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Weekend Event Planner

These are the 14 best things to do in Dallas this weekend

Alex Bentley
Oct 6, 2022 | 6:00 am

It's another big weekend in and around Dallas, including five concerts featuring well-known singers or bands, two new local theater productions, a famous comedian, the start of a new opera season, and more.

Below are the best ways to spend your precious free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

Thursday, October 6

The Firehouse Theatre presents Catch Me If You Can
Seeking fame and fortune, precocious teenager Frank Abignale, Jr. runs away from home to begin an unforgettable adventure. With nothing more than his boyish charm, a big imagination and millions of dollars in forged checks, Frank successfully poses as a pilot, a doctor, and a lawyer, living the high life and winning the girl of his dreams. The musical comedy about chasing your dreams and not getting caught will play at The Firehouse Theatre in Farmers Branch through October 23.

Craig Ferguson: The Fancy Rascal Tour
Craig Ferguson is an actor, writer, producer, director, and comedian with a diverse career that encompasses film, television, and the stage. He is a bestselling author, has recorded numerous standup specials, and was the host of The Late Late Show with Craig Ferguson, which ran on CBS for 10 years. He'll perform at Majestic Theatre.

Friday, October 7

Dallas Symphony Orchestra presents "Hélène Grimaud Plays Brahms"
Wildlife conservationist, activist, writer, and virtuosic pianist Hélène Grimaud returns to Dallas to perform Brahms’ First Piano Concerto, the composer’s first performed orchestral work. The symphony will also perform Franck’s Symphony in D minor, which is being reintroduced by conductors like Fabio Luisi with a passion for exposing lost masterpieces to new audiences. There will be three performances through Sunday at Meyerson Symphony Center.

The Doobie Brothers in concert
The Doobie Brothers are a classic rock band whose sound has come to be associated with the term "yacht rock." Debuting in 1971, the group - which has famously featured singer Michael McDonald off and on for most of its history - has a number of indelible hits, including "Listen to the Music," "Black Water," "What a Fool Believes, and more. They'll play at Majestic Theatre as part of their 50th anniversary tour, which is in support of their 2021 album, Liberté.

Cara Mia Theatre presents Latinidades Theatre Fest: ¡Estar Guars!
In a loving homage to live comedy, original videos, and visual spectacle, ¡Estar Guars! re-creates the classic sci-fi rebellion as a modern-day Resistencia, complete with Galactic Walls, space chanclas, migrant moisture farmers, fearless princesas, mystical abuelas, and the targeting of Sanctuary Planetas by an evil empire determined to MAGGA (Make A Galaxy Great Again). The finale of Cara Mia Theatre's Latinidades Theatre Fest will play at Latino Cultural Center through Sunday.

Dallas Black Dance Theatre presents DanceAfrica
The 17th annual DanceAfrica will feature African culture flowing through the music and dance of DBDT and DBDT: Encore!, along with the Allegro Performing Ensemble, the Senior Performing Ensemble, and the Junior Performing Ensemble of Dallas Black Dance Academy. Also performing will be guest artist Giwayen Mata, the Booker T. Washington High School for the Performing and Visual Arts Dance Conservatory, and the DeSoto A Cappella Choir and Varsity Women. The festival takes place on Friday and Saturday at Moody Performance Hall.

Saturday, October 8

Morgan Wallen in concert
Few entertainers have had a better start to their careers than country singer Morgan Wallen. His 2018 debut If I Know Me went double platinum and yielded a No. 1 hit, "Whiskey Glasses." His follow-up, 2021's Dangerous: The Double Album, has been even bigger, going to No. 1 on the Billboard 200 and was named Album of the Year at the 2022 Academy of Country Music Awards. He'll play at an appropriately big venue, Globe Life Field in Arlington, as part of his first headlining tour.

The Dallas Opera presents Rigoletto
Treachery, seduction, and a raging father dead set on revenge. Rigoletto - he’s the jaded jester paid to make others laugh in the debauched court of Mantua. But when his innocent daughter is cruelly seduced by the predatory Duke, Rigoletto stops being funny and vows revenge. Seething with rage, he launches an elaborate plot to avenge his beloved child. But everything goes terribly, terribly wrong... The opera will have four performances through October 16 at Winspear Opera House.

Turtle Creek Chorale presents That '70s Show: Sing-Along Sensation
That '70s Show: Sing-Along Sensation features songs that made the '70s one of the most amazing decades for music, not to mention the social and political shift that unfolded during the truly revolutionary time in people's lives. The special concert will give audiences a chance to join the Turtle Creek Chorale and celebrate the exciting, provocative, and fabulous music of the storied decade. There will be two performances - one Saturday and one Sunday - at McFarlin Auditorium on the SMU campus.

Bonnie Raitt in concert
Blues singer and guitarist Bonnie Raitt has been performing for over 50 years, although she didn't achieve breakthrough success until her 10th album, 1989's Nick of Time. It was her follow-up album, Luck of the Draw, which made her a superstar, thanks to hits like "Something to Talk About" and "I Can't Make You Love Me." She'll play at Texas Trust CU Theatre at Grand Prairie in support of her new album, Just Like That..., joined by Marc Cohn.

Eisemann Center presents Paul Taylor Dance Company
The Paul Taylor Dance Company is one of the world’s most sought-after dance troupes. The dancers, led by Artistic Director Michael Novak, perform Taylor's repertoire and works by contemporary choreographers. Dances on the program for this performance at Eisemann Center for the Performing Arts in Richardson include Paul Taylor's Arden Court, Taylor's Scudorama, and Rush Hour 1 by Larry Keigwin.

Roger Waters in concert
During this concert at American Airlines Center, part of Roger Waters' This is Not a Drill tour, he will give an indictment of the corporate dystopia in which we all struggle to survive, and a call to action to love, protect, and share the precious and precarious planet Earth. The show will include a dozen songs from Pink Floyd's golden era, alongside other newer songs.

Sunday, October 9

Nasher Sculpture Center presents Magali Reus: "A Sentence in Soil" closing day
Sunday will be the final day to view Magali Reus: "A Sentence in Soil" at Nasher Sculpture Center. Reus' second major U.S. show features an installation that examines the relationships between people and objects through the distortion of common images. The artist reimagines commonly found objects such as “No Parking” signs or dehumidifiers to take on new lives.

Monday, October 10

Bonnie Raitt
Courtesy photo

Legendary Bonnie Raitt will play at Texas Trust CU Theatre at Grand Prairie on October 8.

The Chicks in concert
We're extending the list past the weekend to note a rare two-day appearance by a big band. The last time The Chicks came to town in 2016, they still had the word "Dixie" attached to their name. But in 2020, in conjunction with the release of their latest album, Gaslighter, they decided to drop that part since it came with unintended negative connotations. They'll play on both Monday and Tuesday at The Pavilion at Toyota Music Factory in Irving.

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Movie Review

Film sequel Avatar: Fire and Ash is a technical and visual feast

Alex Bentley
Dec 18, 2025 | 3:15 pm
Oona Chaplin in Avatar: Fire and Ash
Photo courtesy of 20th Century Studios
Oona Chaplin in Avatar: Fire and Ash.

For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

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Avatar: Fire and Ash opens in theaters on December 19.

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