on all tour dates.

    Love Is Like is Maroon 5's eighth studio album, scheduled for release on August 15. They have released two singles from the album so far, including “All Night” and “Priceless,” a collaboration with LISA of Blackpink.

    This is the band's first album since Jordi in 2021. Each of the band's first seven albums have made the top 10 on the Billboard 200.

    Tickets for the tour will be available starting with a Fan Club presale on Wednesday, June 25 at 10 am. Additional presales will continue throughout the week before the general on sale on Friday, June 27 at 10 am at maroon5.com.

    Maroon 5 2025 Tour Dates

    • 10/6: Phoenix, AZ – PHX Arena
    • 10/8: Palm Springs, CA - Acrisure Arena
    • 10/10: Los Angeles, CA - Kia Forum
    • 10/17: Sacramento, CA - Golden 1 Center
    • 10/18: San Francisco, CA - Chase Center
    • 10/21: Seattle, WA - Climate Pledge Arena
    • 10/23: Portland, OR - Moda Center
    • 10/25: Salt Lake City, UT - Delta Center
    • 10/28: Lincoln, NE - Pinnacle Bank Arena
    • 10/29: St. Paul, MN - Xcel Energy Center
    • 11/2: Nashville, TN - Bridgestone Arena
    • 11/4: Austin, TX - Moody Center
    • 11/5: Houston, TX - Toyota Center
    • 11/7: Dallas, TX - American Airlines Center
    • 11/9: North Little Rock, AR - Simmons Bank Arena
    • 11/11: Atlanta, GA - State Farm Arena
    • 11/13: Chicago, IL - United Center
    • 11/14: Pittsburgh, PA - PPG Paints Arena
    • 11/16: Baltimore, MD - CFG Bank Arena
    • 11/19: New York, NY - Madison Square Garden
    • 11/22: Boston, MA - TD Garden
    • 11/24: Cleveland, OH - Rocket Arena
    • 11/25: Detroit, MI - Little Caesars Arena
    concertsmusic
    news/entertainment

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