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    Weekend Event Planner

    These are the 10 best things to do in Dallas this weekend

    Alex Bentley
    Apr 18, 2024 | 6:00 am

    Almost every event on the list this weekend around Dallas will have another one complementing it. There will be performances by three comedians, two local theater productions, two concerts, and two dance performances, one of which will take place alongside a symphony concert. The one outlier will be the return of a long-running film festival.

    Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

    Thursday, April 18

    Roy Wood, Jr.: Happy To Be Here
    Comedian Roy Wood Jr. was one of the longest-serving correspondents in the history of Comedy Central's The Daily Show, appearing from 2015 to 2023. During his tenure, Wood used The Daily Show’s brand of satire to shed a light on serious issues like Chicago gun violence, police reform, LGBTQ+ discrimination, ICE deportations and PTSD in the Black community. His recent credits include guest starring roles in Netflix’s comedy series Space Force, AMC’s Better Call Saul, and The Last O.G. on TBS. He'll perform at House of Blues Dallas.

    54th Annual USA Film Festival
    The 54th annual USA Film Festival will feature 24 separate programs, including tributes to iconic actors and filmmakers, new feature films, and short film showcases. Among the highlights will be tributes to actors Martin Sheen and Billy Dee Williams, both of whom will be in attendance; a 40th anniversary screening of Footloose, with screenwriter/songwriter Dean Pitchford in attendance; actor John Magaro in attendance for his new film, LaRoy, Texas; and more. The main festival will be at Angelika Film Center in Dallas through Sunday, with the Billy Dee Williams tribute on April 26.

    WaterTower Theatre presents Satchmo at the Waldorf
    Satchmo at the Waldorf is a one-man, three-character play in which the same actor portrays Louis Armstrong, the greatest of all jazz trumpeters; Joe Glaser, his white manager; and Miles Davis, who admired Armstrong’s playing but disliked his onstage manner. It takes place in 1971 in a dressing room backstage at the Empire Room of New York’s Waldorf-Astoria Hotel, where Armstrong performed in public for the last time. just four months before his death. The production runs through April 28 at WaterTower Theatre in Addison.

    Laufey in concert
    At just 24 years old, Icelandic-Chinese-American songwriter Laufey has already been dominating the charts with her first two albums of jazz, R&B, and pop tunes. Her second album, 2023's Bewitched, went all the way to No. 1 on the Billboard Jazz chart, and a respectable showing of No. 23 on the overall Billboard 200. She'll perform the second of two shows at Winspear Opera House, with support from Grace Enger.

    Majestic Theatre presents Amy Sedaris
    Amy Sedaris is a prolific actress, author, comedian, and rabbit educator who has appeared often on screen, both large and small. Her recent work includes movies like Ghosted and Somebody I Used to Know, and the Disney+ series The Mandalorian. On the heels of appearing at the Moontower Comedy Festival in Austin, she'll perform at Majestic Theatre.

    Friday, April 19

    NTPA Repertory Theatre presents The Producers
    In the musical The Producers, a down-on-his-luck Broadway producer and his mild-mannered accountant come up with a scheme to produce the most notorious flop in history, thereby bilking their backers (all "little old ladies") out of millions of dollars. Only one thing goes awry: the show is a smash hit. The production runs through April 28 at North Texas Performing Arts in Plano.

    Dallas Black Dance Theatre presents Rising Excellence
    Audiences can get a glimpse into the future of dance with Dallas Black Dance Theatre's Encore company as they present Rising Excellence, which features innovative choreography and performances by some of the most talented emerging artists in the field. DBDT's internationally recognized company members embody the next generation of artistic greatness. There will be performances on both Friday and Saturday at Moody Performance Hall.

    Dallas Symphony Orchestra presents Troupe Vertigo
    Fusing together elements of cirque acrobatics, classical dance, and contemporary theater, Troupe Vertigo brings audiences on a spellbinding journey through the world of artistic movement. The Dallas Symphony Orchestra will perform a variety of pieces, including Holst's “Jupiter” from The Planets, music from the Pixar film Up, and excerpts from Close Encounters of the Third Kind, while the dancers perform. There will be three performances through Sunday at Meyerson Symphony Center.

    Desi Banks: The Purpose Chaser Tour
    Desi Banks is the ultimate triple threat – actor, stand-up comedian, and entrepreneur who's swiftly becoming a household name; known for his razor-sharp wit and hilarious comedic timing. He's toured with likes of Mike Epps, Deray Davis, Kountry Wayne, Gary Owens, Lavell Crawford, and more. He'll perform at Majestic Theatre.

    Saturday, April 20

    Troupe Vertigo
    Photo courtesy of Troupe Vertigo

    Troupe Vertigo will perform alongside the Dallas Symphony Orchestra at Meyerson Symphony Center, April 19-21.

    Blue October in concert
    Houston rock band Blue October rose from relative obscurity in the late '90s/early 2000s to become one of the bigger groups of their genre in the 2010s, scoring five top 5 albums from 2011-2018. Known best for songs like "Hate Me" and "Into the Ocean," they'll play at The Pavilion at Toyota Music Factory in Irving in support of their 2023 album, Spinning the Truth Around (Part II).

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    Movie Review

    Film sequel Avatar: Fire and Ash is a technical and visual feast

    Alex Bentley
    Dec 18, 2025 | 3:15 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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