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    Movie Review

    George Clooney pours humor and heart into The Tender Bar

    Alex Bentley
    Dec 23, 2021 | 10:10 am
    George Clooney pours humor and heart into The Tender Bar
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    In the history of movies, there's no shortage of stories with deadbeat or inattentive fathers. For whatever reasons – patriarchy, jobs taking them away from their families, alcoholism – the idea of bad fathers has had a much larger place in storytelling than good fathers. Fortunately, there are also films like The Tender Bar where a bad father can be counteracted by other people in a child’s life.

    Based on the memoir by J.R. Moehringer, the film follows J.R. as both a child (Daniel Ranieri) and a teenager (Tye Sheridan) as he grows up on Long Island. He and his mother (Lily Rabe) live with his grandparents (Christopher Lloyd and Sondra James), who head a large tight-knit family that includes J.R.’s Uncle Charlie (Ben Affleck).

    Because J.R.’s father – known only as “The Voice” because he’s on the radio – rarely comes around, Charlie takes J.R. under his wing. Charlie owns a neighborhood bar, and he lets J.R. visit whenever he wants, resulting in a variety of lessons you’d never learn in school. But J.R. also excels at school, giving his family hope that he’ll escape the cycle that keeps them stuck on Long Island.

    Directed by George Clooney and written by William Monahan, the film contains some keenly observed storytelling that lets multiple characters shine even when they’re not the focus of attention. The film jumps back and forth in time on multiple occasions, but the structure of the scenes, the funny and insightful dialogue, and the performances by the actors combine to provide much depth to the various relationships.

    Most of that stems from the bond between J.R. and Charlie. Although the language they use with each other would raise more than a few eyebrows among polite society, Charlie is fiercely protective of J.R., and his unorthodox behavior is still leaps and bounds better than his actual father's. Clooney and his team nail every moment between the two of them, creating an indelible pair in the process.

    Although Clooney the actor has had big success through the years, Clooney the director has been hit-and-miss. But he finds his sweet spot here, pacing the film well and knowing when to push the emotion and when to hold back. The only slight misstep was including voiceover by the adult J.R. (Ron Livingston), something that comes off as more schmaltzy than it needed to be.

    The acting in the film is fantastic across the board. Affleck’s movie star roles and off-screen relationships have overshadowed what a good actor he is, something he’s shown on multiple occasions in the past two years. Sheridan has never been better, perhaps because it’s fun to compare and contrast him with the newcomer Ranieri, who’s impossibly cute. All of the supporting characters do great work, even people playing barflies.

    The Tender Bar is funny and heartwarming, but it rises above your typical feel-good kind of film. Not everyone will have the kind of relationship that J.R. and Charlie have in this film, but it’s great that a movie like this exists so we can share space with them, if only for a little while.

    ---

    The Tender Bar is now playing in select theaters; it will debut on Amazon Prime Video on January 7.

    Lily Rabe and Daniel Ranieri in The Tender Bar.

    Lily Rabe and Daniel Ranieri in The Tender Bar
    Photo by Claire Folger
    Lily Rabe and Daniel Ranieri in The Tender Bar.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

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    Oh. What. Fun. is now streaming on Prime Video.

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