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Lone Star Grammy Noms

Texas artists score big in 2015 Grammy Award nominations

Teresa Gubbins
Dec 8, 2014 | 5:07 pm

Texas was well-represented in the latest round of nominations for the National Academy of Recording Arts & Sciences 57th annual Grammy Awards. Beyonce, Miranda Lambert and Lecrae topped the list of 24 Texas-born or -based musical acts who earned 35 nominations for music released during the eligible period between October 1, 2013, and September 30, 2014.

Beyoncé's self-titled album Beyoncé earned nods for Album of the Year and Best Urban Contemporary album. The Houston pop star's single "Drunk In Love" (featuring husband Jay Z) was nominated for Best R&B Song and Best R&B Performance. She was also nominated for Best Music Film for Beyoncé & Jay Z: On The Run Tour.

Longview-born Miranda Lambert received four nominations, including Best Country Album for Platinum, and two nominations for the single "Automatic": Best Country Solo Performance and Best Country Song. She was also nominated for Best Country Duo/Group Performance for "Somethin' Bad" (with Carrie Underwood).

Houston's Lecrae earned three nominations, including Best Rap Performance for "All I Need Is You"; Best Gospel Performance/Song for "Help" (with Erica Campbell); and Best Contemporary Christian Music Performance/Song for "Messengers" (featuring For King & Country).

Dallas-Fort Worth nominees
Dallas native Edie Brickell was nominated for Best American Roots Song for "Pretty Little One" (with Steve Martin and the Steep Canyon Rangers); Brickell and Martin performed in Dallas in October at the Winspear Opera House.

Dallas native and rising star St. Vincent was nominated for Best Alternative Music Album for her self-titled album St. Vincent. Her climb to fame got a major boost when she performed with Nirvana in April 2014 during their induction into the Rock and Roll Hall of Fame.

Dallas-residing producer Tim O'Heir received a nomination for Best Musical Theater Album for Hedwig and the Angry Inch (with Justin Craig and Stephen Trask). O'Heir also was nominated for a Tony.

Arlington a capella group Pentatonix was nominated for Best Arrangement, Instrumental or A Cappella, for "Daft Punk."

Austin nominees
Austin artists include a team who worked on The Rise & Fall of Paramount Records, Volume One (1917-27): Dean Blackwood, nominated for Best Boxed or Special Limited Edition Package (with Susan Archie and Jack White), and Scott Blackwood, for Best Album Notes.

Ruthie Foster was nominated for Best Blues Album for Promise of a Brand New Day, and Eliza Gilkyson was nominated for Best Folk Album for The Nocturne Diaries. Craig Hella Johnson, conductor of Conspirare, was nominaed for Best Choral Performance for "The Sacred Spirit Of Russia."

Houston nominees
Robert Glasper Experiment received two nominations: Best Traditional R&B Performance for "Jesus Children" (featuring Lalah Hathaway and Malcolm Jamal Warner), and Best R&B Album for Black Radio 2.

Houston gospel acts included Aaron W. Lindsey, nominated for Best Gospel Performance/Song for "No Greater Love" (with Smokie Norful), and the Walls Group, for Best Gospel Performance/Song for "Love On the Radio."

Houston jazz musicians included Everette Harp (with Jeff Lorber and Chuck Loeb), nominated for Best Contemporary Instrumental Album for Jazz Funk Soul, and Jason Moran, nominated for Best Jazz Instrumental Album for All Rise: A Joyful Elegy For Fats Waller.

Texas-born legends up for Grammy Awards include Johnny Mathis, a native of Gilmer, nominated for Best Traditional Pop Vocal Album for Sending You A Little Christmas; Johnny Winter, originally from Beaumont, nominated for Best Blues Album for Step Back; and Jacksonville-born Lee Ann Womack, nominated for Best Country Album for The Way I'm Livin'.

Mariachi Los Arrieros Del Valle of McAllen were nominated for Best Regional Mexican Music Album (Including Tejano) for Alegría Del Mariachi. And Pepe Aguilar of San Antonio was nominated Best Regional Mexican Music Album (Including Tejano) for Lastima Que Sean Ajenas.

Two Christian acts received nominations as well. MercyMe of Greenville was nominated twice: for Best Contemporary Christian Music Performance/Song for "Shake," and for Best Contemporary Christian Music Album for Welcome To The New. And Waco act Crowder was nominated for Best Contemporary Christian Music Performance/Song for "Come As You Are."

The Grammy Awards air February 8, 2015, on CBS.

Houston's Lecrae earned three nominations.

Lecrae
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Houston's Lecrae earned three nominations.
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Movie Review

Podcaster lets creepy noises get under her skin in Undertone

Alex Bentley
Mar 13, 2026 | 10:30 am
Nina Kiri in Undertone
Photo courtsy of A24
Nina Kiri in Undertone.

While the horror genre is still capable of producing some innovative filmmaking, most of the output tends to fall back on jump scares and other tropes to deliver their terror. So when a film like the new Undertone tries something different, it should be applauded for the effort, even if it’s not as successful in its execution.

Evy (Nina Kiri) is a podcaster who co-hosts a show called Undertone, which focuses on paranormal videos and sounds they find on the internet. Her co-host, Justin (Adam DiMarco), lives in London, so - for kind of contrived reasons - in order to make the time difference between them work, Evy records at around 3 am her time. Evy - who lives at home with her bedridden, dying mother - is the skeptic of the two, consistently debunking clips that Justin presents to her.

Her doubts are tested when Justin brings in a series of 10 audio clips that purport to be about a boyfriend recording his girlfriend as she talks in her sleep. The audio begins in a lighthearted manner and quickly turns creepy and then sinister as unexplained things start happening. Evy senses that what she’s hearing is bleeding into her own world, especially when inexplicable actions take place in her mother’s bedroom.

Written and directed by first-time feature filmmaker Ian Tuason, the film is effective early on when it introduces the story concept. Making great use of sound design, Tuason essentially puts the audience inside Evy’s head, where every little sound is heightened. Setting the podcast sessions in the middle of the night ups the anxiety level for both her and the audience.

However, as the film goes along it gets a little tedious watching Evy listen to the audio, even as Tuason attempts to keep the film dynamic by moving the camera around her. The premise of the story - progressively going through 10 clips - and Tuason’s framing of shots that focus as much on the background as they do on Evy seem to promise more interesting results than actually transpire.

What ultimately holds the film down more than anything is its lack of different viewpoints. The only other person who’s actually seen is Evy’s mother, who is unable to speak. Evy speaks to Justin, another friend, and a doctor over the course of the story, and while each broadens our understanding of Evy somewhat, none of them make her a truly three-dimensional person. Getting a little more information about her history might have helped the story work better.

Kiri does her level best to vary her acting in the various podcast scenes, and even when they start to get repetitive, she remains compelling and watchable. It’s difficult to judge the other actors based on audio alone, but knowing that DiMarco also starred in season 2 of The White Lotus helps to visualize him and his acting style.

Undertone does well in creating a spine-chilling mood, but it needed something beyond that to become a truly great horror movie. Tuason shows some promise as a filmmaker, especially in the way he uses the camera to create tension, but a more complete story will serve him better the next time around.

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Undertone is now playing in theaters,

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