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    Movie Review

    Third time's not the charm for My Big Fat Greek Wedding 3

    Alex Bentley
    Sep 8, 2023 | 11:23 am

    Keeping a franchise going in Hollywood is dependent on a lot of factors, but prime among them is a studio’s willingness to pay for it and an audience’s interest in seeing more of it. My Big Fat Greek Wedding was the surprise hit of 2002, earning over $368 million worldwide and even a screenwriting Oscar nomination for writer/star Nia Vardalos.

    Vardalos immediately turned that success into a CBS sitcom, My Big Fat Greek Life, in 2003 … which lasted seven episodes. Thirteen years later, she tried to resurrect the franchise with 2016’s My Big Fat Greek Wedding 2 … and was met with a resounding yawn from both critics and moviegoers. And yet, she’s somehow convinced the right people that an audience exists for My Big Fat Greek Wedding 3.

    For the first time in the franchise, the title doesn’t refer to just the family of Toula (Vardalos), but also the location, as she, her husband Lan (John Corbett), her brother Nick (Louis Mandylor), her daughter Paris (Elena Kampouris), and more have returned to the Greek hometown of the family patriarch for a “reunion.” Except, for most of the film, it’s just them, the town’s mayor, Victory (Melina Kotselou), and a few others.

    There is no real plot to speak of from writer/director Vardalos, as it’s just an excuse to string together a bunch of supposedly humorous gags about the unwelcoming nature of one local woman, the boorish personality of Nick, a will they/won’t they with Paris and ex-boyfriend Aristotle (Elias Kacavas), and more. That would be all well and good if the film had any kind of comic timing or charm. Which it doesn’t. Zero.

    In fact, the first 30 minutes of the film are shocking in how inept the filmmaking is, with it turning into the equivalent of watching dead air on radio. None of the jokes land, shots are held on characters for unknown strange reasons, and the music sometimes drops out altogether, making the scenes very awkward.

    Once they arrive in Greece, there are at least the visuals of the countryside to distract, but Vardalos manages to botch even that. Very few of the scenes take place in objectively picturesque locations, and even those that do don’t take full advantage of the views. Why you would travel all the way to Greece to not make it a love letter to that country is strange indeed.

    You would also think that being in Greece would result in fun performances, but almost none of the actors seem like they’re having a good time. The lone exception is Andrea Martin as Aunt Voula, who absolutely slays with her criminally-small amount of screentime. Vardalos has also saddled Toula’s mother, Maria (Lainie Kazan), with dementia, a choice that does neither the actor nor the film any favors.

    Much like Adam Sandler setting many of his movies in exotic locations, it feels like Vardalos only made My Big Fat Greek Wedding 3 as a way to get her and her cast to Greece. The film itself is a hodgepodge of scenes with little humor or emotion, making it a waste of 90 minutes for anyone unlucky enough to sit through it.

    ---

    My Big Fat Greek Wedding 3 is now playing in theaters.

    Nia Vardalos and John Corbett in My Big Fat Greek Wedding 3

    Photo by Yannis Drakoulidis / Focus Features

    Nia Vardalos and John Corbett in My Big Fat Greek Wedding 3.

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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

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    Five Nights at Freddy's 2 opens in theaters on December 5.

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