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    Here comes Santa Claus

    Festive-fantastic Grapevine home lights up with 1,000 Santas for charity

    Stephanie Allmon Merry
    Dec 2, 2020 | 3:46 pm

    If the Murillo family doesn't capture the top spot on Santa's nice list this year, there's no hope for the rest of us. They have filled their front yard in Grapevine with more than 1,000 lighted Santa decorations as a beacon of awareness for a local nonprofit.

    They're calling it, simply, Grapevine Santa House.

    The half-acre property is a "Where's Waldo?" maze of Santa statues, which visitors can walk among, snap photos with, and then, they hope, make a donation to Grace Grapevine's Christmas Cottage program. The charity's seasonal initiative provides new, unwrapped gifts to Tarrant County families facing financial hardship.

    "I've always been a holiday guy, way over the top," says Louie Murillo, the dad and Santa House head honcho. Anyone who's seen the 20-foot Christmas trees perched atop the the two Chick-fil-A restaurants he owns near Dallas Love Field can attest.

    "About a year ago, I bought some Santas on clearance and thought maybe we'd do something with them for a family Christmas card," he says.

    Along came COVID-19, and his holiday passion intersected with a desire to help those who were struggling. During his quarantine free-time, he bought a few more Santas online. Then a few more. Then his idea for a Santa House really began to take shape.

    "Once we dipped our toe in, we decided to go all out," he says of his family, including kids ages 12 and 14.

    His search for Santas took him around Texas and beyond. Murillo even flew to Chicago and drove back a truck loaded with nine reindeer and a sleigh.

    By July, one of the home's three attics was stuffed with Santas. Then a game room overflowed with them. By fall, a storage unit was filling up.

    To be clear, these aren't just any Santa statues. They're "blow molds," a specific kind of hollow, plastic figure popular in the '50s, '60s, and '70s. They're rarely made now, and considered collectibles, costing anywhere from $30 to $140 apiece.

    "How much I've spent is not a number we're gonna discuss nor share with my wife," Murillo says with a laugh. "It definitely got out of hand."

    Then there was the matter of lighting it all up. An electrician helped wire the yard with an additional, 14-outlet breaker, and they're hoping a switch to LED lighting helps ease the electricity bill a little.

    Some decorations are set up in vignettes, and Murillo's favorite piece isn't actually a Santa. It's a vintage church, an expensive piece he found in Chicago. The display also includes carolers and a nativity, and a sign urges people to tune to a radio station to hear the Christmas story from the Bible.

    Murillo reached out to the Grace organization about a partnership at the perfect time. Their need would be higher than ever at a time at the holidays, when fewer gatherings meant fewer opportunities for donations to be collected. Typically, Christmas Cottage serves more than 2,500 individuals and families each holiday season. Families are given a hypothetical “budget” that allows the parents to “purchase” donated toys, home goods, and appliances in a secure, store-like setting.

    The Murillos' goal is to raise $15,000 with Santa House, which will help 120 kids. By December 1, just a few days after turning the lights on, they were already at $9,000.

    Rather than collecting contributions on site, they're encouraging guests to donate online via a GoFundMe page set up in conjunction with the Santa House.

    Among the first visitors to the Santa House was a single mom whose child had been helped by Grace, Murillo says. Mom and daughter enjoyed the lights and then made a donation — they paid the kindness forward.

    "It's cool to see real people being helped that are in need," Murillo says. "It's fun just to see kids' excitement. We've all been stuck indoors, not traveling, and this is something to do as a family."

    The Santa House lights will go on every night from 5-10 pm through December 27. The home is on a cul-de-sac in the Western Oaks neighborhood, and visitors can park along the street.

    The exact location is 3373 Spruce Lane, Grapevine. Follow the Grapevine Santa House Facebook page for updates.

    The Murillo family home has become the Grapevine Santa House.

    Santa House Grapevine
    Photo courtesy of Louie Murillo
    The Murillo family home has become the Grapevine Santa House.
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    Movie review

    Adam Scott gets creeped out exploring eerie Irish hotel in Hokum

    Alex Bentley
    May 1, 2026 | 1:00 pm
    Adam Scott in Hokum
    Photo courtesy of Neon
    Adam Scott in Hokum.

    There are relatively few actors who can switch back and forth between comedy and drama easily, but Adam Scott is the rare exception. He’s equally as well known for starring in comedy projects like Parks & Recreation, Party Down, and Step Brothers as he is for dramas like Big Little Lies and Severance. He’s going the latter route again in the new horror film, Hokum.

    Scott plays author Ohm Bauman, who’s trying to finish his latest book. In an effort to avoid distractions and also pay tribute to his parents, he retreats to an Irish hotel where his mom and dad spent their honeymoon. Bauman, who is about as stand-offish as you can get, and the staff of the hotel are at odds almost right away, although Bauman finds a kind of kinship with Jerry (David Wilmot), a seemingly-homeless man he meets in a nearby forest.

    Bauman becomes intrigued with the story of the hotel’s closed-off honeymoon suite, which is said to be haunted. His curiosity, though, seems to trigger a variety of strange things, one of which ends with him in an extended stay at the hospital. He returns to the hotel determined more than ever to discover what’s really happening in the honeymoon suite, with things both normal and supernatural blocking his way at every turn.

    Written and directed by Irish filmmaker Damian McCarthy, the film’s approach to horror is both subtle and overt. On the good side is Bauman’s story, which gradually gets deeper as more is revealed about his past, especially the premature death of his mother. Bauman’s trauma over her loss influences his thinking and actions, and a possible connection between his current situation and his personal history broadens the scope of the plot.

    There is plenty of creepiness to be found in the film, starting with the dark and decrepit nature of the hotel itself. Any building where a particular room is off-limits naturally inspires intrigue, and McCarthy does a solid job of building tension. That’s why it’s strange and disappointing that he gives in to the lamest of horror tropes - a sudden appearance by an odd-looking person accompanied by a big screeching noise - on multiple occasions.

    The film is at its best when it features weird moments that are never or only slightly explained. A dead body in a rabbit suit is echoed by the unexplained broadcast from Bauman’s youth featuring a terrifying TV host with bulging eyes and rabbit ears. Bauman’s explorations take him into the hotel’s basement via a dumbwaiter, where he encounters all manner of strange things, including what seem to be witches. Because most of these things are left to the audience’s imagination, they hit harder in the moment.

    Scott is known to be understated in his acting, and that skill works well in this particular role. Although he clearly plays Bauman as freaked out, he never indicates panic, and that level-headedness makes his character someone you want to follow no matter how dark the path might be. The mostly-Irish supporting cast is not well-known, but Wilmot and Florence Ordesh make the most of their short time on screen.

    Hokum - a title that is also not explained - is a horror film that earns its bona fides through mood more than action. Even though not much of consequence happens throughout the film, it still keeps you on the edge of your seat trying to figure out what will happen next.

    ---

    Hokum is now playing in theaters.

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