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    Movie Review

    Rapid ascent of climate change activist comes to life in I Am Greta

    Alex Bentley
    Nov 10, 2020 | 9:28 am
    Greta Thunberg and protesters in I Am Gretaplay icon
    Greta Thunberg and protesters in I Am Greta.
    Photo courtesy of Hulu

    Many people have tried to call attention to the climate change crisis, but few have gotten more attention — especially in recent years — than Greta Thunberg. The Swedish teenager has gone from solitary climate strikes outside of Parliament in Stockholm to being internationally known in less than two years, an ascent that would be head-spinning for any young person, much less one with such an important message.

    The documentary I Am Greta chronicles her journey, detailing how she’s inspired people around the world, and how her speaking out has led to immense backlash, as well. The film, directed by Nathan Grossman, starts off with voice clips of people denying the existence or importance of climate change, foreshadowing the resistance that Thunberg will face over the course of the film.

    Thunberg has Asperger syndrome, a disorder on the autism spectrum that can manifest itself in repetitive thoughts or behavior. The film doesn’t focus on this fact, but neither does it shy away from it. Thunberg freely admits that she has gotten laser-focused on different things throughout her life, although she views her current fixation as much more than just a byproduct of her condition.

    The film also shows how quickly people’s lives can be changed in the social media world. An interview Thunberg gave to BBC in September 2018 was retweeted by Arnold Schwarzenegger to his more than 4 million followers, an act that essentially started her celebrity. It wasn’t long before Thunberg was speaking at a UN Climate Conference, a speech that also went viral, inspiring climate marches around the world.

    She would go on to meet with French president Emmanuel Macron, Pope Francis, and other world leaders who supported her mission. However, she would also receive criticism from leaders like Russian president Vladimir Putin and U.S. president Donald Trump, who echoed refrains that she was too young to be trusted or that she lacked her own ideas.

    If you’ve never seen Thunberg speak, the effect can be bracing due to the absence of pretense. Most people would warm up a crowd with some sort of introduction, but Thunberg jumps right into the meat of her argument, often harshly calling out leaders to their faces over their lack of action on climate change.

    While a veneration of Thunberg and her work in general, the film does her no favors when it comes any concrete action she is proposing. If she goes into any specifics during her speeches or meetings with world leaders, that’s not reflected on screen. That unfortunately only makes it easier for her critics to call her a scold and nothing more.

    What the film does succeed in doing is personalizing Thunberg. As can often be the case with viral sensations, she has been defined by her cause and not who she is in full. Grossman includes many smaller moments of Thunberg having intimate conversations with her family, goofing off, feeling overwhelmed, and more. Despite her poise when making speeches, she’s not an automaton, and these scenes emphasize her humanity.

    Thunberg remarks at one point that “Humanity sees nature as a bottomless bag of candy,” a sentiment that’s difficult to dispute. The film makes clear that few significant steps have been made toward combatting climate change, noting that the world is still not on track to meet the Paris Agreement that was signed in 2016. The message of Thunberg and I Am Greta is a grim one, but one with a shred of hope, knowing there are passionate people putting in the hard work toward change.

    ---

    I Am Greta premieres exclusively on Hulu on November 13.

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    Movie Review

    Leviticus is a chilling horror film with a timely message

    Alex Bentley
    Jun 19, 2026 | 11:45 am
    Stacy Clausen and Joe Bird in Leviticus
    Photo courtesy of Neon
    Stacy Clausen and Joe Bird in Leviticus

    One of the most well-known horror tropes of the 1980s was that anyone who had sex in a particular film would inevitably be killed shortly thereafter. The new horror film Leviticus updates that trope for the 21st century, with an added bonus of pointed commentary that unfortunately remains as relevant as ever.

    Naim (Joe Bird) and his mother (Mia Wasikowska) have recently moved to a new town in Australia. Naim hasn’t made many new friends except for Ryan (Stacy Clausen), with whom he is exploring a rundown factory as the film begins. The teenage boys discover an attraction toward each other, something they try to keep hidden since the church they both attend abhors homosexuality.

    When Naim sees Ryan kissing another boy, he rashly tells a church elder about it, leading to the church forcing Ryan and the other boy - and eventually Naim - to go through a conversion ceremony. But instead of making them believe they’re not gay, the rite conjures a demon, invisible to anyone but them, that takes the form of the person to whom they’re attracted.

    Written and directed by first-time feature filmmaker Adrian Chiarella, the film is the latest example of Australia being a hotbed for horror movies. Referencing the same-named Bible book that some interpret as forbidding homosexuality, it turns into an intense and clever journey into paranoia. Ryan and Naim still see each other all the time, but they can never trust that the person in front of them is real.

    Chiarella makes the most of his limited resources, utilizing dark scenes and dirty locations to complement the already-creepy vibe. But what makes the story hit the hardest is the understanding that boys like Naim and Ryan are almost literally trapped in their small town, unable to find a safe space to be who they are. An unseen demon trying to kill them is one thing, but the unsympathetic people around them feel almost as malevolent.

    While the 90-minute film maintains its momentum for the most part, there are times when Chiarella loses the thread on his story logic. At first, it seems as if the demon only attacks when one of the boys gives in to temptation. But as the film progresses, the filmmaker plays a little fast and loose with that reasoning. Certain decisions by the characters also strain credulity, lessening the impact of the story to a degree.

    Both Bird (Talk to Me) and Clausen give naturalistic performances that rarely feel as if they’re acting. Wasikowska, who was the “It girl” for a while after starring in two Alice in Wonderland movies, is the only face American audiences will likely know. She does well, especially considering it’s difficult to believe she’s already old enough to credibly play a mother of a teenager.

    With a timely theme about the harmful effects of conversion therapy on gay people and a twist on a tired horror trope, Leviticus is another notch in the belt for 2026 as a great horror movie year. With more experience under his belt, Chiarella will likely be able to figure out how to smooth over the bumps in the storytelling he showed this time around.

    ---

    Leviticus is now playing in select theaters.

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