Let's Fest

Art, music, and family fun await at 2 treasured Richardson festivals

Add two festivals to the list of things blooming in Richardson each spring: Cottonwood Art Festival and Wildflower! Arts & Music Festival.

It’s the 55th year for Cottonwood Art Festival (May 4-5) and the 32nd for Wildflower! Arts & Music Festival (May 17-19). Here’s what you need to know about both:

Cottonwood Art Festival

What to expect: No matter your art personality type, you’ll find something to love amid more than 200 global artists’ juried work, spanning paintings and sculpture to ceramics, jewelry, fiber art, fine glass, woodwork, mixed media, and photography.

Make sure to look for this year's featured artist, ceramicist Gregory Story. The South Texas native now works out of his Chicago studio, Modern Clay, but studied at both Texas Christian University and the University of Texas at Arlington. He's known for his signature smiley sculptures, which were created as a welcome back post-COVID, and has added onto them with baseball caps in orange, blue, black, and red.

There’s also live music across two stages along with an arts-and-crafts area for the kiddos and plenty of food and drink for all on tap.

Where: Cottonwood Park, 1321 W. Belt Line Rd.

When: Saturday, May 4, 10 am-7 pm; Sunday, May 5, 10 am-5 pm.

Tickets: Admission and parking are both free, with shuttles running continuously between the park and the Richardson High School football stadium lot.

History lesson: Celebrating 55 years, the award-winning Cottonwood Art Festival is a twice-yearly juried show that has become a signature art event in the community and beyond. The festival also provides innovative outreach programs for students, with the goal of broadening interest in visual arts and bringing the art world into classrooms.

More details: CottonwoodArtFestival.com

Wildflower! Arts & Music Festival

What to expect: With six stages and 100-plus performers, including Nile Rodgers & CHIC, Randy Rogers Band, KC & The Sunshine Band, The Struts, Sister Sledge, Monica Saldivar, and more, your listening schedule will be packed at this fest.

Beyond the stages, the Prosperity Bank Marketplace is a one-stop-shop for local and regional accessories, art, home decor, apparel, and more.

There’s also The Zoo art guitar auction, songwriter competition, and Patterson & Associates Performance Row that features street performers, acrobats, and magicians. Plus, look for Wildflower! Kids, a family-fun zone with art, games, informative activities, and kid-friendly tunes.

Photo courtesy of Cottonwood Art Festival

Bring the whole family to Cottonwood Art Festival — it's free!

Where: Galatyn Park Urban Center, located at Galatyn Parkway and U.S. 75.

When: Friday, May 17, 6 pm-midnight; Saturday, May 18, 11 am-midnight; Sunday, May 19, 11 am-6 pm.

Tickets: Friday and Saturday are $30 online ($45 at the gate), Sunday is $15 online ($25 at the gate), and kids 12 and under are free. Richardson residents can score tickets for only $15.

A three-day pass is $65, and the popular Friends of the Festival VIP package is $400. It includes 2 VIP wristbands for the weekend, access to preferred VIP seating at Methodist Richardson Medical Center Stage, complimentary food and beverages (including beer and wine), shade and relaxed seating in the VIP Hospitality Lounge, and 1 VIP parking pass valid for the entire weekend.

Parking: Complimentary parking will be available within the nearby surrounding area. Festival-goers are encouraged to take advantage of the DART Red Line light rail, which stops at the Galatyn Park Station, located immediately adjacent to the west side of the festival grounds.

History lesson: Wildflower! began as a small community gathering in 1993 and has since become one of the most popular cultural events in North Texas, with tens of thousands of fans showing up for their favorite artists.

More details: WildflowerFestival.com

festivals galleries music concerts families promoted

Movie Review

Glen Powell bumps off rich family in How to Make a Killing

Photo courtesy of A24

Glen Powell in How to Make a Killing.

Becoming a star in Hollywood and maintaining that stardom are two very difficult things to achieve, but Glen Powell has been adept at doing so over the past few years. A key supporting role in Top Gun: Maverick led to lead parts in films like Hit Man, Anyone But You, Twisters, and The Running Man. Powell is looking to keep his star power shining in the new dark comedy/thriller, How to Make a Killing.

He plays Beckett, an outcast member of the ultra-wealthy Redfellow clan. Struggling to get by in a menial job in New York City while still living in New Jersey, Beckett’s only smidgen of hope is that he remains an heir to the vast Redfellow fortune. The only trick? Every other remaining family member must die before he’ll see a dime of that money. When even that menial job goes away, Beckett indulges the fantasy of bumping off his familial competition.

Among those standing in his way are cousins Taylor (Raff Law), a finance bro, Noah (Zach Woods), a pretentious artist, and Steven (Topher Grace), a celebrity pastor; Uncle Warren (Bill Camp) and Aunt Cassandra (Bianca Amato); and grandfather Whitelaw (Ed Harris). Complicating matters, however, are an old childhood friend, Julia (Margaret Qualley), who starts asking more of Beckett than he can give; and new flame Ruth (Jessica Henwick), who happens to be dating Noah when he meets her.

Written and directed by John Patton Ford (Emily the Criminal), the film is a tale of two halves. Narrated by Beckett in the form of telling his story to a prison chaplain, the story plays with audience expectations on multiple occasions. As Beckett ramps up to detailing exactly how he got started down the road toward being a serial killer, the film has a fun-if-macabre vibe.

Under normal circumstances Beckett would be someone to despise, but since he’s an underprivileged person who’s taking aim at people who (mostly) don’t seem to appreciate their good luck, it feels okay to cheer for him. This follows a recent trend in “eat the rich” films, one that’s been influenced by a turn against real-life billionaires. Ford plays heavily into the theme and it works for a good portion of the film.

However, things get a little murky in the second half of the movie. A few of the planned killings get less attention than others, making their - pardon the pun - execution less interesting/fun than the others. Also, Ford does a poor job of indicating just how much weight should be put on Beckett’s relationship with Julia, someone with whom he only has occasional interactions for the bulk of the film.

It’s difficult to know the exact right way to showcase Powell, but this film doesn’t seem to be the best fit. Whether it’s the odd hairstyle/wig he’s given, or the varying degrees of confidence his character shows, his performance is up and down. Qualley’s acting style is over-the-top, and she needed to dial it down in this particular role. Henwick and Camp are the grounding forces in the film, keeping the story somewhat tethered to reality while almost everyone else makes a meal of their scenes.

How to Make a Killing is serviceable entertainment that gives viewers a decent number of laughs and thrills. But Ford can’t find a way to make the story work all the way through, and a so-so performance by Powell keeps the film from rising above its mediocre station.

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How to Make a Killing opens in theaters on February 20.

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Movie Review

Glen Powell bumps off rich family in How to Make a Killing