ACM Awards recap

Biggest winners and hottest moments from a fiery ACM Awards in Frisco

Dolly Parton sang rock 'n' roll, wheeled a goat on stage, and Facetime'd with Willie Nelson. The 58th annual Academy of Country Music Awards - held Thursday, May 11 at the Star in Frisco - were a wild and sometimes wacky celebration of country music in 2023.

There were tributes to Texas and Dallas-Fort Worth throughout the night, including Dallas Cowboys Dak Prescott and Emmitt Smith presenting awards and the Dallas Cowboys Cheerleaders waving their silver and blue pom-poms on the red (well, black) carpet. The Star in Frisco is, after all, the Cowboys' home turf.

Keith Urban opened the show with an rousing performance of “Texas Time,” which ended with him being raised into the air on a platform while shredding on his guitar. (Wife Nicole Kidman joined him at the event, in town for her own special Dallas gig as keynote speaker for Genesis Women's Shelter's fundraising luncheon on Friday.)

Country music icon Dolly Parton teamed up with Garth Brooks as hosts of the two-hour show, which was streamed live and nearly commercial-free on Prime Video. Things got off to a bit of a weird start when he introduced her as the "G.O.A.T." and she then wheeled a real goat onstage (poor thing!) and cracked a joke about a threesome.

“I think I speak for everybody, not just in Texas but around the world, when I say we will always love you,” a blushing Brooks replied.

The show was as much concert as it is awards presentation. The star-studded lineup of performers and special collaborations included Cole Swindell and Jo Dee Messina on their (award-winning) hit "She Had Me At Heads Carolina - REMIX.” Karaoke lyrics displayed throughout the arena urged the audience to join in, whether they knew the song from back in Messina's day or Swindell's updated version.

In another "coming together" of generations, 2022 ACM Female Artist of the Year winner Carly Pearce and Trisha Yearwood (who won the award 25 years ago) performed a special medley of Yearwood’s hits, including “Wrong Side Of Memphis,” “XXX’s And OOO’s,” and “She’s In Love With The Boy."

English pop superstar Ed Sheeran performed “Life Goes On” from his newly-released album “-” (Subtract) and surprised the crowd when he brought Luke Combs to the stage to join him.

Texas' own Miranda Lambert performed "Carousel,” a song she described as one of her favorite songs she has ever written. (A live version will be released on Amazon Music on May 16.)

New Female Artist of the Year winner Hailey Whitters made her ACM Awards stage debut with a performance of her fan-favorite song, “Everything She Ain’t.”

The War And Treaty mesmerized the crowd with a stripped-back performance of their song “Blank Page.”

Jelly Roll and Lainey Wilson performed “Save Me” in a moment that highlighted Academy philanthropic partner ACM Lifting Lives. Also, Wilson electrified the stage a performance of “Grease,” making its TV debut.

Ashley McBryde, along with Brandy Clark, Caylee Hammack, Pillbox Patti, and John Osborne, delivered an empowering performance of “Bonfire at Tina's” from McBryde's ACM Award-nominated album Ashley McBryde Presents: Lindeville.

It wasn't the only fiery performance.

As promised, Dolly Parton closed the show with one of her biggest performances to date with the world premiere of “World On Fire,” the lead single from her highly anticipated forthcoming rock album Rockstar. The over-the-top production included backup dancers, confetti, and lots of pyrotechnics.

But oh yes, there were awards given out, too. Chris Stapleton, Lainey Wilson, and Cole Swindell were among the night's biggest winners.

Below, a list of the big winners at the 58th ACM Awards. Scroll through the photos above to see some of the most memorable moments from the Texas-sized show.

ENTERTAINER OF THE YEAR: Chris Stapleton

FEMALE ARTIST OF THE YEAR: Lainey Wilson

MALE ARTIST OF THE YEAR: Morgan Wallen (who was absent due to illness)

DUO OF THE YEAR: Brothers Osborne

GROUP OF THE YEAR: Old Dominion

NEW FEMALE ARTIST OF THE YEAR: Hailey Whitters

NEW MALE ARTIST OF THE YEAR: Zach Bryan

ALBUM OF THE YEAR: Bell Bottom Country - Lainey Wilson, Jay Joyce, Broken Bow Records

SINGLE OF THE YEAR: She Had Me At Heads Carolina - Cole Swindell, Zach Crowell, Warner Music Nashville

SONG OF THE YEAR: She Had Me At Heads Carolina - Cole Swindell, Ashley Gorley, Cole Swindell, Jesse Frasure, Mark D. Sanders, Thomas Rhett, Tim Nichols

VISUAL MEDIA OF THE YEAR: wait in the truck - HARDY feat. Lainey Wilson

SONGWRITER OF THE YEAR: Ashley Gorley

ARTIST-SONGWRITER OF THE YEAR: HARDY

MUSIC EVENT OF THE YEAR: wait in the truck - HARDY feat. Lainey Wilson

Getty Images

Host and performer Dolly Parton brought more than a little fire all by herself.

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Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Photo courtesy of A24

Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

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Misty Green is now playing in theaters.

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