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    Waterpark News

    2 Dallas-area waterparks let you rent them all to yourself during holidays

    Teresa Gubbins
    Nov 20, 2020 | 5:32 pm
    Breakfast with Santa
    Santa probably won't be there — unless he's a member of your family.
    Photo courtesy of Epic Waters Indoor Waterpark

    If you've been craving a winter waterpark experience but don't want to catch any COVID-19 cooties, two facilities in Dallas-Fort Worth are offering the option of renting out the entire park.

    Epic Waters Indoor Waterpark in Grand Prairie
    The largest waterpark in North Texas is offering a package called "My Park, My Waves," for those seeking an exclusive experience for family get-togethers and parties.

    Groups of up to 100 can rent multiple private package options starting at $1,900 for a two-hour park rental.

    Epic, which is the largest indoor waterpark under a single retractable roof in the U.S., is open on weekends throughout the fall and winter. The rental package is available outside of their normal operating hours, and provides a private waterpark experience at an affordable price.

    Great Wolf Lodge in Grapevine
    This Grapevine resort is now making its indoor water park available for exclusive access after regular operating hours. Called "Own the Park," it represents the first time they've offered exclusive use of their indoor water park.

    The package starts at $10,000 and includes the following:

    • Water park access for 2.5 hours in the evening, after the park closes to the public – slides, pools, rivers, water play features (just those included on the package) with lifeguards.
    • Complimentary soft drinks, water, iced tea and snacks
    • Overnight accommodations in up to 10 family suites. (Each suite sleeps up to five with two double beds and a pullout couch.)
    • In-suite fridge stocked with snacks, bottled water and non-alcoholic beverages.
    • Breakfast the morning after.

    Great Wolf Lodge's annual Snowland celebration, which runs from November 27 to January 3, 2021, features a serious decor makeover with oversized snowflakes, twinkling garland, and decorative shimmering trees. Throughout the day guests are treated to frequent snowfalls in the Grand Lobby.

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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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